Opening

—— The Identical Sep 05
—— The Longest Week Sep 05
67% Thunder and the House of Magic Sep 05
74% God Help the Girl Sep 05
—— The Remaining Sep 05

Top Box Office

92% Guardians of the Galaxy $16.3M
20% Teenage Mutant Ninja Turtles $11.8M
39% If I Stay $9.3M
32% As Above/So Below $8.3M
21% Let's Be Cops $8.2M
37% The November Man $7.7M
17% When The Game Stands Tall $5.6M
32% The Giver $5.3M
65% The Hundred-Foot Journey $4.6M
34% The Expendables 3 $3.5M

Coming Soon

—— No Good Deed Sep 12
—— Dolphin Tale 2 Sep 12
—— Atlas Shrugged: Who Is John Galt? Sep 12
100% The Skeleton Twins Sep 12
100% The Disappearance of Eleanor Rigby Sep 12

Premieres Tonight

42% Houdini: Season 1

New Episodes Tonight

—— Anger Management: Season 2
71% Dallas: Season 3
—— Mistresses: Season 2
25% Partners: Season 1
67% Teen Wolf: Season 4
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— Breathless: Season One
100% Falling Skies: Season 4
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
46% Reckless: Season 1
87% The Strain: Season 1
—— Unforgettable: Season 2

Octopussy Reviews

Dave Kehr
Chicago Reader
Top Critic IconTop Critic

Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.

Full Review Source: Chicago Reader

October 13, 2008
Variety Staff
Variety
Top Critic IconTop Critic

Film's high points are the spectaccular aerial stuntwork marking both the pre-credits teaser and extremely dangerous-looking climax.

Full Review Source: Variety

October 13, 2008
Richard Corliss
TIME Magazine
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Bond had degenerated into a male model, and something of a genial anachronism.

Full Review Source: TIME Magazine

October 13, 2008

Time Out
Top Critic IconTop Critic

The action sequences are tighter, the visual gags more inventive, and if the plot is no great shakes, the whole thing is served up with a decent approximation to the old panache.

Full Review Source: Time Out

January 26, 2006
Vincent Canby
New York Times
Top Critic IconTop Critic

Makes no pretense of being based on anything except the Ian Fleming character and the high good humor and wit of the film makers.

Full Review Source: New York Times | Original Score: 3/5

August 30, 2004
James Berardinelli
ReelViews
Top Critic IconTop Critic

There's a fine line between wit and absurdity, and this particular movie too often falls on the wrong side.

Full Review Source: ReelViews | Original Score: 2/4

January 1, 2000
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