Keaton builds the tension nicely. Payoffs aren't as important to him as establishing a mood, a tone (mostly bleak). Patient, at times to a fault, he allows the characters to build over time.
The Merry Gentleman (2009)
Tomatometer
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Reviews Counted:19
Fresh:12
Rotten:7
Average Rating:6/10
Consensus: Michael Keaton's directorial debut, The Merry Gentleman, is a slow character study aided greatly by the performances of Keaton and Kelly MacDonald.
Theatrical Release:May 1, 2009 Limited
Box Office: $291,677
Synopsis: A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a... A delicacy of tone transforms Michael Keaton's The Merry Gentleman from what might have been a pedestrian tale into a beautifully romantic fable. Directed, photographed, and performed with a precision and style that mark a distinctive directorial debut, the film begins with a woman who leaves an abusive relationship to begin a new life in a new city, where she forms an unlikely and ironic relationship with a suicidal hit man (unbeknownst to her). Enter a worn, alcoholic detective to form the third party in a very unusual triangle, and this dark, soulful, sometimes-funny story begins to unfold. Walking a line between the conventional and the idiosyncratic, Keaton creates a highly original yarn that has a quiet, sometimes-even-meditative quality, and frames a more-straightforward story about a woman's accidental involvement in a murder investigation. Wonderfully composed and enacted, The Merry Gentleman features Keaton in the lead role opposite a gifted leading lady, Kelly Macdonald, who is at once enigmatic and iconographic in her portrayal of a woman trying to find her way in a cold world. The cop, played by Tom Bastounes, is a disheveled embodiment of male cluelessness and relentless pursuit. Together they are lonely figures in an urban landscape, one that exemplifies the isolation and need for personal relationships that we all carry with us. -- © Sundance Film Festival [More]
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale
Starring: Michael Keaton, Kelly MacDonald, Tom Bastounes, Bobby Cannavale, Guy VanSwearingen
Director: Michael Keaton
Director: Michael Keaton
Screenwriter: Ron Lazzeretti
Producer: Tom Bastounes, Ron Lazzeretti, Steven A. Jones
Composer: Edward Shearmur
Studio: Samuel Goldwyn Films
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Reviews for The Merry Gentleman
Michael Keaton the actor should work with Michael Keaton the director more.
With just a few tweaks, The Merry Gentleman could have made a wickedly funny parody of the over-earnest, lyrically hard-edged indie movie. But it's too late for do-overs.
A sly and surprisingly sublime little noir romance, which marks the directing debut of Michael Keaton.
An interesting film with some really well thought out and well grounded characters and I was surprised by it.
A lot goes on in this film without much being said, a credit to Keaton, who shoots it deliberately and thoughtfully, in a film demonstrating there should be a lot more work on both sides of the camera ahead for Michael Keaton.
A movie that doesn't quite have enough romance, thriller or revenge-fantasy elements to qualify for any of those genres.
An overly muted and cautious piece of work. Watching it is like seeing a man ease out onto the limb of a tree, constantly testing its strength.
Anchoring the film, which is driven more by characters than plot, are fine performances by Keaton and Kelly Macdonald and a screenplay in which the pauses between words are as meaningful as the words themselves.
The potential for suspense is dropped in favor of lots of hushed interludes in which nothing happens.
An austere, nearly pitch-perfect character study of two mismatched yet ideally matched souls.
A dark and lovely drama about the complications of human connections that is Michael Keaton's impressive directing debut.
The director's vision has dictated his acting choices, and that vision has been clouded by Ron Lazzaretti's sententious script.
Even if this particular story has trouble coalescing, The Merry Gentleman serves as a calling card for (director Michael) Keaton's next one. I hope there is a next one.
The Merry Gentleman is original, absorbing and curiously moving in ways that are far from expected.
Set during a joyless Chicago Christmas (hence the carol-like title), this Debbie Downer of a drama is a bitter slog.
An edgy entertainment, the movie also remarkably has the feel-good warmth of an old-time Irish film.
[Star Kelly McDonald is] one of those rare, quicksilver actresses whose natural qualities invest everything she does with warmth, integrity, innate goodness and automatic interest.
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