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Manufactured Landscapes (2007)
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Reviews Counted:12
Fresh:4
Rotten:8
Average Rating:2.7/10
Runtime: 90 mins
Genre: Dramas
Synopsis: From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space... From its stunning eight-minute opening shot to the remarkable documentation of China's Three Gorges Dam, Manufactured Landscapes is an impressive experience. That's partly due to the size and space of the landscapes, but mostly because of the beauty of the images--their composition and color, a sharp contrast to the film's content: this is a luscious world of destruction. Ultimately Landscapes is the portrait of one man's voyage as it follows celebrated still photographer Edward Burtynsky on a tour of Asia. Burtynsky takes large-format stills of industrial landscapes: factory workers lined up to infinity, giant ships eviscerated, massive recycling dumps, expansive strip mines. His goal is to portray humanity's relationship to nature as we pursue progress. His images are striking and picturesque, leaving viewers on their own to comprehend the negative global ramifications. Director Jennifer Baichwal makes insightful choices. The film perfectly balances the images of Burtynsky with those of talented cinematographer/creative consultant Peter Mettler. Burtynsky provides the vision and philosophy, and the filmmakers examine the specific details. And when Burtynsky speaks, he neither celebrates nor condemns but simply explores who we are in relation to our planet. We extract things from the environment to survive, and that is damaging the world. -- © Sundance Film Festival. [More]
Director: Jennifer Baichwal
Director: Jennifer Baichwal
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Reviews for Manufactured Landscapes
A timely meditation on one country's carbon footprints which subtly suggests we all pause to consider redefining the meaning of civilization.
There's a huge difference between conveying the numbing, dehumanizing and mindlessly repetitive nature of factory drudgery in a movie, and subjecting your audience to the same by involving them visually in that unbearable tedium.
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November 16, 2007:
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