What holds it together are the subtle loving performances by Tabu and Khan, both Bollywoood stars. They never overplay, never spell out what can be said in a glance or a shrug, communicate great passion very quietly.
The Namesake (2007)
Tomatometer
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Reviews Counted:31
Fresh:27
Rotten:4
Average Rating:7.7/10
Consensus: An ambitious exploration of the immigrant experience with a talented cast that serves the material well.
Rated: PG-13 [See Full Rating] for sexuality/nudity, a scene of drug use, some disturbing images and brief language.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:Mar 9, 2007 Limited
Box Office: $13,494,515
Synopsis: Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the... Like her previous films VANITY FAIR, MONSOON WEDDING, and HBO's HYSTERICAL BLINDNESS, Mira Nair's THE NAMESAKE is a lush, beautiful film bursting with rich color and visual texture. Based on the bestselling book by Jhumpa Lahiri, the film follows two generations of the Ganguli family. After wedding via an arranged marriage, Ashima (Tabu) moves with Ashoke (Irrfan Khan) from her native Calcutta to New York. As Ashima struggles to adjust to life in her new home, a true love grows between the newlyweds. When they give birth to Gogol (who does not learn the true origin of his name until adulthood), the Gangolis decide to stay in American for their child's sake, settling in the suburbs and eventually giving birth to a daughter, Sonia (Sahira Nair). While Ashima and Ashoke attempt to balance their new life with Indian traditions, their children have the very different experience of being raised first-generation Americans. With little interest in their ancestry, both Gogol and Sonia disappoint their parents by having little respect for the sacrifices their parents made for them. Gogol's desire to change his name, and his relationship with a wealthy American girl (Jacinda Barrett), places a strain on the family which Gogol will later regret. Here, Penn proves he can play a serious role while still using his comedic skills to great affect. The actor shows impressive range in growing a clueless teen to a man his father would be proud of. Nair's skill at directing can be felt in the film's many great performances. Both Tabu and Irrfan Khan embody their characters so fully that the viewer really feels a personal connection to the story. As the head of the household, Khan's character will subtly make viewers laugh while breaking their heart. Packed with unique characters, THE NAMESAKE offers audiences an outlet into Bengali traditions and the immigrant experience while telling a universal story of family bonds which all parents and children should connect with. Nair excels in what is her most personal work to date. [More]
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson
Starring: Kal Penn, Jacinda Barrett, Irrfan Khan, Zuleikha Robinson, Tabu, Sahira Nair
Director: Mira Nair
Director: Mira Nair
Screenwriter: Sooni Taraporevala
Producer: Lydia Dean Pilcher, Mira Nair
Studio: Fox Searchlight Pictures
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Reviews for The Namesake
It is a saga told in small pieces, a patchwork of short scenes that tumble after each other almost apologetically, as if they would love to linger a little longer, but there is too much to tell and only so much time in which to do it.
Intelligent and insightful, The Namesake celebrates family in a unique way.
There's more love and heart in The Namesake than in many Hollywood dramas. I just wish the filmmakers had spread it around. Cross-cultural understanding should be a two-way street.
The Namesake is three-fourths of a fine film. Which is, of course, far better than most.
Mira Nair has made one of the best movies about the immigrant American experience ever. And even if you know nothing about India and its customs, The Namesake is not a movie you have to get into.
The Namesake has a deep, alluvial poetry to it, like a mighty river reaching the sea. It's mysterious and ordinary, insightful and banal, rambling and precise, and it is altogether unexpected.
Mira Nair’s The Namesake conveys a palpable sense of people as living, breathing creatures who are far more complex than their words might indicate.
The Namesake ambitiously reveals the gains and perils of assimilation, and it heightens awareness about how difficult it can be to strike the right balance between family demands and personal development.
Though the film seems hurried in the last half hour -- most likely to get as much of the book covered as possible -- it still maintains a loveliness bridged by these two generations of Gangulis, whose disparate life experiences cannot bond them.
Like the best-selling novel it's based on, The Namesake chronicles two generations of an Indian immigrant family with compelling flow.
The Namesake brims with intelligence, compassion and sensuous delight in the textures, sights and sounds of life -- all the way from the Taj Mahal to Pearl Jam.
Nair has taken a fascinating piece of literature and woven a rich cultural tapestry for the screen. The Namesake elicits laughter and tears in its profound and emotionally resonant family portrait.
There's elegance in the cinematography and pathos in some of the performances, but the script lacks structure. The movie shuttles between life events, more a snapshot collection of episodes than a cohesive character study.
The Namesake illuminates the immigrant experience in ways that feel at once exotic and deeply familiar.
Latest News for The Namesake
September 30, 2008:
Trailer & Poster review ![]()
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November 28, 2007:
East Indian assimilation in U.S. examined in generation-spanning drama. ![]()
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