If Jean-Luc Godard isn't careful he is going to shoot his way right out of the avant-garde -- out of the idolatrous affection of all those cinema buffs who go for movies that are formless and obscure.
A Married Woman (1964)
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Reviews Counted:2
Fresh:2
Rotten:0
Average Rating:N/A
Runtime: 1 hr 35 mins
Genre: Foreign Films
Synopsis: Famed auteur Jean-Luc Godard's fascination with the female race continues with A MARRIED WOMAN, an unconventional cinematic portrait of a woman who is at a crossroads in her life. Charlotte (Macha... Famed auteur Jean-Luc Godard's fascination with the female race continues with A MARRIED WOMAN, an unconventional cinematic portrait of a woman who is at a crossroads in her life. Charlotte (Macha Meril) is a beautiful young wife and stepmother, who also happens to have fallen in love with Robert (Bernard Noel), a charming actor. While her husband, Pierre (Philippe Leroy), is away on business, she and Robert continue to spend time together in a hotel. When Pierre returns, Charlotte must lie in order to cover up her infidelities. She eventually learns that she is pregnant, forcing her to choose between a life with her husband, or a fresh new start with Robert. Shot in a series of extreme close-ups that mostly focus on Charlotte's flesh, Godard shows his obvious reverence for the female body. He also allows his actors the time to express their own confusion and philosophies--most notably in an extended dinner sequence. Godard's intellectual approach to male-female relationships, and especially the institution of marriage, is on full display with this influential drama, in a similar manner to the director's MY LIFE TO LIVE, TWO OR THREE THINGS I KNOW ABOUT HER, and CONTEMPT. [More]
Starring: Macha Meril, Bernard Noel, Philippe Leroy, Rita Maiden
Starring: Macha Meril, Bernard Noel, Philippe Leroy, Rita Maiden
Director: Jean-Luc Godard
Director: Jean-Luc Godard
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Reviews for A Married Woman
This is still Godard's view of life in France in 1964, and one of his most sociological films, as well as one of his most formally accomplished.
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