The subdued relationship that develops between the two characters is out of balance with the fanciful contrivances that bring them together.
The Merry Gentleman (2009)
Tomatometer
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Reviews Counted:69
Fresh:44
Rotten:25
Average Rating:5.8/10
Consensus: Michael Keaton's directorial debut, The Merry Gentleman, is a slow character study aided greatly by the performances of Keaton and Kelly MacDonald.
Theatrical Release:May 1, 2009 Limited
Box Office: $291,677
Synopsis: A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a... A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a precision and style that mark a distinctive directorial debut, the film begins with a woman who leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, alcoholic detective to form the third party in a very unusual triangle, and this dark, soulful, sometimes-funny story begins to unfold. Walking a line between the conventional and the idiosyncratic, Keaton creates a highly original yarn that has a quiet, sometimes-even-meditative quality, and frames a more-straightforward story about a woman's accidental involvement in a murder investigation. Wonderfully composed and enacted, The Merry Gentleman features Keaton in the lead role opposite a gifted leading lady, Kelly Macdonald, who is at once enigmatic and iconographic in her portrayal of a woman trying to find her way in a cold world. The cop, played by Tom Bastounes, is a disheveled embodiment of male cluelessness and relentless pursuit. Together they are lonely figures in an urban landscape, one that exemplifies the isolation and need for personal relationships that we all carry with us. -- © Sundance Film Festival [More]
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale, Guy VanSwearingen
Director: Michael Keaton
Director: Michael Keaton
Screenwriter: Ron Lazzeretti
Producer: Tom Bastounes, Ron Lazzeretti, Steven A. Jones
Composer: Edward Shearmur
Studio: Samuel Goldwyn Films
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Reviews for The Merry Gentleman
There are undercurrents of a Catholic kind about grace and redemption.
Despite memorable scenes, the narrative’s aim is never clear: is this a crime drama, dark comedy or a May-December romance?
The film never quite convinces as anything other than a puff-piece for Keaton, but it is bolstered by another deeply empathetic turn from Macdonald.
[Michael Keaton is] the pained and taciturn star of a pained and taciturn drama.
Keaton the director wisely draws a leaf from Clint Eastwood’s book. Keeping the framing neat, his style is the kind of unobtrusive classical filmmaking that is a dying breed in contemporary Hollywood.
The only merriment that The Merry Gentleman delivers is through Michael Keaton's masterful direction and the performances of the two leads. It’s perfectly watchable, but the story lacks the content and incident to deliver an emotional punch.
Part tastefully muted, part plain morose, Keaton’s direction styles this as a character study of hearts in winter. But it doesn’t wash.
We are never quite sure whether this is a thriller or a dark romance, but Keaton conjures up some excellent scenes and allows Macdonald the chance to shine.
MacDonald's perky performance is a distinct plus, especially because Keaton's character is so enigmatic he's unfathomable, while the movie's lack of pace is only partly offset by some very subtle camerawork.
Keaton is good, McDonald with her spooky equanimity and still-waters profundity even better. Sartre’s Huis Clos? Forget that. This is hell, as moodily atmospheric as low-budget screen infernos get.
Michael Keaton's directorial debut is a low-key character study which just about survives its odd shifts of tone.
Notable for its calm composure, unfussy style and some fine performances.
Moody and thoughtful, this quiet character study is extremely beautiful to look at and features some superbly understated performances.
Keaton's directorial style is as muted as his uncharacteristically subdued performance, but it remains strangely compelling.
Michael Keaton's directorial debut is a beautifully shot, low-key relationship drama with an engaging central performance from Kelly Macdonald.
It's a confused muddle, and as a result, the film never really finds its footing -- and it never seems to have any narrative momentum.
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