Pacino is at least dynamic, something harder to say about the women in the cast.
William Shakespeare's The Merchant of Venice (2004)
Tomatometer
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Reviews Counted:34
Fresh:23
Rotten:11
Average Rating:6.7/10
Consensus: A respectable if uneven take on the Bard's The Merchant of Venice.
Theatrical Release:Dec 29, 2004 Limited
Box Office: $3,752,725
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock,... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox, Heather Goldenhersh, Lynn Collins, Kris Marshall
Director: Michael Radford
Director: Michael Radford
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
Studio: Sony Pictures Classics
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Reviews for William Shakespeare's The Merchant of Venice
Radford has rendered off the comedy to find the dramatic skeleton underneath. It is an approach that works stunningly well and is perhaps the only way the play can now be done.
Pacino's stentorian delivery and punctuating hands are almost parodistic, as likely to draw a chuckle as to elicit empathy.
Ranks as one of the most powerful recent adaptations of the bard's work.
Radford makes the most of Venice's dark, entangling corners, and Merchant certainly has its better moments, even if its melange of acting styles and directorial intentions don't quite build into a totally successful production.
The give-and-take between the two veterans [Pacino and Irons] is a delight to witness.
For lovers of the play's language ... the losses will hurt. But as cinematic storytelling, it works.
[Al Pacino's] terrific to watch and listen to; you can't take your eyes off him.
The Merchant of Venice is a problematic play, but Michael Radford's new movie version passes most of the cinematic Shakespeare tests with flying colors.
In what is, unbelievably, the first English-language film of Merchant since the silent era, Collins and Pacino plumb the depths of acting, of Shakespeare, of the difference between law and justice.
Were it not for the stain of anti-Semitism that forever marks Shakespeare's The Merchant of Venice, there is little doubt that Michael Radford's brave screen adaptation would currently be in serious contention for awards.
A lean, stripped-down and unapologetically cinematic take on Shakespeare's work, an adaptation designed at each turn to diminish the mechanics of the comedy and to explore the depths of the pathos.
Shylock is an intense, passionate character in a great play, and Radford's film does them justice.
An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.
To quote the touching words of one correspondent, posted during an online discussion of this movie, 'I didn't like the story.' Not much to be done about that.
An exceptional example of Shakespeare on film, one that will leave audiences moved but also unsettled, in that strange way characteristic of Shakespeare's comedies.
Pacino takes Shylock, perhaps the most insistent and troubling character in all of Shakespeare, and roots him powerfully to the ground.
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