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Mon Oncle (1958)
Tomatometer
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Reviews Counted: 17
Fresh: 16
Rotten:1
Average Rating: 8.4/10
Runtime: 1 hr 56 mins
Genre: Foreign Films
Synopsis: Jacque Tati's second feature film and first film in color reintroduces his hilarious Chaplinesque alter ego, M. Hulot. After having followed Hulot on his sun-drenched, foible-filled seaside... Jacque Tati's second feature film and first film in color reintroduces his hilarious Chaplinesque alter ego, M. Hulot. After having followed Hulot on his sun-drenched, foible-filled seaside vacation in MR. HULOT'S HOLIDAY, MON ONCLE finds Tati contrasting Hulot's bohemian provincial home life with the modern, contraption-filled concrete and glass home belonging to his sister and her family, the Arpels, where Hulot's nephew, Gerard, is drowning in boredom. When Hulot comes for a visit, the gadgets get the better of him, in a seamless spectacle of electric switches, slamming doors and malfunctioning accoutrements. Tati shuttles back and forth between Hulot's quaint home of friendly, if mischievous neighbors and music filled provincial café's and the Arpel's surreal and cold ultra modern lifestyle, creating an evocative and whimsical contrast that Tati would develop further in his future masterpieces, PLAYTIME and TRAFFIC. When Mr. Arpel contrives to secure Hulot a position at his rubber tubing factory, Mrs. Arpel simultaneously conspires to fix him up with an eccentric neighbor, Hulot's clumsy and gullible nature lead him into myriad tangles with the Arpels modern lifestyle, climaxing in an intricately absurd garden party. [More]
Starring: Jacques Tati, Jean-Pierre Zola, Adrienne Servante, Alain Bercourt
Starring: Jacques Tati, Jean-Pierre Zola, Adrienne Servante, Alain Bercourt, Lucien Fregis, Adelaide Danielli, Denise Peronne, Claire Rocca, J. F. Martial, Betty Schneider, Yvonne Arnaud
Director: Jacques Tati
Director: Jacques Tati
Screenwriter: Jacques Tati, Jacques LaGrange, Jean L'Hote
Producer: Fred Orain, Louis Dolivet, Jacques Tati
Composer: Frank Barcellini, Alain Romans
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Reviews for Mon Oncle
This inventive comedy, a satire of the tedious bourgeois life, deservedly won the 1958 Best Foreign-Language Oscar. A nice companion piece to Chaplin's 1936 Modern Times.
Unforgettably funny, wonderfully observed, and always technically brilliant.
On target in proclaiming points for the individual over the robotic antiseptic world.
The satire isn't particularly subtle, but it's often on target -- and some of it is very funny.
It is among Tati's gifts that his gags are often so subtle as to threaten to get away unnoticed.
Jacques Tati is the great philosophical tinkerer of comedy, taking meticulous care to arrange his films so that they unfold in a series of revelations and effortless delights.
Facing it squarely, My Uncle is perceptibly contrived when it lingers too long and gets too deeply into the dullness of things mechanical. After you've pushed one button and one modernistic face, you've pushed them all.
A hard-edged satire that is both funny and beautiful, entertaining and thought-provoking.
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