Olympus Has Fallen Reviews
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Mike Banning (Gerard Butler) is a top Secret Service agent still reeling from his inability to save the President (Aaron Eckhart)'s wife (Ashley Judd) in a freak accident. He now provides security at the nearby Treasury Department, the President afraid to see Mike's face and be reminded of his loss. Then one sunny day, a cargo plane fires on D.C. citizens, armed terrorists assault the White House, and North Korean nationalist Yang (Rick Yune) has taken the President and his cabinet members hostage. The Speaker of the House, Trumbull (Morgan Freeman), has ascended to America's Commander in Chief and he has to navigate tricky issues like how to save the president. Luckily, they have a man on the inside. During the firefight, Mike scrapped his way inside the White House. Now it's one man versus a bevy of terrorists and nationalists.
The overall execution reminds me of the heyday of mid 90s action cinema, with its mixture of the ridiculous played completely sincere. It doesn't really matter that North Korean terrorists are able to take down the White House so easily. Sure we can nitpick the very prospect of a large foreign aircraft getting so close to D.C. before getting intercepted, and only with two fighters at that. But if you can tuck away that nagging voice reminding you of the implausible nature of everything, then Olympus Has Fallen is a serviceable action thriller. Every fifteen minutes or so our hero has a new mini-goal to accomplish. It keeps things fresh and holds your attention away from analyzing the sillier elements (Gatling guns atop the White House?). The debut script by screenwriters Creighton Rothenberger and Katrin Benedikt follows the Hollywood blockbuster blueprint down to the smallest detail. Of course there's another blueprint it mirrors, namely that of Die Hard. Beyond the premise of one man left to his wits in a hostage standoff, there's also the moment where the bad guy poses as a good guy to the ignorance of our hero, there's the failed outside tactical use of force, and the bond forged between the man on the inside and the link outside, whom isn't given the level of respect deserved. That's not just an application of the Die Hard premise to a new setting (like Air Force One or Under Siege), but a sampling of the very plot beats from Die Hard. Then again if you're going to steal then steal from the best.
There's a certain throwback bravado vibe going on here that makes it all easier to swallow. It's got big silly action sequences and some in-your-face jingoism (a character, when faced with the notion of execution, literally starts reciting the Pledge of Allegiance), enough that Michael Bay would be misty-eyed, but treating the subject matter with such thoughtless swagger makes the reality easier to accept. Having D.C. attacked, civilians mowed down, national monuments crumbled, and the White House in ashes, well you'd naturally think back to the very real horrors of 9/11, and you may shudder. By embracing the implausible nature of the action and achieving a tone that prioritizes popcorn thrills, Olympus Has Fallen dances around pitfalls of exploitation and simply becomes another big, dumb, but enjoyable action movie. I say this without a hint of derision or irony.
I haven't been a fan of Antoine Fuqua as a director. He can compose a good looking movie, but Shooter, Tears of the Sun, and The Replacement Killers were enough to convince me the man could not properly stage exciting action. I think perhaps the limitations of the setup brought out the best in him because there are some genuinely gripping action sequences on display here. Also, the man does a fine job of establishing the geography of his action and presenting a surprising variety. Fuqua, aided with the shifting script, makes sure that the audience never gets bored. Sure there are storylines that don't exactly work, like Mike finding the First Son, a character never heard from again, but the movie keeps changing shape, getting bigger, and finding enough satisfying payoffs. This is an effective, serviceable "turn off your brain" action movie, and it does enough right that you don't fret about turning that brain back on until the end credits. The R-rating also ups the ante, providing bloodier and brutal escalation to what should be life-and-death stakes. If you're going to give me "Die Hard in a..." then you best make sure your movie doesn't wuss out. You'll recognize plenty of action movie tropes and clichés, but the action is worthwhile and the plot constantly moving that you simply don't mind.
