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MirrorMask

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MirrorMask (2005)

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Reviews Counted:25

Fresh:11

Rotten:14

Average Rating:5.6/10

Consensus: While visually dazzling, there isn't enough story to hang all the fancy effects on.

Rated: PG [See Full Rating] for some mild thematic elements and scary images

Runtime: 1 hr 44 mins

Genre: Science-Fiction/Fantasy

Theatrical Release:Sep 30, 2005 Limited

Box Office: $802,961

Synopsis: Reminiscent of ALICE IN WONDERLAND and LABYRINTH, MIRRORMASK is a fantasy tale of an intelligent young girl on a journey through a magical world. It is also a visually astounding piece of... Reminiscent of ALICE IN WONDERLAND and LABYRINTH, MIRRORMASK is a fantasy tale of an intelligent young girl on a journey through a magical world. It is also a visually astounding piece of filmmaking, updating the fairy-tale quest in a coming-of-age story imbued with dark beauty. Written by Neil Gaiman (SANDMAN) and directed by frequent collaborator and illustrator Dave McKean, the film mixes live action and animation, and manages to keep the graphic novelists' aesthetic largely intact: the frames are full of weirdly-skewed perspectives, foggy patches, and mismatched textures that appear grandly decayed. Stephanie Leonidas plays Helena, a young girl who juggles in her father's circus, but longs for a "normal" life. She spends her free time drawing elaborate, fantastical black-and-white pictures which cover every surface of her bedroom. One night, after an argument with her mother (Gina McKee) during which Helena lets fly some rather painful pronouncements, Mom falls ill with an unspecified affliction. As the family waits for news and the circus struggles financially, Helena blames herself for the misfortune. The night before her mother's surgery, Helena is mysteriously transported to a world which bears a strong resemblance to her own drawings, and is populated by strange creatures who follow an even stranger logic. Helena and her traveling companion, fellow juggler Valentine (Jason Barry), sign on to find a mysterious charm which will wake the queen of the city--also played by McKee--from her deep sleep, defeating the forces of darkness and returning Helena home. The film's outstanding art direction is complemented by witty dialogue and some genuinely creepy moments (the words "don't let them see you're afraid" are chill-inducing). Meanwhile, Leonidas's performance is remarkable, maintaining a likeability, charm, and freshness that is all the more amazing considering it was delivered against a green screen, with her special-effect co-stars edited in later. [More]

Starring: Stephanie Leonidas, Dora Bryan, Gina McKee, Rob Brydon

Starring: Stephanie Leonidas, Dora Bryan, Gina McKee, Rob Brydon, Andy Hamilton, Jason Barry, Robert Llewellyn

Director: Dave McKean

Director: Dave McKean
Screenwriter: Neil Gaiman
Producer: Lisa Henson, Michael Polis, Simon Moorhead
Studio: Samuel Goldwyn Films

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Release:

Nov 18, 2008

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  • The White Queen sleeps and will not wake. Black shadows have fallen across her kingdom. The balance between Dark and Light is broken and only the MIRRORMASK can restore it. So Helena, a stranger in a strange land, embarks on an epic quest to find the missing charm before darkness envelops the Dreamworld forever. Written by award-winning fantasy writer Neil Gaiman, MIRRORMASK is a phantasmagorical treat for the eyes and mind, a wondrous blend of live action and CG animation, where strange, magical creatures dwell in a fantasy world of unbridled imagination and scope, as told through the spectacular, cutting-edge visuals of designer/director Dave McKean.
  • Source: Sony Pictures Home Entertainment
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    Reviews for MirrorMask

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    1 - 20 (sorted by date)
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    Could be Exhibit A for anyone arguing the case that modern filmmaking lacks a strong sense of story.

    Full Review Source: Toronto Star | comment Comment
    10/28/05
    Peter Howell
    Peter Howell
    Toronto Star
    Top Critic Icon Top Critic

    Leonidas walks this tightrope quite engagingly, showing us a girl on the cusp of womanhood, torn between two competing needs -- to become an adult, to remain a child, to vilify, to revere.

    Full Review Source: Globe and Mail | comment Comment
    10/28/05
    Rick Groen
    Rick Groen
    Globe and Mail
    Top Critic Icon Top Critic

    McKean's inexperience as a director trips the film. There is so much going on that the viewer can't take in all the imagery, and McKean's devotion to his skewed vision slows the story to a crawl.

    Full Review Source: Arizona Republic | comment Comment
    10/27/05
    Michael Senft
    Michael Senft
    Arizona Republic
    Top Critic Icon Top Critic

    Too long, and too rich, for its own good, but clearly Gaiman and McKean were bursting with ideas. Those ideas fly all over the place, sometimes landing with a thunk, but more often taking the breath away.

