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Movies / Upcoming / Must Read After My Death
Must Read After My Death

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Must Read After My Death (2009)

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Reviews Counted:45

Fresh:42

Rotten:3

Average Rating:7.5/10

Consensus: Impressively constructed from home movie clips and audio recordings, Must Read After My Death is both searing and intimate.

Rated: Not Rated

Runtime: 73 mins

Genre: Education/General Interest

Theatrical Release:Feb 20, 2009 Limited

Synopsis: The audio crackles and hums over a black screen, a woman's voice speaks "Friday, November 3rd, 1967. Hartford. This tape recorder was purchased so I might put down things I wanted our children to... The audio crackles and hums over a black screen, a woman's voice speaks "Friday, November 3rd, 1967. Hartford. This tape recorder was purchased so I might put down things I wanted our children to know. Then Bruce was taken sick and it became a therapeutic device for all of us. Well, let's start out... "

This is the voice of Allis.

In the 1950's and '60s Allis made over 200 8mm home movies of her happy life family. In the '60s, she made a series of audio recordings that would eventually be over fifty hours of spoken material, documenting the decline of her marriage for her psychiatrist.

Already in '61, in spoken letters on dictaphone records to and from her husband Charley, cracks are showing in the relationship. By 1965 they have decided to seek counseling. Allis outlines her reasons for this on a tape she secretly makes for their marriage counselor of the things she is not ready to talk about in front of Charley.

This eventually grew into a 300-page single spaced typed file on her marriage that included notes and transcripts of arguments. It constitutes her ‘case against Charley’.

A series of psychiatrists helped the family from bad to worse. Allis was encouraged to record her thoughts, and even the arguments at home by her psychiatrists. Later she plays the tapes to her principle therapist, the shadowy Dr. Lenn, as proof of her innocence. The confrontational sessions just heighten their anger. Allis and Charley’s fights get worse and worse.

Between 1967 and 1969 every member of the family goes into analysis. Bruce, at the age 14, is sent to an adult mental institution for nine months because he is acting out. Douglas spends the better part of his 9th and 10th years home school. When Chuck is killed in a car accident, the family takes a hiatus from therapy.

A year later Allis writes Dr. Lenn a letter, outlining once again Charley’s failings. She leaves it on the dining room table and Charley reads it, oddly resigned. Allis’ comments on this are the last page of her file. The two days later, Charley is curled up on the floor next to the bed, dead.

Must Read After My Death, is entirely created out of the tapes, films and photos Allis and her family made. As a family, they narrate their own tragedy in real-time. The director, Morgan Dews, is Allis and Charley's grandson.--© Official Site [More]

Director: Morgan Dews

Director: Morgan Dews
Producer: Morgan Dews, Sarah Langley
Composer: Paul Damian Hogan
Studio: Gigantic Pictures

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Reviews for Must Read After My Death

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A polarizing family secrets drama whose moment of revelation is continually diverted in favor of enticing new fragments of the truth...

Full Review Source: Filmcritic.com | comment Comment
03/23/09
Chris Barsanti
Chris Barsanti
Filmcritic.com

It's haunting and troubling, therapeutically transforming home movies into visual art.

Full Review Source: SSG Syndicate | comment Comment
03/08/09
Susan Granger
Susan Granger
SSG Syndicate

An unsettling portrait of a broken family.

Full Review Source: Christian Science Monitor | comment Comment
03/02/09
Peter Rainer
Peter Rainer
Christian Science Monitor

A searing and intimate account of an unconventional woman struggling not to lose her identity or her sanity in the rigid 1950s suburban world of stay-at-home moms, well-behaved children and sparkling-clean houses.

Full Review Source: Los Angeles Times | comment Comment
02/27/09
Betsy Sharkey
Betsy Sharkey
Los Angeles Times
Top Critic Icon Top Critic

Like other family doc gothics, the heart of the suburbs is-gasp!-black as bile; unlike them, however, this has a strong female voice that gives us chills from beyond the grave

Full Review Source: I.E. Weekly | comment Comment
02/26/09
Amy Nicholson
Amy Nicholson
I.E. Weekly

It’s mesmerizing.