It's nice to see Butler (Playing for Keeps) find a role that plays to his, admittedly limited, strengths. His character is your standard tough guy with a tragic past, haunted by the life he couldn't save, looking to make amends and forgiven himself. It's probably the fact that the role has so little to it that Butler is able to slide effortlessly into gruff action star mode, a preferential place (though I prefer the man to be bearded as well). The rest of the movie benefits from actors who are far better than the material: Freeman, Eckhart, Melissa Leo, Radha Mitchell, and Angela Bassett. They all provide better-than-average performances for this type of movie. Even Dylan McDermott (TV's American Horror Story) gets room to shine. Rick Yune (Ninja Assassin, The Man with the Iron Fists) makes for a very sinister bad guy. The part is Generic Antagonist #301, but Yune finds fun ways to enjoy the menace, soak it up without hamming it up. He transforms a generic villain into a dude you want to see righteously toppled.
After last fall's updated Red Dawn (scrubbed free of invading Chinese forces) and now this, I must ask if North Korea has become the go-to military enemy for American action movies. Olympus Has Fallen takes the added step of never having the government of North Korea involved or approve, like the terrorists are acting on their own. We wouldn't want to upset the government of North Korea; that's what Red Dawn is for. But does anyone really view North Korea as a credible military threat? They are seen as a rogue nation, yes, and they claim to have nuclear arms, so they should be taken seriously, but does anyone realistically think we'll wake up tomorrow and be conquered by North Korea? I suppose this criticism lies more with Red Dawn than Olympus Has Fallen, a movie that only needs a handful of dedicated foot soldiers rather than an invading army. I also find it laughable that the only thing holding back North and South Korea from war, in this fictional scenario, is the presence of about 28,000 U.S. troops. Also, if these events played out as they do, who doesn't think that the U.S. would respond with military action against North Korea? We started a war with Iraq and they weren't even responsible for the actions of a handful of terrorists. I guess the North Koreans are the new Hollywood Boogeymen.
With a hook of a premise, some exciting action, and more than a few borrowed plot beats from Die Hard, it's still a pleasant surprise at how entertaining Olympus Has Fallen works. It's a movie that simply does enough right to justify watching. Its action is good enough, its plot is familiar enough but offers enough forward momentum, its actors are good enough, and it does enough right to quell potential boredom. I appreciated its throwback feel to the mid-90s action movie, a time of elevated popcorn thrills and powerful bravado, all without a hint of irony no matter how ridiculous things got. It lands on shakier ground when it tries to become a rah-rah kind of patriotic rally, but I'd be lying if I denied the certain pleasures of watching a Secret Service agent take out the bad guys on his turf. Time will tell how the second Die-Hard-in-the-White-House movie will fare, but if you're looking for big and dumb but enjoyable, Olympus Has Fallen is like a summer popcorn film only in March.
Nate's Grade: B
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"Olympus Hall Fallen" was the "Die Hard" film of the year. When compared to "A Good Day to Die Hard," the fifth film in the "Die Hard" series, "Olympus Has Fallen" has a solid storyline, likable characters, tense direction, and a sense of meaning even if the plot itself is preposterous. While Gerard Butler can't quite pull off the wisecracks like Bruce Willis' John McClane, he still proves himself as a great action hero in what is a solid action movie.
Mike Banning (Butler) is living a good life: he is the lead of the Secret Service's Presidential security team and has become close with President Asher (Aaron Eckhart) and his son Connor. But when a devastating incident occurs, Banning is removed from the security team and placed into the Treasury Department. As he tries to get over his actions and spend more time with his wife, he forces himself back into action to save the President after the White House is overthrown by North Koreans.
"Olympus" seems to be in the same world as Wolfgang Peterson's "Air Force One." However, instead of terrorists capturing the most secure plane ever created, they overthrow and take the White House the most secure building ever created. While hijacking a plane (let alone Air Force One) is a tricky concept, it is still believable that something like this could happen. However, the whole takeover (and destruction) of the White House seems extremely unrealistic but that's the point of the whole movie. The movie works because you must put realism (or most of it) at the door and watch "Olympus" with the intention of having a good time. If you do that, this can be quite an exciting movie . . . even if you have to question the whole thing afterwards.
The action itself is intense and suspenseful. The entirety of the White House's takeover is a great piece of action. Even as Banning uses Stealth to roam the halls of the White House is filled with suspense not knowing what is behind every corner.
The character of Banning is the usual advanced trained hero that we have learned to respect from the "Die Hard" films as well as the more newer "Mission Impossible" films. He is mainly compared to Bruce Willis' John McClane who kills with ease as well as having his usual wisecrack remarks. Though he isn't as funny or as memorable, Butler does his best at trying to keep the audience interested in his character as well as the plot at hand. In that particular part, he does an excellent job.
