This masterwork by Ousmane Sembene, the 81-year-old father of African cinema and one of Senegal's greatest novelists, is the second film in a trilogy celebrating African women.
Moolaade (2004)
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Reviews Counted:26
Fresh:26
Rotten:0
Average Rating:8.5/10
Consensus: A vibrant, powerful, and poignant glimpse into the struggles of women in modern Africa.
Theatrical Release:Oct 15, 2004 Limited
Synopsis: African cinema's founding father, 81-year-old Ousmane Sembene, continues to be its most fiery, provocative spirit. Extending the strong feminist consciousness that marked his previous triumph Faat... African cinema's founding father, 81-year-old Ousmane Sembene, continues to be its most fiery, provocative spirit. Extending the strong feminist consciousness that marked his previous triumph Faat Kiné (as well as such earlier classics as Black Girl and Ceddo), Moolaadé is a rousing polemic directed against the stillcommon African practice of female circumcision. The action is set in a small African village, where four young girls facing ritual "purification" flee to the household of Collé Ardo Gallo Sy, a strong-willed woman who has managed to shield her own teenage daughter from mutilation. Collé invokes the time-honored custom of moolaadé (sanctuary) to protect the fugitives, and tension mounts as the ensuing stand-off pits Collé against village traditionalists (both male and female) and endangers the prospective marriage of her daughter to the heir-apparent to the tribal throne. Though the subject matter might seem weighty, this buoyant film is anything but–Sembene places the action amid a colorful, vibrant tapestry of village life and expands the narrative well beyond the bounds of straightforward, socially conscious realism employing an imaginative array of emblematic metaphors, mythic overtones, and musical numbers. Winner of the Grand Prize in the Un Certain Regard section of the 2004 Cannes Film Festival, Moolaadé was selected by many prominent critics as the best film of the entire festival. -- © New Yorker Films [More]
Starring: Fatoumata Coulibaly, Maimouna Helene Diarra, Salimata Traore, Dominique T. Zeida
Starring: Fatoumata Coulibaly, Maimouna Helene Diarra, Salimata Traore, Dominique T. Zeida, Mah Compaore, Aminata Dao
Director: Ousmane Sembene
Director: Ousmane Sembene
Screenwriter: Ousmane Sembene
Studio: New Yorker Films
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Reviews for Moolaade
Ousmane, who wrote and directs, gives strong flavors to his characterization of village life and its peoples. But as drama the film mostly serves to illustrate the two sides of this crucial social debate in Africa.
It's certainly clear where the director stands on the issue, but underneath is a far richer film about the complex issues of globalization and the values of tradition.
A rare feature-film glimpse into African traditions and culture, Moolaade is part colorful travelogue, part social criticism, but mostly human drama.
Moolaadé is not a 'downer' film as much as a parable that lets us see the hardships (and occasional humor) that are inherent in an environment where the slightest change in tradition is a cause for great alarm.
The director has reached that point in his career where craft disappears behind grace.
For those interested in Africa as it is -- and not how Hollywood so often has it -- Sembene provides lasting insights into village life.
It makes a powerful statement and at the same time contains humor, charm and astonishing visual beauty.
There's such a rich sense of the fullness of life in Moolaadé that it sustains those passages that are truly and necessarily harrowing if Sembene is to convey the full horror of female mutilation.
This is an important film, but that doesn’t mean it’s a lecture about this horrible practice. It’s this vibrant, filled-with-life effort with these wonderful characters and it’s very moving and sometimes, at moments it’s very funny.
Women of the Third World unite, Moolaadé shouts. You have nothing to lose at all.
The film is remarkable for its depiction of the everyday life and chores of a vanishing culture, and for making its points with clarity and precision.
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