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Movies / On DVD / Memento
Memento

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Memento (2001)

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Reviews Counted:32

Fresh:30

Rotten:2

Average Rating:7.7/10

Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.

Rated: R [See Full Rating] for violence, language and some drug content

Runtime: 1 hr 56 mins

Genre: Dramas

Theatrical Release:Mar 16, 2001 Limited

Box Office: $23,844,220

Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone

Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox

Director: Christopher Nolan

Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films

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Release:

Sep 4, 2001

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Reviews for Memento

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Newsweek | comment Comment
11/01/07
David Ansen
David Ansen
Newsweek
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N/R

Click to read the article

Full Review Source: New York Observer | comment Comment
04/27/07
Andrew Sarris
Andrew Sarris
New York Observer
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N/R

Click to read the article

Full Review Source: New York Magazine | comment Comment
09/26/02
Peter Rainer
Peter Rainer
New York Magazine
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Click to read the article

Full Review Source: Globe and Mail | comment Comment
03/22/02
Globe and Mail
Top Critic Icon Top Critic

Click to read the article

Full Review Source: Detroit News | comment Comment
10/30/01
Susan Stark
Susan Stark
Detroit News
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Click to read the article

Full Review Source: Atlanta Journal-Constitution | comment Comment
09/07/01
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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A diabolical and absorbing experience.

Full Review Source: Chicago Sun-Times | comment Comment
04/13/01
Roger Ebert
Roger Ebert
Chicago Sun-Times
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Memento doesn't just draw you into a dramatic mystery, it makes you aware of human mystery. And that's food for thought and entertainment.

Full Review Source: Washington Post | comment Comment
04/12/01
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Challenge all viewers and gives them plenty to ponder after the credits roll, the lights go out and they reach the parking lot.

Full Review Source: Washington Post | comment Comment
04/12/01
Rita Kempley
Rita Kempley
Washington Post
Top Critic Icon Top Critic

Memento is a thriller for people who are sick of thrillers, a puzzle movie in which the puzzle is actually worth the time and effort to solve.

Full Review Source: Chicago Tribune | comment Comment
04/12/01
Mark Caro
Mark Caro
Chicago Tribune
Top Critic Icon Top Critic

Nolan uses the structure simply as a gimmick to refresh a stale story of revenge, crime, sex, a film noir that never gets any darker than gris.

Full Review Source: New Republic | comment 5 Comments
04/11/01
Stanley Kauffmann
Stanley Kauffmann
New Republic
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Full of odd, hypnotic menace.

Full Review Source: TIME Magazine | comment Comment
04/09/01
Richard Schickel
Richard Schickel
TIME Magazine
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It will be an unadventurous or lazy filmgoer who doesn't want to play the movie's ingenious game.

comment Comment
04/06/01
Terry Lawson
Terry Lawson
Detroit Free Press
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Destined to become a new noir classic.

Full Review Source: Denver Post | comment Comment
04/06/01
Steven Rosen
Steven Rosen
Denver Post
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Memento's boldest stroke is its ingenious synthesis of structure and theme.

Full Review Source: Toronto Star | comment Comment
03/30/01
Geoff Pevere
Geoff Pevere
Toronto Star
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Bound to be talked about, debated and eviscerated far more than it's understood.

Full Review Source: San Francisco Chronicle | comment Comment
03/30/01
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
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Terrifically satisfying film.

comment Comment
03/30/01
Steven Rea
Steven Rea
Philadelphia Inquirer
Top Critic Icon Top Critic

Wild, daring, smart and funny, Memento is this year's quirky film-festival hit that deserves to break out of the art houses and into mainstream consciousness.

Full Review Source: Houston Chronicle | comment Comment
03/30/01
Houston Chronicle
Top Critic Icon Top Critic

Unique, tantalizing and ultimately brilliant.

Full Review Source: Dallas Morning News | comment Comment
03/30/01
Chris Vognar
Chris Vognar
Dallas Morning News
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The most disorienting and trippiest data-retrieval caper in years.

comment Comment
03/30/01
Jay Carr
Jay Carr
Boston Globe
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1 - 20 (sorted by date)
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