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The Man Who Wasn't There (2001)



Average Rating: 7.1/10
Reviews Counted: 154
Fresh: 124 | Rotten: 30

Stylish but emotionally distant, The Man Who Wasn't There is a clever tribute to the film noir genre.


Average Rating: 6.7/10
Critic Reviews: 35
Fresh: 25 | Rotten: 10

Stylish but emotionally distant, The Man Who Wasn't There is a clever tribute to the film noir genre.



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Average Rating: 3.7/5
User Ratings: 39,828

My Rating

Movie Info

Set in a sleepy Northern California town in the 1940s, Joel Coen and Ethan Coen's The Man Who Wasn't There stars Billy Bob Thornton as Ed Crane, a humble barber who suspects his hard-hearted and hard-drinking wife Doris (Frances McDormand) of having an affair with her boss (James Gandolfini). When a jocular stranger (Jon Polito) breezes into town hinting at the fortune to be made investing in an outlandish-sounding new invention called dry cleaning, Ed hatches a blackmail scheme he hopes will


Drama, Romance, Comedy


Joel Coen, Ethan Coen

Apr 16, 2002


USA Films - Official Site External Icon

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All Critics (155) | Top Critics (35) | Fresh (124) | Rotten (30) | DVD (26)

Affectlessness is not a quality much prized in movie protagonists, but Billy Bob Thornton, that splendid actor, does it perfectly as Ed Crane.

October 13, 2009 Full Review Source: TIME Magazine
TIME Magazine
Top Critic IconTop Critic

The film holds the interest, to be sure, but more due to the sure sense of craft and precise effect that one expects from the Coens than from genuine involvement in the story.

November 7, 2007 Full Review Source: Variety
Top Critic IconTop Critic

Joel and Ethan Coen stay true to their bent for dense heroes and neonoir, and to their unshakable conviction that life usually turns out to be splendidly horrific.

November 7, 2007 Full Review Source: Chicago Reader
Chicago Reader
Top Critic IconTop Critic

In this the Coens' sly script is helped no end by Billy Bob Thornton's supremely eloquent performance as the taciturn tonsor, lent terrific support from Frances McDormand as the wife.

June 24, 2006 Full Review Source: Time Out
Time Out
Top Critic IconTop Critic

Despite the movie's humor and sense of irony, it takes on a sense of somberness as it progresses.

July 21, 2005 Full Review Source: Houston Chronicle
Houston Chronicle
Top Critic IconTop Critic

The Coens have resurrected a hardscrabble California of wooden porches and gravel driveways, of rolling, oak-wreathed hills and one-lane roads, and of a restless people whose meager dreams are wrecked the moment money, sex or a bottle get in the way.

September 30, 2002 Full Review Source: L.A. Weekly
L.A. Weekly
Top Critic IconTop Critic

This stylized black and white noir by the Joel and Ethan Coen is meticulously mounted but too emotionally detached and only sporadically engaging.

April 1, 2011 Full Review Source: EmanuelLevy.Com

Some mature themes--best for older teens.

December 28, 2010 Full Review Source: Common Sense Media | Comments (162)
Common Sense Media

Few outside of Coen cliques paid this nihilistic neo-noir much attention. Perhaps that's its wryest, slyest punchline: To watch Ed Crane is to largely forget him and, upon returning to him, revisit the pleasure of meeting him for the first time.

September 19, 2010 Full Review Source:

As good a film as I've seen this year.

November 7, 2007 Full Review Source: Observer [UK]
Observer [UK]

Thornton does wonders within the tabula rasa of words and gestures he's limited to.

September 27, 2007 Full Review Source:

Mr. Shaloub injects some much needed energy into the film which otherwise feels long at two hours.

July 14, 2007 Full Review Source: Big Picture Big Sound
Big Picture Big Sound

Slowly paced for a thriller and with a hero many will find off-putting, this is nevertheless a gripping, unusual and challenging work from the most consistently brilliant filmmakers of the last decade.

December 30, 2006 Full Review Source: Empire Magazine
Empire Magazine

It's perfectly, elegantly reticent about its subject matter, as suits both the theme and the tradition of film noir (a type of filmmaking that thrives on unstated motives).

