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Monsieur Verdoux (1947)
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Reviews Counted: 25
Fresh: 24
Rotten:1
Average Rating: 8/10
Runtime: 2 hrs 47 mins
Genre: Comedies
Synopsis: Charlie Chaplin abandoned his "Little Tramp" persona for this dark comedy about a man driven to murder. Like so many others, bank clerk Monsieur Verdoux loses his job during the Great... Charlie Chaplin abandoned his "Little Tramp" persona for this dark comedy about a man driven to murder. Like so many others, bank clerk Monsieur Verdoux loses his job during the Great Depression -- and can't find another. Because he has an invalid wife and child to support, the desperate Verdoux hits upon a novel way of making a living: he marries wealthy women, one after another, and kills them. Then he returns home to his beloved family, who remain in blissful ignorance of his extracurricular activities. But when an unexpected tragedy occurs, he finds it impossible to continue the charade... Martha Raye, as a woman who continually frustrates Verdoux's murderous plans, provides one of the film's comic highlights. [More]
Starring: Charlie Chaplin, Martha Raye, Isobel Elsom, Marilyn Nash
Starring: Charlie Chaplin, Martha Raye, Isobel Elsom, Marilyn Nash, Mady Correll, Robert Lewis, Irving Bacon, Marjorie Bennett
Director: Charlie Chaplin
Director: Charlie Chaplin
Producer: Charlie Chaplin
Composer: Charlie Chaplin
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Reviews for Monsieur Verdoux
Perfection? Arguably not; Verdoux has clunky moments and some flat casting, but with an able assist from the great comedian Martha Raye, Chaplin's latter-day greatness is readily apparent.
Monsieur Verdoux is the spirit of modernity taken to its darkest extreme. It may be immortal.
In its uncanny depiction of a weakling whose crimes pale against those of the war-mad society around him, it’s a near masterpiece.
Chaplin generates little sympathy. His broad-mannered antics, as a many-aliased fop on the make for impressionable matrons.
As it is, Monsieur Verdoux is a curiosity with flashes of brilliance, but definitely not one of Chaplin's best.
Gives one a greater sense of Chaplin's political breadth from his previous work.
Shapes up as Chaplin's most startling, most invigorating movie: its icy temperature is positively bracing after the hot syrup of his earlier work.
The intensely felt social criticism that audiences had seen growing in Modern Times and especially The Great Dictator is elevated to an astonishing level of sarcasm and subversive irony.
Truly great Chaplin film, seldom seen, about love, war, and murder. And it's a comedy too.
A fine black comedy, not one of Chaplin's best, but still offers some illuminating moments.
Decidedly not Chaplin's best-loved movie, but an especially provokative one, that boasts both his typical humour and a darker, politicised streak.
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