Under the circumstances, Anjelica Huston and Lukas Haas manage not to embarrass themselves, but only because they're pretending to be in a different movie.
Material Girls (2006)
Tomatometer
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Reviews Counted:14
Fresh:1
Rotten:13
Average Rating:2.1/10
Consensus: As a film, Material Girls fails to live up to even the limited corporeal goals of its title.
Theatrical Release:Aug 18, 2006 Wide
Box Office: $11,337,251
Synopsis: Ava (Haylie Duff) and Tanzie (Hilary Duff) Marchetta are rich, spoiled sisters. Their late father founded a cosmetics empire, allowing them to live a dream life complete with a Los Angeles mansion,... Ava (Haylie Duff) and Tanzie (Hilary Duff) Marchetta are rich, spoiled sisters. Their late father founded a cosmetics empire, allowing them to live a dream life complete with a Los Angeles mansion, hot car, endless new clothes, and their every desire fulfilled. Ava, the shallow older sister, is newly engaged to a B-list television star, and Tanzie is busy completing college applications so she can follow in her father's footsteps creating healthy new skin products. Since their father's death, his best friend, Tom Katzenback (Brent Spiner), has run the company, while the girls have remained the face of Marchetta Cosmetics, paying little attention to the details, and just popping into the office occasionally to say hello or make a decision about a charitable contribution. Understandably, the sisters are shocked when Tom tells them that the company is failing and that they should consider an offer from their father's arch enemy, Fabielle (Anjelica Houston). Things really hit rock bottom when a scandal further rocks the company, the girls find themselves destitute, and their father's reputation is run through the mud. Abandoned by their fabulous friends and left with no corporate credit cards and no place to go, these "It girls" have two choices: get jobs or find a way to clear their father's good name and save Marchetta Cosmetics. They choose the latter, and along the way, learn what life is like without spas, housekeepers, personal chefs, and bottomless credit cards. They even learn how to use public transportation. Most important, they discover that they can take care of themselves, and that they have skills they were never aware of. They also learn what is truly important to them besides money. Martha Coolidge (VALLEY GIRL, THE PRINCE AND ME) directs this riches-to-rags story, which also stars Maria Conchita Alonso and Lukas Haas. [More]
Starring: Hilary Duff, Haylie Duff, Anjelica Huston, Lukas Haas
Starring: Hilary Duff, Haylie Duff, Anjelica Huston, Lukas Haas, Maria Conchita Alonso, Brent Spiner, Joanne Baron, Colleen Camp, Beckie King, Ty Hodges
Director: Martha Coolidge
Director: Martha Coolidge
Producer: Susan Duff, David Faigenblum, Eve Ladue, Guy Oseary
Screenwriter: John Quaintance, Jessica O'Toole, Amy Rardin
Composer: Jennie Muskett
Studio: MGM/UA
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Reviews for Material Girls
An incompetent spin on the poor-little-rich-girl story, the film involves a lot of wardrobe changes and product placements, and a smidgen of intrigue and some chaste romance.
It succeeds on its own terms. These days, even pre teens live in a material world.
Even by the low standards of the genre it represents, this female teen comedy represents a new nadir.
It's sort of reassuring that although Madge has seemingly given up starring in bad movies, her company is still financing terrible scripts.
The movie, which was not screened for critics, makes a joke of everyone who isn't wealthy, white and pencil thin.
Madonna's anthem was only good-naturedly arrogant, but the SoCal twins, like the film's script, are arrogant, ghastly immature and offensive to any audience that isn't all of the above.
The scariest part of Material Girls comes when you're sitting in the dark theater and start considering the possibility that young women might find these characters sympathetic.
A superficial tween comedy that mocks celebutantes like the Olsen twins while simultaneously pushing stars Hilary and Haylie Duff as their replacements.
Madonna's anthem was only good-naturedly arrogant, but the SoCal twins, like the film's script, are arrogant, ghastly immature and offensive to any audience that isn't all of the above.
Nonsensical from the get-go, the girls’ fish-out-of-water routine grows interminable.
Paris and Nicky Hilton exhibit more character nuance. And they’re vaguely more entertaining to watch.
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