Manderlay (2006)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Manderlay may work better as a political statement than as a film, making its points at the expense of telling a compelling story.


Movie Info

The politics of slavery and the follies of nation-building highlight Danish director Lars von Trier's thought-provoking follow-up to the director's 2003 drama Dogville, featuring The Village's Bryce Dallas Howard in the role originally played by Nicole Kidman, and shot in the same stage-bound style as its predecessor. Shortly after leaving Dogville, Grace (Howard) and her father (Willem Dafoe) wander into a gated Alabama community still operating under the tenets of slavery. Appalled to stumble … More

Rating: Unrated
Genre: Drama , Special Interest
Directed By:
Written By: Lars von Trier
In Theaters:
On DVD: Aug 8, 2006
Runtime:
IFC Films - Official Site

Cast


as Wilhelm

as Grace's Father

as Philomena

as Mr. Robinsson

as Mr. Kirspe

as Dr. Hector

as Narrator

as Old Wilma

as Dr. Hector

as Elisabeth

as Stanley Mays

as Claire

as Truck Driver

as Gangster

as Gangster

as Mr. Miller

as Gangster

as Gangster

as Gangster
Show More Cast

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Critic Reviews for Manderlay

All Critics (106) | Top Critics (32)

Manderlay loses in power what it lacks in novelty, even though it's more relevant than anything the year is likely to bring.

Full Review… | November 27, 2006
AV Club
Top Critic

Watching this film is an edifying but frustrating experience; dull in parts, amusing and illuminating in others. You'd still struggle to call it entertainment.

Full Review… | June 24, 2006
Time Out
Top Critic

Dig that freaky symbolism!

Full Review… | May 12, 2006
New York Magazine/Vulture
Top Critic

If von Trier can't be bothered to get out more, he should at least consider picking up a book or just using some real imagination.

Full Review… | March 24, 2006
Detroit Free Press
Top Critic

The second installment in Lars von Trier's trilogy, USA: Land of Opprtunity, is a maor disappointment

Full Review… | April 19, 2011
EmanuelLevy.Com

A superior entry to "Dogville."

Full Review… | April 29, 2009
Cinema Crazed

Audience Reviews for Manderlay

I really didn't think he'd top Dogville but I think Lars von Trier has here with Manderlay. The sound-stage concept still feels fresh and the change of actors almost adds to the next chapter of the American trilogy (At least what was meant to be a trilogy, it's a terrible shame another film will now not be made). Everything about this film is first rate, I'm astonished by this film's low rating on flixster. I guess if you hold a mirror up to the world, the world doesn't always like what it sees.

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SirPant
Anthony Lawrie

Super Reviewer

½

Lars Von Trier repeats his famous and tedious Dogville formula. nevertheless, an interesting and thought-provoking microcosm.

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pier007
Pierluigi Puccini

Super Reviewer

½

The mid-point of Lars von Trier's 'American trilogy', Manderlay follows up Dogville in it's presentation of the hypocrisy of a fictional-but-it-most-certainly-could-be-real town in the good ol' US of A.
Rather than another case of snide back-stabbing in such backwater towns, Manderlay takes us (and Grace) to a small village in which slavery is still going ahead. Grace is quick to point out the error of everyone's ways here, even arguing her father's gangsters have more humanity, and her trust and optimism later prove to be here downfall.
The sets are once again less than minimal, mostly rooms are defined by chalk outlinesm with occiasonal 'real pieces', such as a donkey powering a well. Though still powerful cinema, by its very nature lacks the innovation of the first, and thus the impact.
Other flaws occur, such as Grace's recasting as Bryce Dallas Howard. Not that she gives a bad performance; she simply doesn't look like Kidman, nor does she have her screen prescence. Another issue is her sudden precociousness (at nights she lusts for a local 'black buck'), which seems implausible after her sexual torment in Dogville.
The third act is a belter, though, ably illustrating von Trier's true colours with some pitch-perfect, arguably por-slavery humanistic drama.
Imperfect, but powerful.

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guttersnipe28
Antony Stubbs

Super Reviewer

Manderlay Quotes

– Submitted by Frances H (2 years ago)
– Submitted by Frances H (2 years ago)

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