• November
    2 minutes 58 seconds
    Added: May 9, 2008

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November Reviews

Lisa Nesselson
Variety
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February 23, 2012

Time Out
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November 17, 2011

Time Out
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January 26, 2006

St. Louis Post-Dispatch
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October 8, 2005
Melinda Ennis
Atlanta Journal-Constitution
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There is much promise here from the young director, Greg Harrison.

Full Review Source: Atlanta Journal-Constitution | Original Score: B-

September 15, 2005
Roger Moore
Orlando Sentinel
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It's interesting, and November does give us something to chew on. But a puzzle with no payoff isn't worth the effort.

Full Review Source: Orlando Sentinel | Original Score: 2/5

August 26, 2005
Peter Howell
Toronto Star
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The lack of proper resolution to the story is more vexing than intriguing.

Full Review Source: Toronto Star | Original Score: 2/4

August 19, 2005
Rene Rodriguez
Miami Herald
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Essentially a student film that happens to star some big-name actors.

Full Review Source: Miami Herald | Original Score: 1/4

August 19, 2005
Jennie Punter
Globe and Mail
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Does not provide enough 'clues' to Sophie's emotional background to make us care whether or not she survives the trauma of 7/11.

Full Review Source: Globe and Mail | Original Score: 2.5/4

August 19, 2005
Terry Lawson
Detroit Free Press
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Best approached and appreciated as a puzzle that can be completed in various ways and a reminder that memory, like images, can be fixed, but not always trusted.

| Original Score: 3/4

August 19, 2005
Jeff Strickler
Minneapolis Star Tribune
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In the gritty psychological thriller November, a gutsy Courteney Cox puts a world of distance between herself and her lightweight 'Friends' image.

Full Review Source: Minneapolis Star Tribune | Original Score: 3/4

August 18, 2005
Steven Rea
Philadelphia Inquirer
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Ambiguous in a satisfying, puzzling sort of way.

| Original Score: 3/4

August 12, 2005
Curt Fields
Washington Post
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A detective investigating the shooting comments on some photos that pertain to the case: 'It's a shame. They're almost too arty for their own good.' The same can easily be said about November.

Full Review Source: Washington Post

August 11, 2005
Bruce Westbrook
Houston Chronicle
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Excruciatingly, the film disgorges its crime and variations of it again and again. We'd prefer more detective work and less of what plays out as a grisly loop.

Full Review Source: Houston Chronicle | Original Score: 2/4

August 5, 2005
Achy Obejas
Chicago Tribune
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Whatever we think one minute is utterly meaningless, without connection, the next.

Full Review Source: Chicago Tribune | Original Score: 2/4

August 5, 2005
Mario Tarradell
Dallas Morning News
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Director Greg Harrison seems more interested in pretentiously highbrow visual effects than developing a compelling narrative during November, his convoluted, ineffective psychological thriller.

Full Review Source: Dallas Morning News | Original Score: D

August 4, 2005
Roger Ebert
Chicago Sun-Times
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It's intriguing when a film is about tension, and its method is about tension, and the two seem to be pulling against each other.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

August 4, 2005
Walter V. Addiego
San Francisco Chronicle
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If you like this sort of challenge, there are better examples (try The Machinist) than this lugubrious and derivative work.

Full Review Source: San Francisco Chronicle | Original Score: 2/4

July 29, 2005
John Hartl
Seattle Times
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Neither the characters nor the ideas in Benjamin Brand's screenplay are developed enough to warrant even a 73-minute running time, and Harrison doesn't have the actors he needs.

Full Review Source: Seattle Times | Original Score: 2.5/4

July 29, 2005
Wesley Morris
Boston Globe
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Beware serious movies starring former sitcom stars. Beware thrillers about photographers. Bewares movies set in convenience stores.

Full Review Source: Boston Globe | Original Score: 1.5/4

July 29, 2005
Richard Roeper
Ebert & Roeper
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I liked it even better the second time when I knew where we were heading.

Full Review Source: Ebert & Roeper

July 25, 2005
Stephen Holden
New York Times
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A cleverly assembled film, shot and edited on digital video for a pittance, November wants only to be an entertainingly squirmy mind tease.

Full Review Source: New York Times | Original Score: 3/5

July 22, 2005
Lisa Rose
Newark Star-Ledger
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Pointless without pause.

Full Review Source: Newark Star-Ledger | Original Score: 0/4

July 22, 2005
Lou Lumenick
New York Post
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There's no real payoff -- artistically or emotionally -- in Gregory Harrison's gimmicky and tedious psychological thriller November, shot on ugly digital video.

| Original Score: 1.5/4

July 22, 2005
Jack Mathews
New York Daily News
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November has the pretensions of an art-house indie trying to one-up a Hollywood trend - in this case, the Sixth Sense-style twist ending that belies everything that has gone before.

Full Review Source: New York Daily News | Original Score: 1.5/4

July 22, 2005
Kevin Thomas
Los Angeles Times
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More concerned with being clever than satisfying.

Full Review Source: Los Angeles Times | Original Score: 2/5

July 21, 2005
F.X. Feeney
L.A. Weekly
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A one-woman Rashomon that plays and replays the same traumatic incident, with shifts in nuance.

Full Review Source: L.A. Weekly | Original Score: 3.5/5

July 21, 2005
Lisa Schwarzbaum
Entertainment Weekly
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The performances are crisp and in focus, with Cox in particular showing a photogenic feel for expressing grief.

Full Review Source: Entertainment Weekly | Original Score: B-

July 20, 2005
Mark Holcomb
Village Voice
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November runs out of surprises well before it climaxes, and by the third go-round the plot's thinness is all that's left to illuminate.

Full Review Source: Village Voice

July 19, 2005
Todd McCarthy
Variety
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A stylistic tour de force dedicated more to constructing a cinematic puzzle than to providing dramatic satisfaction.

Full Review Source: Variety

July 12, 2005
Kirk Honeycutt
Hollywood Reporter
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The problem lies with the story these filmmakers choose to tell.

January 27, 2004
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