Opening

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21% The Hangover Part III May 23
63% Epic May 24
97% Before Midnight May 24
88% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
17% A Green Story May 24
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
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55% Oblivion $2.3M
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8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

William Shakespeare's The Merchant of Venice Reviews

David Rooney
Variety
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Pacino is at least dynamic, something harder to say about the women in the cast.

Full Review Source: Variety

July 4, 2008
Wally Hammond
Time Out
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This is Al Pacino's show, and thankfully his Shylock is absorbing enough to carry the day.

Full Review Source: Time Out

June 24, 2006
Richard Nilsen
Arizona Republic
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Radford has rendered off the comedy to find the dramatic skeleton underneath. It is an approach that works stunningly well and is perhaps the only way the play can now be done.

Full Review Source: Arizona Republic | Original Score: 4.5/5

March 10, 2005
Roger Moore
Orlando Sentinel
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A vivid, engrossing and defensible Shakespeare adaptation, a period piece that truly has a feel for a time long past -- and a place and attitude that are not.

Full Review Source: Orlando Sentinel | Original Score: 4/5

February 25, 2005
Lawrence B. Johnson
Detroit News
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Pacino's stentorian delivery and punctuating hands are almost parodistic, as likely to draw a chuckle as to elicit empathy.

| Original Score: C+

February 18, 2005
Terry Lawson
Detroit Free Press
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Radford remains fairly reverent toward the text and the intent.

Full Review Source: Detroit Free Press | Original Score: 3/4

February 18, 2005
Eric Harrison
Houston Chronicle
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Ranks as one of the most powerful recent adaptations of the bard's work.

Full Review Source: Houston Chronicle | Original Score: 4/4

February 4, 2005
Robert Denerstein
Denver Rocky Mountain News
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Radford makes the most of Venice's dark, entangling corners, and Merchant certainly has its better moments, even if its melange of acting styles and directorial intentions don't quite build into a totally successful production.

| Original Score: B

February 4, 2005
Lisa Kennedy
Denver Post
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Balanced, beguiling -- even funny.

Full Review Source: Denver Post | Original Score: 3.5/4

February 4, 2005
Jeff Strickler
Minneapolis Star Tribune
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The give-and-take between the two veterans [Pacino and Irons] is a delight to witness.

Full Review Source: Minneapolis Star Tribune | Original Score: 3/4

February 3, 2005
Philip Kennicott
Washington Post
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For lovers of the play's language ... the losses will hurt. But as cinematic storytelling, it works.

Full Review Source: Washington Post

January 28, 2005
Connie Ogle
Miami Herald
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Perplexing blend of comedy and tragedy.

Full Review Source: Miami Herald | Original Score: 2/4

January 28, 2005
Desson Thomson
Washington Post
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[Al Pacino's] terrific to watch and listen to; you can't take your eyes off him.

Full Review Source: Washington Post

January 27, 2005
Chris Vognar
Dallas Morning News
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The Merchant of Venice is a problematic play, but Michael Radford's new movie version passes most of the cinematic Shakespeare tests with flying colors.

Full Review Source: Dallas Morning News | Original Score: B+

January 27, 2005
Carrie Rickey
Philadelphia Inquirer
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In what is, unbelievably, the first English-language film of Merchant since the silent era, Collins and Pacino plumb the depths of acting, of Shakespeare, of the difference between law and justice.

| Original Score: 3.5/4

January 27, 2005
Moira MacDonald
Seattle Times
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Beauty and ugliness mingle in this play, with the beauty of language ultimately triumphing.

Full Review Source: Seattle Times | Original Score: 3/4

January 21, 2005
Peter Howell
Toronto Star
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Were it not for the stain of anti-Semitism that forever marks Shakespeare's The Merchant of Venice, there is little doubt that Michael Radford's brave screen adaptation would currently be in serious contention for awards.

Full Review Source: Toronto Star | Original Score: 3.5/4

January 21, 2005
Kevin Thomas
Los Angeles Times
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Splendid film.