    Full Review Source: Philadelphia Inquirer | comment Comment
    10/21/05
    Steven Rea
    Steven Rea
    Philadelphia Inquirer
    Top Critic Icon Top Critic

    The narrative is simplistic and lacking in energy, and the characters are sketched instead of fully formed.

    Full Review Source: ReelViews | comment Comment
    10/21/05
    James Berardinelli
    James Berardinelli
    ReelViews
    Top Critic Icon Top Critic

    It's a near-flawless marriage of content and form, a movie that kids, adults and graduate students of computer imagery will all have their own reasons to love.

    Full Review Source: Minneapolis Star Tribune | comment Comment
    10/13/05
    Colin Covert
    Colin Covert
    Minneapolis Star Tribune
    Top Critic Icon Top Critic

    It’s so beautiful and so different and has such a unique feel to it.

    Full Review Source: Ebert & Roeper | comment Comment
    10/03/05
    Richard Roeper
    Richard Roeper
    Ebert & Roeper
    Top Critic Icon Top Critic

    Each scene is a masterwork of composition and execution.

    Full Review Source: Dallas Morning News | comment Comment
    10/01/05
    Philip Wuntch
    Philip Wuntch
    Dallas Morning News
    Top Critic Icon Top Critic

    Other efforts of this sort have succumbed to terminal whimsy, but director Dave McKean gives us enough reminders of the girl's fragile emotional state to provide some grounding.

    Full Review Source: San Francisco Chronicle | comment Comment
    09/30/05
    Walter V. Addiego
    Walter V. Addiego
    San Francisco Chronicle
    Top Critic Icon Top Critic

    Too strange and disjointed to attract much of an audience, but its astonishing visuals showcase a major new talent: first-time feature director and book illustrator Dave McKean.

    Full Review Source: New York Post | comment Comment
    09/30/05
    Kyle Smith
    Kyle Smith
    New York Post
    Top Critic Icon Top Critic

    Like many dreams, you won't remember it when you wake up.

    Full Review Source: New York Daily News | comment Comment
    09/30/05
    Jami Bernard
    Jami Bernard
    New York Daily News
    Top Critic Icon Top Critic

    A blur of arty effects.

    Full Review Source: Denver Rocky Mountain News | comment Comment
    09/30/05
    Robert Denerstein
    Robert Denerstein
    Denver Rocky Mountain News
    Top Critic Icon Top Critic

    If you can fall into it, you should be amazed, if not enchanted.

    Full Review Source: Detroit Free Press | comment Comment
    09/30/05
    Terry Lawson
    Terry Lawson
    Detroit Free Press
    Top Critic Icon Top Critic

    Aggressive visual invention is rarely its own reward, and this movie does nothing to better the odds.

    Full Review Source: Boston Globe | comment Comment
    09/30/05
    Ty Burr
    Ty Burr
    Boston Globe
    Top Critic Icon Top Critic

    If MirrorMask is a marvel of visual ingenuity, its monochromatic panoramas are too busy and flat to yield an illusion of depth or to convey a feeling of characters moving in space.

    Full Review Source: New York Times | comment Comment
    09/29/05
    Stephen Holden
    Stephen Holden
    New York Times
    Top Critic Icon Top Critic

    There is something oddly intoxicating about Dave McKean and Neil Gaiman's coming-of-age fantasy.

    Full Review Source: Los Angeles Times | comment Comment
    09/29/05
    Kevin Crust
    Kevin Crust
    Los Angeles Times
    Top Critic Icon Top Critic

    So single-minded in its reach for fantasy, it becomes the genre's evil opposite: banality.

    Full Review Source: Washington Post | comment Comment
    09/29/05
    Desson Thomson
    Desson Thomson
    Washington Post
    Top Critic Icon Top Critic

    For all its flying cats with rainbow wings and navigational library books, MirrorMask barely has a story, its talent and vision focused entirely on its singular dreamworld facade.

    Full Review Source: Chicago Tribune | comment Comment
    09/29/05
    Allison Benedikt
    Allison Benedikt
    Chicago Tribune
    Top Critic Icon Top Critic

    The fever-dream universe cooked up by McKean is so brimming with off-the-wall imagination, one wishes it weren't all so hard to penetrate.

    Full Review Source: Newsday | comment Comment
    09/29/05
    Jan Stuart
    Jan Stuart
    Newsday
    Top Critic Icon Top Critic

    The eye is sated, but the mind wanders.

    Full Review Source: Atlanta Journal-Constitution | comment Comment
    09/29/05
    Eleanor Ringel Gillespie
    Eleanor Ringel Gillespie
    Atlanta Journal-Constitution
    Top Critic Icon Top Critic
     
     
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