The supporting cast is strong. Aaron Eckhart is good as the President, Rick Yune is great as the villain Kang and Morgan Freeman is great as the White House Speaker Allan Trumbull who is trying to control the situation as acting President.
"Olympus Hall Fallen" is what "A Good Day to Die Hard" should have been. The action is great, the direction is tense, and the characters are likable and worth watching. Even if the entire plot is completely preposterous (takes the army 15 minutes to get to the White House AFTER its been taken for example), "Olympus" proves its point: a damn good action movie.
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An American city is rocked by explosions. North Korea threatens nuclear war. The distributors of 'Olympus Has Fallen' couldn't have imagined the release of their film would coincide with such real life events. The first of two films to feature White House sieges, (Roland Emmerich's 'White House Down' arrives later), Fuqua's film is clearly attempting to be the grittier of the pair. Unfortunately, Fuqua's idea of "grit" results in some of the nastiest violence seen in a big Hollywood release for quite some time. The sadistic nature of the violence leaves a nasty taste in the mouth, with countless close-ups of people being shot in the head and one particularly disturbing moment of prolonged violence towards a female character. Bizarrely, the film has received a "15" rating in the U.K and Ireland. Were this level of violence in a horror film it would undoubtedly be an "18", possibly with quite a few cuts. It highlights the hypocrisy of the censors in this regard. I can't recall any recent horror with a level of violence to match what's on display here.
As if the violence wasn't enough to distance you, the script is awful. Remember all those 'Die Hard' clones we got in the late eighties and early nineties? This is the level we're dealing with here. 'Olympus Has Fallen' may deal with a topical issue but in story-telling terms it's two decades too late. Apart from the dodgy scripts, what made all those rip-offs such poor imitations was the lack of a charismatic lead and this film is no different. One of the great mysteries of life is how Butler ever became a movie star. He possesses all the charm of a day old haggis and always gives the impression that even he's not sure what he's doing playing the lead in a blockbuster.
If you look at the film's poster you might assume Freeman plays the President but he's actually the speaker of the house. Hang on though; with the President taken hostage it means he must step into the role so, yes, Freeman practically does play the President. At one point, when the proceedings take one of several nasty turns, he leans back in his chair with a look of resignation. I'm not sure it's acting.
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Olympus Has Fallen is about Presidential Agent Banning working with national security to rescue the President from his kidnappers. The film is formulaic taking elements from Die Hard, Die Hard 2, and Under Siege. If ever the action film your watching takes inspiration from a Steven Seagal movie you reach the point of no return. It even goes as far as nearly copying scenes, plot points, having a stupid similar twist that didn't even work in Die Hard 2, and one scene in particular being a blatant copy. Usually no one goes into an action movie for the plot, but that's why this film fails. It has no buildup, terrible pacing, irritating stock characters, nonexistent characterizations, and the worst offender being having no energy. No energy equals the action scenes failing to get your blood rushing through the bloody carnage. It does not bother to give us a hero worth following or a good villain. The protagonist is basically an inferior version of John McClane and even Seagal's Casey Ryback had more in life in him than Butler character. The villain is straightforward evil and utterly one of the most forgettable villain I've seen in the genre in quite some time. The script is plagues what could have been a simple fun action flick even if it took itself too seriously. Clearly no effort went into the writing which burrows from better action movies you could be watching.
Gerald Butler is nowhere near being convincing, but fit the action hero role. He doesn't standout in any way and feels like a imitator of better action heroes. Even when Butler utter one-liners they fall flat, though that's largely to blame on the poor writing than his acting. Aaron Eckhart actually puts in some effort in his role unlike last year's The Expatriate (or Erased in the US). He remembers to give a genuine emotion, but fails to struck an interest like Harrison Ford and Daniel Day-Lewis when it comes to portraying presidents. Morgan Freeman plays...Morgan Freeman. Despite not doing much Morgan Freeman playing an active president far outshines Eckhart who receives more screen time than him. Now the direction by Antoine Fuqua is mixed. When it comes to the action he holds the camera still and far enough to tell what's going on. These action scenes are bloody and rank up quite a body count when the Koreans takeover the White House. His storytelling is very faulty. It has a pro America feel to it which I fear might limit an intentional audience. Also another contributing factor being the film makes the US look very incompetent in protecting the president. Despite his serenity in trying to depict the film events they in fact have the opposite affect. Being to overly dramatize to spark an interest or the overused score that attempt to make thing appear more epic despite the lack of development.
