Opening

—— The Identical Sep 05
—— The Longest Week Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05
—— The Remaining Sep 05

Top Box Office

92% Guardians of the Galaxy $16.3M
20% Teenage Mutant Ninja Turtles $11.8M
39% If I Stay $9.3M
32% As Above/So Below $8.3M
21% Let's Be Cops $8.2M
37% The November Man $7.7M
17% When The Game Stands Tall $5.6M
32% The Giver $5.3M
65% The Hundred-Foot Journey $4.6M
34% The Expendables 3 $3.5M

Coming Soon

—— No Good Deed Sep 12
—— Dolphin Tale 2 Sep 12
—— Atlas Shrugged: Who Is John Galt? Sep 12
100% The Skeleton Twins Sep 12
100% The Disappearance of Eleanor Rigby Sep 12

New Episodes Tonight

88% Finding Carter: Season 1
42% Houdini: Season 1
67% Matador: Season 1
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 6
—— Sullivan & Son: Season 3

Discuss Last Night's Shows

—— Anger Management: Season 2
71% Dallas: Season 3
—— Mistresses: Season 2
25% Partners: Season 1
67% Teen Wolf: Season 4
62% Under the Dome: Season 2

Certified Fresh TV

86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Ocean's Eleven Reviews

Todd McCarthy
Variety
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A lark for everybody concerned, including the audience.

Full Review Source: Variety

December 10, 2008
Geoff Andrew
Time Out
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This wholly enjoyable entertainment sees Soderbergh setting himself a new challenge - the hi-tech robbery procedural - and relishing the clichés even as he freshens them with a dab of polish, wit, pace and a light touch of irony.

Full Review Source: Time Out

February 11, 2006
Peter Rainer
New York Magazine/Vulture
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It can, at times, be forgettable in a fun way, especially when its funniest performers are caught in Soderbergh's spinning crosshairs.

Full Review Source: New York Magazine/Vulture

January 22, 2002
Rita Kempley
Washington Post
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Fun-loving, carefully crafted romp.

| Original Score: 4/5

January 6, 2002
Peter Travers
Rolling Stone
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Forget Oscar, Ocean's Eleven is the coolest damned thing around.

| Original Score: 4.5/5

December 18, 2001
Richard Roeper
Ebert & Roeper
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[A] triumph of style and story...

Full Review Source: Ebert & Roeper

December 10, 2001
Mike Clark
USA Today
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Despite dashes of droll dialogue from screenwriter Ted Griffin, the remake aims for cool but instead gets chilly.

Full Review Source: USA Today | Original Score: 2.5/4

December 7, 2001
Mick LaSalle
San Francisco Chronicle
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Buzzes along at a mildly entertaining pitch from start to finish.

Full Review Source: San Francisco Chronicle | Original Score: 3/4

December 7, 2001
Stephanie Zacharek
Salon.com
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Soderbergh's crisp, funny heist flick makes out like a bandit. George Clooney and Elliott Gould steal the show.

Full Review Source: Salon.com

December 7, 2001
John Anderson
Newsday
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Despite a lot of snappy dialogue supplied by screenwriter Ted Griffin, Ocean's Eleven bogs down in technological minutiae, pointless set pieces that aren't very funny and by indulging the urge to constantly sell itself.

Full Review Source: Newsday

December 7, 2001
Lou Lumenick
New York Post
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Pure Hollywood moonshine.

| Original Score: 3/4

December 7, 2001
Eric Harrison
Houston Chronicle
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The new Ocean's Eleven is altogether different -- it isn't content to let star power, shtick and easy camaraderie carry the day; it works for your money.

Full Review Source: Houston Chronicle

December 7, 2001
Rick Groen
Globe and Mail
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To be sure, Soderbergh has proved his entertaining point, and done the Rat Pack one better, converting a paltry failure into a paltry success. But just how cool is that?

Full Review Source: Globe and Mail | Original Score: 2.5/4

December 7, 2001
Susan Stark
Detroit News
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Vigorous, involving entertainment.

December 7, 2001
Terry Lawson
Detroit Free Press
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Admittedly, little of Ocean's Eleven is likely to hang around in your head past closing time. But that only gives you a good excuse to see it again.