Full Review Source: Film Threat | comment Comment
02/26/09
Rick Kisonak
Rick Kisonak
Film Threat

A bloodcurdling 75-minute diary assembled from an astonishing stash of audiotapes and Dictaphone recordings, cries and whispers out of one documentary filmmaker's family history.

Full Review Source: Chicago Tribune | comment Comment
02/26/09
Michael Phillips
Michael Phillips
Chicago Tribune
Top Critic Icon Top Critic

As it makes narrative sense out of experience, it also leaves much of the nonsense in place, not explaining or rationalizing, but showing that such inclinations - by doctors, husbands, and even mothers - can be as disturbing as the chaos they seek to fix.

Full Review Source: PopMatters | comment Comment
02/26/09
Cynthia Fuchs
Cynthia Fuchs
PopMatters

I applaud Gigantic's desire to bring independent-film distribution into the new-millennial cutting edge. But I'll judge its success only after the company has streamed more real, live movies.

Full Review Source: Baltimore Sun | comment Comment
02/26/09
Michael Sragow
Michael Sragow
Baltimore Sun

Dews helps Allis hold out a gendered posthumous snapshot of an era whose smug surface, barely masking oceans of suffering, makes Revolutionary Road look like a tea party.

Full Review Source: L.A. Weekly | comment Comment
02/26/09
Ella Taylor
Ella Taylor
L.A. Weekly

File this 'therapeutic' movie, well made and creepy, on the dysfunction-as-art shelf 
next to Capturing the Friedmans.

Full Review Source: Entertainment Weekly | comment Comment
02/25/09
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

'Must Read After My Death' feels less like a documentary and more like a loud scream for help.

Full Review Source: eFilmCritic.com | comment Comment
02/21/09
Dan Lybarger
Dan Lybarger
eFilmCritic.com

The obvious but effective tactic of contrasting words and visuals scrapes off the veneer of domestic bliss that people put on for the world and which gets pasted in scrapbooks and hung on walls.

Full Review Source: Reel Times: Reflections on Cinema | comment Comment
02/21/09
Mark Pfeiffer
Mark Pfeiffer
Reel Times: Reflections on Cinema

One of the most sympathetic and revealing portraits of a suburban woman in crisis ever made in any medium.

Full Review Source: Film-Forward.com | comment Comment
02/21/09
Nora Lee Mandel
Nora Lee Mandel
Film-Forward.com

The stuttery films and faded, scratchy photos show us a suburban American family straight out of the media cliche machine.

Full Review Source: MTV | comment Comment
02/20/09
Kurt Loder
Kurt Loder
MTV

This account of his maternal grandparents and their children functions as a time capsule from 1960s America and as an engrossing alternative to Revolutionary Road.

Full Review Source: Boxoffice Magazine | comment Comment
02/20/09
John P. McCarthy
John P. McCarthy
Boxoffice Magazine

A spare but riveting documentary.

Full Review Source: New York Post | comment Comment
02/20/09
Kyle Smith
Kyle Smith
New York Post
Top Critic Icon Top Critic

Dews wisely realizes that he needs nothing more than his grandparents' writings, recordings and home movies to portray the stark emptiness of Allis' life, as well as the sexist, neurotically conformist culture that smothered her.

Full Review Source: New York Daily News | comment Comment
02/20/09
Elizabeth Weitzman
Elizabeth Weitzman
New York Daily News
Top Critic Icon Top Critic

It would take a pretty good filmmaker to turn Grandma's old home movies and audio tapes into something mysterious and chilling, but Morgan Dews has done that with this provocative documentary.

Full Review Source: Film Journal International | comment Comment
02/20/09
Eric Monder
Eric Monder
Film Journal International

Must Read After My Death makes no brief for these people as remarkable, exceptional or unusual. That may be the most frightening thing of all.

Full Review Source: Hollywood & Fine | comment Comment
02/20/09
Marshall Fine
Marshall Fine
Hollywood & Fine
 
 
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