Opening

97% Ghostbusters Aug 29
30% As Above/So Below Aug 29
36% The November Man Aug 27
98% Starred Up Aug 27
76% The Congress Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
37% If I Stay $15.7M
21% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
66% The Hundred-Foot Journey $5.3M
19% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Longest Week Sep 05
—— The Identical Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
39% Intruders: Season 1
89% Outlander: Season 1
46% Reckless: Season 1
—— Unforgettable: Season 3

Discuss Last Night's Shows

—— Jonah From Tonga: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Night Moves Reviews

Variety Staff
Variety
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Night Moves is a paradox: a suspenseless suspenser, very well cast with players who lend sustained interest to largely synthetic theatrical characters.

Full Review Source: Variety

July 23, 2008
Jonathan Rosenbaum
Chicago Reader
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One of Penn's best features; his direction of actors is sensitive and purposeful throughout.

Full Review Source: Chicago Reader

July 23, 2008

Time Out
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Essential viewing.

Full Review Source: Time Out

January 26, 2006
Roger Ebert
Chicago Sun-Times
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Arthur Penn's Night Moves is about an old-fashioned private eye who says and does all the expected things while surrounded by a plot he completely fails to understand.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

October 23, 2004
Vincent Canby
New York Times
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An elegant conundrum, a private-eye film that has its full share of duplicity, violence, and bizarre revelation, but whose mind keeps straying from questions of pure narrative to those of the hero's psyche.

Full Review Source: New York Times | Original Score: 3/5

May 20, 2003
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