Hamer creates a quirky, beguiling, and very funny mood piece that reflects on age, adventure, uncertainty, and humanity. Owe gives the character of Horten an off-center dignity that will suggest comparisons to Jacques Tati and Buster Keaton
O'Horten (2009)
Tomatometer
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Reviews Counted:20
Fresh:20
Rotten:0
Average Rating:7.7/10
Consensus: Bent Hamer's latest is a droll, deadpan comedy filled with strange touches and melancholy charm.
Theatrical Release:May 22, 2009 Limited
Box Office: $170,980
Synopsis: Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the... Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the freedoms of retirement. Hamer carefully outlines the rituals from Horten’s working life: recurring visits to a local tobacconist to fuel his pipe-smoking habit, a pre-work routine in his Oslo apartment, and visits to a small-town hotel where the kindly female owner treats him with considerable fondness. Most of Hamer’s movie takes place in the snow-covered Oslo night, where Horten encounters a series of erratic characters as his own behavior slides into nonconformity. The director fills his movie with little eccentricities that are rarely explained but often provoke amusement, such as the time Horten emerges from a late-night dip in a swimming pool, clad in a pair of red high-heeled shoes. O'HORTEN is a wonderfully amusing piece, with Hamer demonstrating his innate ability for offbeat comedy. The strange atmosphere and long silences are reminiscent of the work of Finnish director Aki Kaurismaki, and the oddball denizens of the Oslo night are similar to the way-out characters of Jim Jarmusch’s MYSTERY TRAIN. Hamer’s movie is a compelling exploration of a loner who has had all the familiarity stripped from his world, and flounders as he seeks to find meaning in a life shorn of routine. Owe’s deadpan delivery is flawless, and his restrained performance offers few clues as to what is going on in Horten’s head, requiring the audience to ponder the motivations for his increasingly peculiar behavior. The mixture of humor and poignancy are kept in a delicate balance throughout, with Hamer gently steering his small cast through a film full of richly rewarding subject matter. [More]
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg, Kai Remlov, Henny Moan, Bjarte Hjelmeland, Per Jansen
Director: Bent Hamer
Director: Bent Hamer
Screenwriter: Bent Hamer
Producer: Bent Hamer
Composer: KAADA
Studio: Sony Pictures Classics
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Reviews for O'Horten
The whimsy is never overplayed. The peculiar isn't teased at any character's expense.
Pointedly strange and whimsical, O'Horten mixes the surreal with the mundane in its depiction of the retirement and eventual rebirth of a train engineer.
Bent Hamer has proved himself an apt pupil of such deadpan comic filmmakers as Jim Jarmusch and Aki Kaurismaki.
Depending on your patience for oddball mood pieces, you will either sleep through O' Horten or be oddly captivated. Either way, it'll be like dreaming.
Not quite the absurdist gem that was Bent Hamer's 2004 release, Kitchen Stories, the Norwegian director's O'Horten is nonetheless a deadpan delight.
O'Horten is a precise, deadpan drama of slapstick existentialism -- a Bent Hamer movie, in other words.
[Director] Hamer has a gift for observational comedy, previously demonstrated in the droll Kitchen Stories, and also for the exquisite framing of wintry images.
Filmmaker Hamer isn't being cruel here. He's trying to tell us that conquering the ridiculous is one of life's necessary joys.
The thing about a deadpan comedy is, it must involve us in the lives of its characters, so we can understand why they are funny while at the same time so distant. O'Horten, a bittersweet whimsy by the Norwegian director Bent Hamer, finds that effortless.
Jack Nicholson's dyspeptic retiree in About Schmidt would no doubt identify with O'Horten's entertaining pain.
A veteran actor of half-a-century's standing (and several Lars von Trier projects), his wry, detached decency is a large part of the film's charm as he greets his new life's surprises with calm, slightly puzzled good humor.
Made up of meticulously constructed, deadpan scenes that turn on Keatonesque visual jokes.
Nothing about this film even hints at being rushed -- if there were a cinematic equivalent to the Slow Food movement, this would fit right in -- but that doesn't stop it from being all that you want it to be.
Succinct in its visualizations and crisp in its pacing, its deferential storytelling is in sync with its Odd subject.
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