Full Review Source: Detroit Free Press

December 7, 2001
Steven Rosen
Denver Post
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I think it's time for Soderbergh to be leaving Las Vegas.

Full Review Source: Denver Post

December 7, 2001
Roger Ebert
Chicago Sun-Times
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It didn't shake me up and I wasn't much involved, but I liked it as a five-finger exercise.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

December 7, 2001
Jay Carr
Boston Globe
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Top-of-the-line studio eye candy.

| Original Score: 3.5/4

December 7, 2001
Michael O'Sullivan
Washington Post
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A brand-new ride, complete with humor, action, explosives, good-looking men in tuxedos and high-tech toys.

| Original Score: 4.5/5

December 7, 2001
Moira MacDonald
Seattle Times
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Need a good argument for remakes? Look no further than Steven Soderbergh's Ocean's Eleven.

Full Review Source: Seattle Times

December 7, 2001
Carrie Rickey
Philadelphia Inquirer
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Happily Soderbergh's updated Ocean's Eleven, reconceived by screenwriter Ted Griffin, has only three things in common with its source: a Vegas location, a casino-heist plot, and a crew of cool cuties.

| Original Score: 3/4

December 7, 2001
Jay Boyar
Orlando Sentinel
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If you see only one utterly undemanding, totally inconsequential motion picture this season, make it Ocean's Eleven.

December 6, 2001
Elvis Mitchell
New York Times
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For those not so taken by the star power, this new Ocean's Eleven is the equivalent of a domineering team you can't stand that enters the Super Bowl. Even if you don't like the players, the odds are so good that it's tough to bet against them.

Full Review Source: New York Times | Original Score: 4/5

December 6, 2001
Kenneth Turan
Los Angeles Times
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A champagne bubble of a movie, lively, effervescent and diverting. If it bursts earlier than we'd like -- and it does -- that takes nothing away from the considerable pleasure it provides along the way.

Full Review Source: Los Angeles Times | Original Score: 4/5

December 6, 2001
Philip Wuntch
Dallas Morning News
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Vastly superior to the 1960 Rat Pack original, it boasts a well-structured, if engagingly improbable, story line and a glistening cast that performs with brio.

Full Review Source: Dallas Morning News

December 6, 2001
Bruce Newman
San Jose Mercury News
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The kind of movie that makes you wish you were having as much fun watching it as they obviously had making it.

Full Review Source: San Jose Mercury News

December 6, 2001
Rex Reed
New York Observer
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It's extremely confusing, but you quickly learn to ignore the details and just watch the glam cast have fun.

Full Review Source: New York Observer

December 6, 2001
Rene Rodriguez
Miami Herald
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There is considerable pleasure to be had watching a Hollywood formula crowd-pleaser, no matter how irreverent, that's been made with intelligence, wit and style.

Full Review Source: Miami Herald

December 6, 2001
Paul Clinton (CNN.com)
CNN.com
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The cinematic version of a Happy Meal -- tasty and filling, not particularly nutritious, but generally pleasing for all.

Full Review Source: CNN.com

December 6, 2001
Michael Wilmington
Chicago Tribune
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Good, expensive, easygoing fun.

Full Review Source: Chicago Tribune | Original Score: 3/4

December 6, 2001
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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One of those sit-back, relax and enjoy-it movies.

Full Review Source: Atlanta Journal-Constitution | Original Score: B+

December 6, 2001
Owen Gleiberman
Entertainment Weekly
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Made with so much wit and brains and dazzle and virtuosity that the sheer speed and cleverness of the caper hits you like a shot of pure oxygen.

Full Review Source: Entertainment Weekly | Original Score: A

December 5, 2001
J. Hoberman
Village Voice
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Jazzy and insouciant, if not quite what Frank would have called classy.

Full Review Source: Village Voice

December 4, 2001
James Berardinelli
ReelViews
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There's a world of difference between an accomplished popcorn movie like this one and one that's oversalted.

Full Review Source: ReelViews | Original Score: 3/4

December 4, 2001
Kirk Honeycutt
Hollywood Reporter
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Represents a mostly successful stylistic shift into sheer artifice, where the force of the personalities involved compels your interest.

December 3, 2001
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