The decade's most overrated movie
No Country for Old Men (2007)
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Reviews Counted:221
Fresh:208
Rotten:13
Average Rating:8.5/10
Consensus: Another triumph for the Coen Brothers, No Country has the perfect mixture of suspense, humor, and desperately compelling performances. The seemingly simple story hides a more complex narrative, and high tension is maintained throughout.
Rated: R [See Full Rating] for strong graphic violence and some language.
Runtime: 2 hrs 2 mins
Genre: Drugs, Suspense, Thriller, Murder, Serial Killers, Money, Theatrical Release
Theatrical Release:Nov 21, 2007 Wide
Box Office: $74,223,625
Synopsis: With NO COUNTRY FOR OLD MEN, the Coen Brothers have found a perfect match in Pulitzer Prize-winning author Cormac McCarthy. Their adaptation of McCarthy's praised novel is a staggering masterpiece.... With NO COUNTRY FOR OLD MEN, the Coen Brothers have found a perfect match in Pulitzer Prize-winning author Cormac McCarthy. Their adaptation of McCarthy's praised novel is a staggering masterpiece. In this almost impossibly faithful adaptation, the film takes place in a small Texas border town in 1980. Sheriff Bell (a never-been-better Tommy Lee Jones) has ruled the land for years without the use of a gun, but a new brand of reckless lawlessness has taken over his town. Llewelyn Moss (Josh Brolin) is an innocent Everyman with a devoted wife, Carla Jean (Kelly Macdonald), but when he stumbles across a drug deal gone deadly and finds two million dollars, he's determined to keep it for himself. There's only one problem. He's being pursued by one of the most amoral, evil psychopaths that the big screen has ever seen. Wearing an absurd haircut and brandishing a pressurized weapon that's used to murder cattle, Anton Chigurh (Javier Bardem) creeps forward on his mission to track Moss down and return the money to its rightful owners to save his own skin. As the tension mounts, the body count begins to rise, confirming Sheriff Bell's inability to battle this new wave of modern brutality. The most striking thing about the Coen Brothers' thriller is their masterly use of silence to create an almost unbearable level of tension. Cinematographer Roger Deakins is once again at the top of his game, beautifully capturing this stark and lonely world. The well-rounded cast is clearly excited to be a part of such a stellar production--particularly Bardem, whose Chigurh is a freakishly mysterious monster, and is certain to haunt viewers long after the final credit has rolled. In a career filled with striking achievements, this might very well be the Coen Brothers' finest. It is filmmaking at its best. [More]
Starring: Tommy Lee Jones, Javier Bardem, Josh Brolin, Kelly MacDonald
Starring: Tommy Lee Jones, Javier Bardem, Josh Brolin, Kelly MacDonald, Woody Harrelson, Stephen Root
Director: Joel Coen, Ethan Coen
Director: Joel Coen, Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Joel Coen, Ethan Coen, Scott Rudin
Composer: Carter Burwell
Studio: Miramax Films
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Reviews for No Country for Old Men
Once you open Pandora's Box, there's simply no stopping the beasts that pour out.
What starts off as the best Charles Bronson movie not to star Charles Bronson ends up as a literary adaptation of a novel that thinks it means something or other.
No Country for Old Men is the brothers at their most polished, austere, and humorless.
When you see No Country for Old Men, leave your preconceptions at home. But bring your Alfred Hitchcock lenses. They're useful. No Country for Old Men is a dazzling time-bomb of a movie. It is an engrossing, brutal, nerve-wracking moral tale
For a film that traffics in implacable malice, this movie remains remarkably grounded in the everyday.
This is some of Brolin's best work to date, though the film still belongs to Bardem and Jones, whose low-key mannerisms are well-suited to the Coens' sensibilities.
McCarthy's ferocious tale gives the Coens room to unleash their cinematic gifts, but keeps them from wandering too far afield and losing themselves in the marshes of technical prowess or easy irony.
Although 'No Country for Old Men' is an exciting film, wise screen violence needs more emotional depth below surface technique.
The Coen Brothers explore the demise of the Western with their late-80s-set drama about a simple man running from a amoral assassin.
Why, Joel and Ethan, why did you have to ruin an almost flawless film with a terrible last scene?
I was a little worried when I went to see "No Country for Old Men" because many people have been labeling it a masterpiece, but for once all the hype is warranted.
Without overstating the case this could be Joel and Ethan Coen's finest work yet. A bruising, battering, almost religious experience.
No Country for Old Men is the kind of film that will only cement the opinion you already have about its uniquely eccentric makers. Approach the ticket booth accordingly.
Retains the Coen brothers' trademark quirkiness, and it certainly goes all out. But it's also subtle in ways we haven't seen before.
The most fascinating element of the film is its formal linking of its multiple, no-nonsense protagonists. [Blu-Ray review]
Thank goodness that experiment in appeasing the commercial suit types is over and the quirky brothers are back to form with No Country for Old Men, a dark and violent exploration of nature's hunt and the relevance of time.
The problem comes when we realize it's a Tommy Lee Jones film and the title is more than just a random coincidence. It's a really good film that was almost great.
...the Coens sabotage their wonderfully understated style in No Country with the trivial substance of their narrative.
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September 08, 2008:
Tommy Lee Jones Sues Paramount ![]()
Tommy Lee Jones has filed a lawsuit against Paramount, alleging the studio has failed to pay him roughly $10 million in fees for "No Country for Old Men." More...
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It's almost time to hand out some golden popcorn -- the nominations for the 2008 MTV Movie Awards have been announced! More...
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