March 3, 2005
The Nation

You've heard of a 'vacant stare'; now you know what it's like for the person staring.

December 6, 2004
Looking Closer

Thornton's ultra low key performance is a plus, as is the effectively moody, black and white cinematography.

October 30, 2004 Full Review

Once again, Ethan and Joel Coen have twisted a film genre into something new.

June 23, 2004 Full Review Source: Courier-Journal (Louisville, KY)

Joel and Ethan Coen have created an excellent film that intelligent audiences should really appreciate.

February 24, 2004 Full Review Source:

A perfectly executed illustration of what is not, quite, great about the Coen brothers, which is a kind of grandstanding, and another kind of weirdly alienating insincerity.

October 19, 2003 Full Review Source: Daily Telegraph
Daily Telegraph

Makes people wish they could still light up in cinemas. It might not be the Coens at their best, but they still blow smoke in the faces of all the competition.

May 22, 2003 Full Review Source: RTE Interactive (Dublin, Ireland)

The Coen Brothers continue to trick up the past, skewing film noir and the late '40s through their deadpan sensibility.

May 20, 2003
Palo Alto Weekly

Audience Reviews for The Man Who Wasn't There

The Coens capture the look and feel of not only film noir, but that era (late 1940s) as a whole, perfectly with this film. Billy Bob Thornton is great as the laconic, chain-smoking barber Ed Crane, who doesn't have a whole lot to say, and doesn't really do much either.

To break out of his achingly dull life Ed decides to get involved with a businessman trying to start up a dry cleaning business. To get the money for financing, Ed blackmails his wife's boss who is having an affair with her. Of course, since this is both a noir and a Coen Brothers film, not all goes according to plan, and nothing is really quite as it seems.

This isn't the best film from the Coens, but it's still really good. It's by far their most serious work, but even then, there's still a shred of their trademark dry, dark humor and some really odd characters and weird things going on, mostly a motif involving flying saucers. Heck, even Ed himself is very much an alien with how he really doesn't seem to fit into the world.

The most striking thing about this film is definitely the look. Filmed in color, but printed in black and white, this is immediately their most strikingly gorgeous work from a visual standpoint. Unlike some modern films done in black and white, this actually does look and feel like a legit 40s film. It's an impressive job that was done by the production designer, costume designer, and the venerable director of photography Roger Deakins.

I could stare at this film all day and never tire of the great images it has to offer.

Give this one a shot. It's slow, odd, and deliberate, but a real underrated gem worth looking at. The performances are great, the music is wonderful, and it's just a great love letter to classic noir. Also, the commentary track is amazingly entertaining and funny in its own right.
July 19, 2013
Chris Weber

Super Reviewer

A beautiful minor key film. The inclusion of some of Beethoven's most beautiful sonatas into this noir really works. Thornton and McDormand are fantastic plus a whole host of supporting roles that are hilarious.
March 26, 2012
Graham Jones

Super Reviewer

Definitely the Coens' greatest achievement. right after Blood Simple, Millers Crossing, Raising Arizona, No Country for Old Men, the Big Lebowski, Fargo and O' Brother, Where Art Thou.
January 18, 2012

Super Reviewer

The Coen brothers stylish noir looks as cool as it gets, but is it entertaining enough? No. No thrills, not too much suspense, but hell, no wonder Roger Deakens got the Acamedy Award nomination for this one. Awesome cinematography.
March 12, 2011
Kase Vollebregt

Super Reviewer

Movies Like The Man Who Wasn't There

    1. Freddy Riedenschneider: I litigate, I don't capitulate.
    – Submitted by Frances H (7 months ago)
    1. Freddy Riedenschneider: The more you look, the less you see.
    – Submitted by Sebas C (19 months ago)
    1. Carcanogues: Some day I think she will make very good typist.
    – Submitted by Paolo P (2 years ago)
    1. Ed Crane: Me, I don't talk much... I just cut the hair.
    – Submitted by Sam B (2 years ago)
View all quotes (4)

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Foreign Titles

  • The Barber : l'homme qui n'Útait pas lÓ (FR)
  • El hombre que nunca estuvo allÝ (ES)
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