I hate Mr. Bean, I hated this movie. He’s an annoying, creepy, leering, sweaty, unfunny character, and ten seconds would be too much and this movie’s like 90 minutes.
Mr. Bean's Holiday (2007)
Tomatometer
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Reviews Counted:28
Fresh:14
Rotten:14
Average Rating:5.6/10
Consensus: Mr. Bean's Holiday means well, but good intentions can't withstand the 90 minutes of monotonous slapstick and tired, obvious gags.
Theatrical Release:Aug 24, 2007 Wide
Box Office: $32,553,210
Synopsis: The hopelessly daft but delightful Mr. Bean (Rowan Atkinson) is back in this jovial comedy. This time he wins a trip to the Cannes Film Festival and havoc ensues to such an extent that he may never... The hopelessly daft but delightful Mr. Bean (Rowan Atkinson) is back in this jovial comedy. This time he wins a trip to the Cannes Film Festival and havoc ensues to such an extent that he may never even get there. Mostly a series of episodes involving Bean's inability to communicate with French and Russian speakers, this will please youngsters who may be unable to hold continual plot lines together and for whom adult language is still a bafflement. Many of the extended bits are funny: there's Bean's frantic attempts to catch the train, his fouling up World War Two movie set, knocking shellfish into a lady's purse, messing up the Cannes premiere of an uptight director, and bonding with a Russian boy who gets separated from his father (thanks to Bean's misdoings). An aspiring young actress (Emma de Caunes) helps out and Willem Dafoe is the uptight director. Nay-sayng critics will say that Atkinson's rubbery, contorted face and spastic physicality are perhaps best left on the small screen, but millions of Bean fans can't be wrong; there's plenty to enjoy, from the hilarious scene of Bean earning money by lip-synching the songs of a fellow busker, to his meddling in the projection booth at Cannes. The kid in all of us, perhaps still smarting from being called clumsy and clueless, should delight in Bean's weird brand of perfect revenge. As a bonus, the cinematography is beautiful, capturing the glistening waves and beautiful beaches of the Riviera with a travelogue's eye. [More]
Starring: Rowan Atkinson, Emma de Caunes, Jean Rochefort, William Dafoe
Starring: Rowan Atkinson, Emma de Caunes, Jean Rochefort, William Dafoe
Director: Steve Bendelack
Director: Steve Bendelack
Screenwriter: Hamish McColl, Robin Driscoll
Producer: Peter Bennett-Jones, Tim Bevan, Eric Fellner
Composer: Howard Goodall
Studio: Universal Pictures
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Reviews for Mr. Bean's Holiday
Atkinson's Mr. Bean, a man of few words, carries their memory in his rubbery bones. When it comes to knowing where he came from, he's got the beat.
For younger audiences, Mr. Bean's Holiday will be a pleasure, and of course, Bean addicts will, as always, be happy to see Atkinson's alter ego return to the big screen.
The film, set mostly in France, pays homage to Jacques Tati, but the mostly silent gags feel like watered-down Bean.
Bean seems to lament how some filmmakers have forgotten that film is foremost a medium of mass entertainment. The great sadness is that without uttering much of anything, is a few jokes short of making a very good point.
The Wikipedia page on gurning lists Atkinson right behind Jim Carrey as one of the world's leading practitioners of grotesque face-making. And this is his ghastly masterpiece.
An only intermittently funny sequel that finally livens up in the last third. But that part -- a hilarious putdown of the pretension at the Cannes Film Festival -- is worth sticking around for.
The film's Harold Lloyd-inspired slapstick may be infantile, but it has an innocent sensibility that is a nice counterbalance to the equally childish but prurient American Pie flicks.
For a silly kids movie about an accident-prone man on a trip to the beach, Mr. Bean's Holiday is actually quite mean-spirited and pretentious.
Mr. Bean's Holiday picks up steam when it finally arrives in Cannes just in time to wreak yet more havoc at the big film festival, but getting there is pretty tedious. A little of the wildly mugging Atkinson goes a long way.
If you've never been particularly fond of Atkinson's brand of slapstick, you certainly won't be converted by this trifle.
Don't mistake this simpleton hero, or the movie's own simplicity, for a lack of smarts. Mr. Bean's Holiday is quite savvy about filmmaking, landing a few blows for satire.
A refreshingly blunt reminder of the simple roots of comedy in these grim, overly manufactured times.
Rowan Atkinson continues a tradition that in the right hands never gets stale: comic pantomime.
The humour in Mr. Bean's Holiday, more chucklesome than uproarious, doesn't feel particularly contemporary. It has the kind of simplicity that's most likely to appeal to either the old or young.
Mr. Bean's Holiday doesn't try for too much, but in the crass and noisy theme park that is children's entertainment, it's as refreshing as icewater on a summer day.
Too often in Mr. Bean's Holiday, you get the feeling Rowan Atkinson and his collaborators confused the notion of 'building a gag slowly' with 'forgetting to build one at all'.
Director Bendelack and writer-producer McBurney aim for the comedy of Chaplin, Keaton, and Tati, relying heavily on sight gags and their star's pratfalls and facial contortions, but they vititate the comic payoffs by allowing scenes to run too long.
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