George A. Romero is still limited by apparently low budgets. But he has inserted some sepia-toned flashback scenes of Martin in Rumania that are extraordinarily evocative.
Martin (1978)
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Reviews Counted:23
Fresh:22
Rotten:1
Average Rating:7.6/10
Consensus: George A. Romero's contribution to vampire lore contains the expected gore and social satire -- but it's also surprisingly thoughtful, and boasts a whopper of a final act.
Runtime: 1 hr 39 mins
Genre: Horror/Suspense
Synopsis: John Amplas stars as the title character -- an alienated, depressed, and fangless 18-year-old denizen of an industrial town who is compelled to kill and drink blood. But is he really a vampire, or... John Amplas stars as the title character -- an alienated, depressed, and fangless 18-year-old denizen of an industrial town who is compelled to kill and drink blood. But is he really a vampire, or is he merely suffering from psychosis? His elderly uncle Cuda (Lincoln Maazel), whom Martin lives with and in whose grocery store he works, seems to believe the former, calling the young man Nosferatu and waving garlic and crosses in his face. But Martin isn't that type of vampire--he prefers to use syringes and razor blades for his bloodletting. The film takes an interesting turn when the lonely youth turns to a radio call-in program to talk about his compulsion. While this twist could easily be played for laughs, in Romero's hands it becomes insightful and unsettling. A deliberate character study, MARTIN has intense performances, a uniquely disturbing mood, and an effectively grainy, shadowy look. Romero's eccentric vampire film avoids hitting on a gut level, choosing to shock viewers on a psychological one instead. [More]
Starring: John Amplas, Lincoln Maazel, Christine Forrest, Tom Savini
Starring: John Amplas, Lincoln Maazel, Christine Forrest, Tom Savini, Sarah Venable, Elyane Nadeau
Director: George A. Romero
Director: George A. Romero
Producer: Richard P. Rubinstein
Composer: Donald Rubinstein
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Reviews for Martin
Aside from the zombie classics and taken by itself, Martin is also a kind of masterpiece.
Romero's finest achievement may have been...[this] 1977 character study about a young, lonely man living in Pittsburgh who may or may not be a vampire.
A shocking, thoughtful reworking of the vampire myth set in a dying American steel town.
Gory thriller that makes fun of the vampire myth before the hammer blow of a truly shocking climax.
Romero makes stunning use of his Pittsburgh locations to create a desolate suburban wasteland, and at its best it is rivetingly raw-edged.
Psicologicamente denso, o filme usa o “vampirismo” do personagem como metáfora das angústias de uma década conturbada, podendo ser “lido” de inúmeras formas diferentes.
A surprisingly tender, ambiguous, and sexy film in which Romero's penchant for social satire is for once restricted to local and modest proportions.
Latest News for Martin
February 15, 2008:
George A. Romero on Diary of the Dead: The RT Interview
With sequel talk already on the horizon, RT chats up horror legend George A. Romero about zombie movies and the latest addition to his Living Dead series. More...
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