A tribute to and stroking of its subject ... And by canonizing Kane, displaying this hulking angel with such innocence, the film is soulless.
New York Doll (2005)
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Reviews Counted:47
Fresh:42
Rotten:5
Average Rating:7.2/10
Consensus: A documentary that is as charming as it is unexpected, New York Doll is a rock 'n' roll fairy tale that plucks Arthur Kane, the bassist for the influential glam rock band the New York Dolls out of obscurity for one last shot in the spotlight.
Theatrical Release:Oct 28, 2005 Limited
Synopsis: A recovering alcoholic and recently converted Mormon, we first meet mild-mannered Arthur Kane on the LA bus he takes most days to his job at the Family History Center library. No one would connect... A recovering alcoholic and recently converted Mormon, we first meet mild-mannered Arthur Kane on the LA bus he takes most days to his job at the Family History Center library. No one would connect the shy 55-year-old in the suit and tie to Arthur "Killer" Kane, statuesque bassist for the legendary '70s rock band, The New York Dolls. Arthur became the bass player for the Dolls in 1971 and helped form, in rocker Morrissey's words, "one of the most raucous, notorious bands in musical history." Decked out in platform heels, skin-tight pants, smeared lipstick and hair a mile high, the Dolls' gender-bending stage antics belied a ferocious sound that presaged punk and influenced a generation of musicians. But drug abuse and inner-band bickering led to a split in 1975, with Arthur himself bottoming out. After leaving New York City for Los Angeles, Arthur lived in virtual obscurity for almost 30 years. He battled alcoholism, embarked on a troubled marriage and tried repeatedly to resurrect his musical career. And he spent much of his time obsessing about his short-lived fame with the Dolls and longing for a return to the spotlight. In 1989, Arthur converted to Mormonism and became the congregation's humble resident rocker. He played inspirational harmonica messages for his new friends at the temple, discovered his estranged father's passing through genealogical records and continued to yearn for a Dolls reunion as he rode the bus to and from his job at the Family History Center. In the early spring of 2004, Morrissey, former President of the New York Dolls fan club and curator of the 2004 Meltdown Festival in London, asked the Dolls to reunite for two shows. Arthur was ecstatic. His friends at church gave him money to get his guitars out of a local pawn shop so he could begin practicing. Rehearsals in New York lead to a reunion with lead singer David Johansen and guitarist Sylvain Sylvain. Arthur finally let go of long-held grudges and got ready to rock. No one knew how the Dolls would perform in London after such a long hiatus and his bandmates were especially concerned about how Arthur would perform after so many years away from the stage. But Arthur had no doubts. Arthur arrived at his five-star London hotel excited to play for what he considered "not an audience, but just a bunch of friends" and on June 16, 2004 the New York Dolls played to a raucous crowd at Royal Festival Hall. Critics hailed: "The New York Dolls played a sensational comeback show!" "They've never played better!" "The kings of New York!" It was a triumph. Returning to Los Angeles meant getting back on the bus and back to the Family History Center for Arthur. All of his friends were happy to see him, but concerned that his day-to-day life might pale in comparison to the adulation-filled trip he'd just returned from. What happened next was beyond anyone's comprehension. --© First Independent Pictures [More]
Starring: David Johansen, Arthur Kane, Sylvain Sylvain, Barbara Kane
Starring: David Johansen, Arthur Kane, Sylvain Sylvain, Barbara Kane, Johnny Thunders, Jerry Nolan, Morrissey, Bob Geldof, Chrissie Hynde, Mick Jones, Frank Infante, Clem Burke, Iggy Pop, Don Letts
Director: Greg Whiteley
Director: Greg Whiteley
Producer: Ed Cunningham, Seth Gordon
Studio: First Independent Pictures
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Reviews for New York Doll
Excels at telling the extraordinary story of a bizarrely ordinary man.
The Doll in the title of the fine, touching documentary New York Doll is far from a supermodel.
Touching and funny, with an unforgettable ending that could not have been better if it were fiction. One of the best films of the year.
The details, the personalities and the final twist grab you until you're left truly shaken and inspired.
In the end, it is hard to not feel that God does work in mysterious ways, if the life of Arthur 'Killer' Kane is any example.
A stirring film that [turns] Arthur Kane's largely heartbreaking rock and roll life into a small monument to the power of friendship and the wonders of the spirit.
A nimble, handsome film that also happens to be about a noteworthy guy: the late Arthur 'Killer' Kane.
Whiteley delicately balances both Kane's newfound devotion and his more glamorous rock 'n' roll past and pays respect to both.
The odyssey is atypical and historically fascinating, but philosophically and structurally lopsided - - a textbook example of the right-place-at-the-right-time school of filmmaking.
New York Doll is still a revelation, and a fine companion piece to End of the Century, the edgier and uglier history of another post-Dolls band, The Ramones.
The late Johnny Thunders didn't write You Can't Put Your Arms Around a Memory until after the Dolls had broken up, but this lovely little heartbreaker of a movie takes the sentiment as its own.
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