Average Rating: 5.1/10
Reviews Counted: 33
Fresh: 13 | Rotten: 20
No consensus yet.
Average Rating: 5.4/10
Critic Reviews: 11
Fresh: 5 | Rotten: 6
No consensus yet.
liked it
Average Rating: 3.3/5
User Ratings: 790
Allan Mindel's Milwaukee, Minnesota is about con men hoping to take advantage of a fishing champion. Albert (Troy Garity) is the best ice-fisherman in Wisconsin. He is not the sharpest tack in the box, making him susceptible to the less than ethical advances of nefarious Jerry (Randy Quaid), Stan (Hank Harris), and Tuey (Alison Folland), who all want in on his tournament winnings. Albert's life becomes even more difficult after his loving mother (Debra Monk) dies in an unexpected traffic
Jan 24, 2003 Wide
Sep 13, 2005
Tartan Films
All Critics (36) | Top Critics (11) | Fresh (13) | Rotten (21) | DVD (6)
Garity doesn't break any new Rainman ground here, but Allan Mindel's film has a nice sense of place, and Richard Murphy's script has lots of low-key surprises.
Memorable enough to warrant another shot at director. This film ends in a way that proves Mindel doesn't rely on cliches to make a statement.
Everyone seems to be playing someone else in Allan Mindel's full-of-potential, slight-of-script Milwaukee, Minnesota.
Most of its cast makes strong impressions, but the plot and motivation don't quite jell, resulting in a minor item that shows its star Troy Garity to good advantage.
A strange, compelling film, with Mr. Garity as a likeable, winning centerpiece.
Allan Mindel is too taken with a Midwestern strain of weirdos who flounder in ramshackle houses, no-tell hotels and depressing juke joints.
Contains all the elements of a charmingly offbeat independent film, but somehow those elements never quite gel.
If you have any sense, you'll rent and savor Trash instead.
A weird but tasty slice of Midwestern noir.
More predictable than its makers seem aware, its emotional hooks much too dull to pull us in.
Two miscast actors provide all the annoyance the public can take.
Milwaukee, Minnesota is familiar but manages to be unique in flourishes that come when you least expect them.
An odd movie that wears its idiosyncrasies poorly.
From the outset, the movie bumbles into genre territory inhabited by superior specimens
Allan Mindel's directing debut gives off the smug air of hipsters at play, making it hard to care what happens to any of its lost souls and inept opportunists.
A decent odd ball film, but I didn't like the yellow tinge the whole film had.
August 19, 2007Super Reviewer
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