No popped-up fly doubles. Just wham, bam, home run. Get the picture?
The Natural (1984)
Tomatometer
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Reviews Counted: 29
Fresh: 24
Rotten:5
Average Rating: 7/10
Consensus: Though heavy with sentiment, The Natural is an irresistible classic, and a sincere testament to America's national pastime.
Runtime: 2 hrs 24 mins
Genre: Dramas
Synopsis: Farm boy Roy Hobbs (Robert Redford) is the best baseball player anyone has ever seen. His bat, handmade from the wood of a tree felled by lightning following the death of his father, is magic in... Farm boy Roy Hobbs (Robert Redford) is the best baseball player anyone has ever seen. His bat, handmade from the wood of a tree felled by lightning following the death of his father, is magic in his hands. But before his career can start, the mysterious Harriet Bird (Barbara Hershey) inexplicably shoots him, sidelining him for more than a decade. Fifteen years later, Hobbs returns to play for the New York Knights, whose coach, Pop Fisher (Wilfred Brimley), begrudgingly accepts the aging rookie as a member of the team. Pop is as surprised as the rest of the team when Hobbs knocks the ball out of the park time and again and can still play a mean outfield as well. However, when the politics of the business side of the game get in the way, Hobbs has to make some life-changing decisions. Meanwhile, he becomes involved with Memo Paris (Kim Basinger), a sultry siren with her own agenda. Glenn Close plays Iris, the hometown girl whom Hobbs left behind but never forgot. Director Barry Levinson (DINER, RAIN MAN) manages to re-create the excitement of old-time baseball while telling an all-American tale of success and failure, based on the novel by Bernard Malamud. [More]
Starring: Robert Redford, Robert Duvall, Glenn Close, Kim Basinger
Starring: Robert Redford, Robert Duvall, Glenn Close, Kim Basinger, Barbara Hershey
Director: Barry Levinson
Director: Barry Levinson
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Reviews for The Natural
Robert Redford isn't playing a 1930s baseball hero ... he's playing an instrument of God.
Somewhat overly sentimental, lacking the novel's subtlety, and less interesting when the action leaves the ball park, Barry Levinson's beautifully shot film is nonetheless a charming fairy tale.
The Natural is an impeccably made, but quite strange, fable about success and failure in America.
I've just about had it with directors who use the mythic mode as an alibi for unshaded characterizations, simpleminded plotting, and swells of artificial emotionality.
Jammed full with cliches, The Natural never misses a chance to manipulate the audience
Let yourself go and be rewarded by the sight of a hero running home to victory through clouds of fire.
A mature and elegiac fantasy done with feeling and sincerity that really captures the mystique of old-time baseball.
The message is: Baseball is purely and simply a matter of divine intervention. At about the 130-minute mark, I got the idea that God's only begotten son was playing right field for the New York team.
Though entertaining in short stretches, The Natural has no recognizable character of its own.
The cinematography is lush, the Randy Newman score is so epic that Hollywood uses it for practically every movie trailer that isn't a Chris Tucker comedy or a Shaft remake, and the period detail, and baseball scenes, are top notch.
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