In "The Mysteries of Pittsburgh," at first glance, Art(Jon Foster) might seem to be committing career suicide by having sex with his supervisor Phlox(Mena Suvari) all over their workplace. But then this is just a summer job for Art at the Book Barn while he considers his next move, so where's the harm? His father(Nick Nolte), a gangster of ill-repute who he has dinner with once a month in a swanky restaurant, has his next five moves planned which include passing his stock trading exam and working in Baltimore. That's where his career comes in. Where Jane(Sienna Miller) comes in is at a party, after which they go eat pie. After that, Jane's boyfriend Cleveland(Peter Sarsgaard) takes Art for a ride.
"The Mysteries of Pittsburgh" is a disappointingly inert adaptation of Michael Chabon's novel(I don't remember that much about it except its ending and that I liked it). In its depiction of a transitional year of 1983, it is about a person caught between the respectability he dreads and the eccentric friends he loves. On the one hand, the movie keeps the central relationships intact, but also manages to lose a lot of the book's offbeat energy in its move to the screen which is best exemplified by the casting of non-entity Jon Foster in the lead. That's not to mention too much reliance on daddy issues and droning narration which does eventually disappear. The supporting cast is very, very good but even they cannot save a movie where there is no center.