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O Fantasma (2000)
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Reviews Counted:7
Fresh:1
Rotten:6
Average Rating:4.4/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: Sergio (Ricardo Meneses) is a brooding, lonely man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men in the city's darkest,... Sergio (Ricardo Meneses) is a brooding, lonely man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men in the city's darkest, dirtiest corners. Sergio is alienated from life--he has no friends or family, and even his sexual encounters fail to engage him or satisfy his desires. One night he meets an attractive man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state. Portuguese director Joao Pedro Rodrigues has crafted a haunting, feverish study of the alienation and despair that permeate modern urban life, and the profound devastation that solitude and repressed sexuality can inflict on the psyche. [More]
Starring: Ricardo Meneses, Beatriz Torcato, Andre Barbosa, Eurico Vieira
Starring: Ricardo Meneses, Beatriz Torcato, Andre Barbosa, Eurico Vieira
Director: Joao Pedro Rodrigues
Director: Joao Pedro Rodrigues
Screenwriter: Joao Pedro Rodrigues, Jose Neves, Paulo Rebelo, Alexandre Melo
Producer: Amandio Coroado
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Reviews for O Fantasma
It's clear that director Rodrigues has a future as a provocateur. But you may want to decide whether to spend an evening being provoked -- and possibly perplexed. Not that there's anything wrong with that, of course.
Often looks like explicit gay pornography thinly disguised as high art.
The gay audience you'd expect the movie to pander to will likely be dismayed by its depraved view of homosexuality.
Despite a couple of memorable scenes, it's boring when it's not kinky.
O Fantasma is boldly, confidently orchestrated, aesthetically and sexually, and its impact is deeply and rightly disturbing.
Imagine (if possible) a Pasolini film without passion or politics, or an Almodovar movie without beauty or humor, and you have some idea of the glum, numb experience of watching O Fantasma.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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