Olympus Has Fallen feels like a throwback to old school action flicks, but without a shed of interesting original idea in its own body. The Die Hard imitations stopped for a reason since the premise have been done to death and regardless of where it takes place it plays out similarly like the film it's imitating. Olympus Has Fallen will not entertain anyone outside of the action genre for it drastically poor writing and fans of the action genre will be bored seeing something that's too feels familiar.
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Ashely Judd shows up for her quick paycheck (as does Dylan McDermott, Angela Bassett, and a host of other actors who will hopefully lose a lot of sleep over this) and we're off and running with our first of 10,000 violent set pieces. Plot points are set up for inevitable callbacks, and before you can say "Holy Kimchee", the North Koreans have destroyed the White House and taken everyone hostage!! When the dust settles, the feeling of dread that we're essentially gonna be stuck in a bunker watching an Evil Mastermind try to take over the world sinks in. On the outside, Butler ends up being the ONLY guy who can get Eckhart and Co. out of this shitstorm. Lots of gunplay, staring at screens realizing the end is nigh, and more gunplay follows.
Everybody over-emotes and gives it their all, because FMF (Fu*kin' Morgan Freeman) is in this, so you had better bring your A-Game. I can keep going on and on about the story, but we all know how this one ends, right? Instead, my mind kept wandering during this film. I wanted to know if any of the cast participated in a Behind-The-Scenes or if they all hid from those cameras, hoping to collect $250,000 in the quietest way possible so that they can finance their Pet Projects next time. I wanted to know if Melissa Leo recited the entire Pledge Of Allegiance in her big scene where she's dragged through the White House (not making this up). I wanted to know where the Maureen McGovern "Morning After" song was? This was a perfect and wasted opportunity to stick Carly Rae Jepsen into the mix. I wanted to know what stupid Secret Service person would allow a young child of the President to wait in an ambulance right by the insane carnage that becomes the White House Lawn. I wanted to know what a Bootleg Viewing Party of this film looked like in Pyongyang. Do they cheer every time a shot of the DMZ appears by shouting, "I like live 10 miles from there! So cool! Please pass the rat and bark soup now."
Speaking of soup, the filmmaking technique here is so oddly a 90s/70s bouillabaisse. Antoine Fuqua knows how to craft a striking image and get great performances out of actors....but not here. It's as if he studied every straight-to-DVD Dolph Lundgren film in existence and shat out this ridiculous great travesty. Go before Hollywood stops making bad movies!
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In this R-rated actioner from Antoine Fuqua (Training Day), disgraced former Presidential guard Mike Banning (Butler) becomes the President's (Eckhart) only hope when a terrorist seizes control of the White House.
"I'm gonna stick my knife through your brain." Shakespeare? No. In the Lion of Fire? Yes. As a secret service agent out to prove himself, Butler rues the day and more than demonstrates his worth as an action hero. THIS is the testosterone-infused breed of movie he should be starring in-not, ugh, Playing for Keeps. Projects like RocknRolla and Corionalus might show off artier chops, but this is his Sparta.
Bottom line: Die Hard in the Wool.
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Gerard Butler shines here. It was great seeing him on the big screen, kicking ass, in a really good film. All the other actors are well cast. This in my opinion is a reunion film. This is the 3rd time that Morgan Freeman and Ashley Judd worked together (Kiss the Girls, High Crimes). This is the 3rd time that Morgan Freeman and Aaron Eckhart worked together (The Dark Knight, Nurse Betty). This is the 2nd time Radha Mitchell and Cole Hauser worked together (Pitch Black).
This is the first of 2 Die Hard at the White House film being released this year. The 2nd, White House Down, comes out this summer. I am wondering, how similar or different that film will be. Bruce Willis should watch this film and take notes on making the next Die Hard film.