Full Review Source: Los Angeles Times | Original Score: 4/5

January 21, 2005
Rick Groen
Globe and Mail
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A lean, stripped-down and unapologetically cinematic take on Shakespeare's work, an adaptation designed at each turn to diminish the mechanics of the comedy and to explore the depths of the pathos.

Full Review Source: Globe and Mail | Original Score: 4/4

January 21, 2005
Roger Ebert
Chicago Sun-Times
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Shylock is an intense, passionate character in a great play, and Radford's film does them justice.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

January 21, 2005
Sid Smith
Chicago Tribune
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An important, timeless and sometimes troublesome classic has been filmed successfully and at long last.

Full Review Source: Chicago Tribune | Original Score: 3/4

January 20, 2005
Anthony Lane
New Yorker
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To quote the touching words of one correspondent, posted during an online discussion of this movie, 'I didn't like the story.' Not much to be done about that.

January 15, 2005
Mick LaSalle
San Francisco Chronicle
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An exceptional example of Shakespeare on film, one that will leave audiences moved but also unsettled, in that strange way characteristic of Shakespeare's comedies.

Full Review Source: San Francisco Chronicle | Original Score: 4/4

January 14, 2005
Ty Burr
Boston Globe
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Pacino takes Shylock, perhaps the most insistent and troubling character in all of Shakespeare, and roots him powerfully to the ground.

Full Review Source: Boston Globe | Original Score: 3/4

January 14, 2005
David Edelstein
Slate
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Radford doesn't solve the problems of The Merchant of Venice, which nowadays is too disturbing to be played for comedy and too unresolved to qualify as tragedy or even that ever-shifting hybrid, tragicomedy.

Full Review Source: Slate

January 13, 2005
Rex Reed
New York Observer
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Promises more than it delivers.

Full Review Source: New York Observer

January 13, 2005
Peter Travers
Rolling Stone
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The film itself occasionally plods, but Pacino, tackling a tough trap of a role, raises the bar in a mesmerizing acting triumph.

| Original Score: 3/4

January 6, 2005
Owen Gleiberman
Entertainment Weekly
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Despite some clunky exposition and rote iambic line readings, it attains a bona fide Shakespearean vibrance.

Full Review Source: Entertainment Weekly | Original Score: B+

January 5, 2005
Claudia Puig
USA Today
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Worth seeing for its lovely Venetian settings and evocative score but most of all for Pacino's spectacular rendering of Shylock.

Full Review Source: USA Today | Original Score: 3/4

December 29, 2004
James Berardinelli
ReelViews
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Intriguing but ultimately unfulfilling.

Full Review Source: ReelViews | Original Score: 2.5/4

December 29, 2004
John Anderson
Newsday
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Shylock, Portia, money-lending and betrayal get a little too much help from director Michael Radford.

Full Review Source: Newsday | Original Score: 2/4

December 29, 2004
Stephen Whitty
Newark Star-Ledger
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Left us all weary, begging for a rest.

Full Review Source: Newark Star-Ledger | Original Score: 2/4

December 29, 2004
A.O. Scott
New York Times
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Shakespeare's most problematic play at least with respect to modern sensitivities receives an intelligent interpretation from Michael Radford and a superb cast.

Full Review Source: New York Times | Original Score: 3/5

December 29, 2004
Lou Lumenick
New York Post
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An uneasy blend of tragedy, comedy and anti-Semitism.

| Original Score: 2/4

December 29, 2004
Jami Bernard
New York Daily News
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A queasy comedy in which Pacino burns a hole in the screen while the frivolity around him sputters.

Full Review Source: New York Daily News | Original Score: 2/4

December 29, 2004
Jessica Winter
Village Voice
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Even notwithstanding this version's inert blocking and awkward camera placements, The Merchant of Venice is one of Shakespeare's more crooked and hollow contraptions in any guise.

Full Review Source: Village Voice

December 28, 2004
Richard Roeper
Ebert & Roeper
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This is one of the best adaptations of Shakespeare I've ever seen. Pacino's amazing.

Full Review Source: Ebert & Roeper

December 27, 2004
Ray Bennett
Hollywood Reporter
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Pacino gives a keenly measured performance, leading an excellent British cast through their paces in a richly colorful production.

September 18, 2004
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