Opening

68% The Equalizer Sep 26
70% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Top Box Office

63% The Maze Runner $32.5M
65% A Walk Among the Tombstones $13.1M
43% This Is Where I Leave You $11.9M
11% No Good Deed $10.2M
71% Dolphin Tale 2 $9.0M
92% Guardians of the Galaxy $5.2M
20% Let's Be Cops $2.7M
19% Teenage Mutant Ninja Turtles $2.6M
88% The Drop $2.0M
37% If I Stay $1.8M

Coming Soon

56% Men, Women & Children Oct 01
100% Gone Girl Oct 03
—— Annabelle Oct 03
67% The Good Lie Oct 03
—— 7500 Oct 03

Premieres Tonight

—— The Big Bang Theory: Season 8
—— The Blacklist: Season 2
50% Forever: Season 1
85% Gotham: Season 1
23% Scorpion: Season 1
—— Sleepy Hollow: Season 2

New Episodes Tonight

71% Dallas: Season 3
62% Under the Dome: Season 2

Discuss Last Night's Shows

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Octopussy Reviews

Dave Kehr
Chicago Reader
Top Critic IconTop Critic

Glen's willingness to give the action sequences a certain weight and seriousness produces some genuinely exciting moments, yet his work is everywhere undermined by the flatness of the characterizations and the uncertain architecture of the plot.

Full Review Source: Chicago Reader

October 13, 2008
Variety Staff
Variety
Top Critic IconTop Critic

Film's high points are the spectaccular aerial stuntwork marking both the pre-credits teaser and extremely dangerous-looking climax.

Full Review Source: Variety

October 13, 2008
Richard Corliss
TIME Magazine
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Bond had degenerated into a male model, and something of a genial anachronism.

Full Review Source: TIME Magazine

October 13, 2008

Time Out
Top Critic IconTop Critic

The action sequences are tighter, the visual gags more inventive, and if the plot is no great shakes, the whole thing is served up with a decent approximation to the old panache.

Full Review Source: Time Out

January 26, 2006
Vincent Canby
New York Times
Top Critic IconTop Critic

Makes no pretense of being based on anything except the Ian Fleming character and the high good humor and wit of the film makers.

Full Review Source: New York Times | Original Score: 3/5

August 30, 2004
James Berardinelli
ReelViews
Top Critic IconTop Critic

There's a fine line between wit and absurdity, and this particular movie too often falls on the wrong side.

Full Review Source: ReelViews | Original Score: 2/4

January 1, 2000
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