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On_Line (2002)
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Reviews Counted:17
Fresh:2
Rotten:15
Average Rating:3.7/10
Theatrical Release:Jun 27, 2003 Limited
Box Office: $25,658
Synopsis: Set in Manhattan's cybersex industry, "On_Line" at first appears to be about people getting off without ever touching (if you've never done it you'll learn, from one explosively directed sequence,... Set in Manhattan's cybersex industry, "On_Line" at first appears to be about people getting off without ever touching (if you've never done it you'll learn, from one explosively directed sequence, precisely how such a thing might happen). But the film, directed by Jed Weintrob – a digital junkie from the early days of interactive entertainment – has a lot more on its mind than just sex. John Roth (Josh Hamilton) runs a live erotic Website called Intercon-X. Though profitable, the site, which he owns with his roommate Moe (Harold Perrineau), keeps John at home in a state of perpetual frustration. We get the sense that John likes living this way: he works between shots of peppermint schnapps and webcam diary entries in which he pines for his ex-fiancée. Built around revealing and often funny streaming video sessions with net-izens like "man-on-man" host Al Fleming (John Fleck), Internet fantasy girl Jordan Nash (Vanessa Ferlito), self-destructive artist Moira Ingalls (Isabel Gillies) and Ohio innocent Ed Simone (Eric Millegan), "On_Line" uses a groundbreaking mix of new technology and romantic narrative to tell a classic New York story. [More]
Starring: Josh Hamilton, Harold Perrineau, Vanessa Ferlito, Isabel Gillies
Starring: Josh Hamilton, Harold Perrineau, Vanessa Ferlito, Isabel Gillies, John Fleck, Eric Millegan, Liz Owens
Director: Jed Weintrob
Director: Jed Weintrob
Screenwriter: Andrew Osborne, Jed Weintrob
Producer: Tanya Selvaratnam, Adam Brightman
Composer: Roger Neill
Studio: Indican Pictures
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Release:
Feb 24, 2004
Reviews for On_Line
The youthful cast is lively enough to make the enterprise almost work, presenting a time capsule of cyber- communication that should be more interesting 20 years from now.
Weintrob's stylish visuals mimic Web technologies, which succeed in making his characters seem all the more removed from reality. Now if someone would find a way to equip theater seats with a 'delete' key, we could be rid of them completely.
There's something so familiar and commonplace about this story and its characters -- and maybe that has something to do with how much the Internet is a part of our everyday lives -- it's hard to get particularly thrilled.
It does a good job of portraying the day-to-day life of these online obsessives, but we realize eventually that they are more interesting because they are online.
If you like scenes of characters sticking hands down their pants, this is the film for you.
On_Line is the kind of thing I dread -- a movie about digital technology directed by an expert in interactive media and video games.
Take away the computers and DSL lines and it's the 1950s of Jules Feiffer and Mike Nichols and Elaine May all over again, without the shrewdness and bite.
While On Line pretends to be about cyber sex ... it's really about sitcom situations and cyber-schmaltz.
It makes you wonder, is there is a market for soft-porn movies for lonely geeks? Isn't that what computers are for in the first place?
Watching On_Line is a dispiriting experience that leaves you with a nagging 'Is that all there is?' feeling about sex in general.
This would-be erotic thriller suffers from the same problem that afflicts so many computer-oriented movies -- namely, that watching characters staring at a screen and typing hardly makes for a thrilling cinematic experience.
It's really just about a bunch of pathetic losers whiling away the hours with their hands jammed down their pants.
The movie epitomizes the problems inherent in attempting to depict new (and constantly morphing) media -- the inevitable obsolescence, the intangible particularities that resist or get lost in translation.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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