On the Waterfront (1954)
Average Rating: 9.1/10
Reviews Counted: 55
Fresh: 55 | Rotten: 0
With his electrifying performance in Elia Kazan's thought-provoking, expertly constructed melodrama, Marlon Brando redefined the possibilities of acting for film and helped permanently alter the cinematic landscape.
Average Rating: 8.8/10
Critic Reviews: 11
Fresh: 11 | Rotten: 0
With his electrifying performance in Elia Kazan's thought-provoking, expertly constructed melodrama, Marlon Brando redefined the possibilities of acting for film and helped permanently alter the cinematic landscape.
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Average Rating: 4.2/5
User Ratings: 48,965
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Movie Info
This classic story of Mob informers was based on a number of true stories and filmed on location in and around the docks of New York and New Jersey. Mob-connected union boss Johnny Friendly (Lee J. Cobb) rules the waterfront with an iron fist. The police know that he's been responsible for a number of murders, but witnesses play deaf and dumb ("plead D & D"). Washed-up boxer Terry Malloy (Marlon Brando) has had an errand-boy job because of the influence of his brother Charley, a crooked union
Jul 28, 1954 Wide
Oct 23, 2001
Sony Pictures
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Cast
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Marlon Brando
Terry Malloy -
Karl Malden
Father Barry -
Lee J Cobb
Johnny Friendly -
Rod Steiger
Charley Malloy -
Pat Henning
"Kayo" Dugan -
Martin Balsam
Gillette -
Eva Marie Saint
Edie Doyle -
James Westerfield
Big Mac -
Tony Galento
Truck -
Leif Erickson
Glover -
John Hamilton
"Pop" Doyle -
John Heldabrand
Mott -
Rudy Bond
Moose -
Don Blackman
Luke -
Arthur Keegan
Jimmy -
Abe Simon
Barney -
Barry Macollum
J.P. -
Mike O'Dowd
Specs -
Fred Gwynne
Slim -
Anne Hegira
Mrs. Collins -
Pat Hingle
Waiter -
Nehemiah Persoff
Cab Driver -
Rebecca Sands
Police Stenographer -
Tami Mauriello
Tillio
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All Critics (55) | Top Critics (11) | Fresh (58) | Rotten (0) | DVD (17)
On the Waterfront has a script that is a work of love and shows it.
Top CriticUnder Elia Kazan's direction, Marlon Brando puts on a spectacular show, giving a fascinating, multi-faceted performance as the uneducated dock walloper and former pug, who is basically a softie with a special affection for his rooftop covey of pigeons.
It's hard to deny that Marlon Brando's performance as a dock worker and ex-fighter who finally decides to rat on his gangster brother (Rod Steiger) is pretty terrific.
It's pretty electrifying.
You miss this, you're buyin' a one-way ticket to Palookaville.
Indisputably one of the great American films, its power undiminished.
A powerful watch, thanks largely to an incredible cast, Leonard Bernstein's strong score, and a handful of iconic scenes, none better than the moving "I coulda been a contender" sequence.
a watershed moment in cinema history; it remains one of the greatest films of the 1950s
Criterion deliver a long-overdue tribute to Elia Kazan's astounding 1954 drama, which boasts one of moviedom's game-changing performances.
This Criterion Collection presentation of a strange classic is very much a contender.
An astounding drama that's still a contender almost 50 years on.
Allow me to suggest On the Waterfront is one such 'classic' that holds up; a declaration that deserves only one, dismissive response: "No duh."
Raises important issues about the nature of power.
A strong morality tale about corruption and redemption, On the Waterfront is a timeless classic that features two masters at the top of their craft.
Elia Kazan's seminal American classic.
Marlon Brando is outstanding as a former boxing champ torn between family and duty in the magnificent On the Waterfront
The film is shot on location in black-and-white, semi-docu style, which suits the realistic subject and commonplace characters, particularly Terry Malloy, the passive dock worker forced to become a crusader-fighter, splendidly played by Brando.
This movie has to be considered one of the very best of all time.
Do the politics make it bad? Not at all. It's a fictional story, not a soapbox.
The difference between pre- and post-1950s cinema - before and after Brando - is as pronounced as moving from black and white to color.
Audience Reviews for On the Waterfront
Super Reviewer
Super Reviewer
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- Terry Malloy: If I spill, my life ain't worth a nickel.
- Father Barry: And how much is your soul worth if you don't?
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- Father Barry: Some people think the Crucifixion only took place on Calvary. They better wise up! Taking Joey Doyle's life to stop him from testifying is a crucifixion. And dropping a sling on Kayo Dugan because he was ready to spill his guts tomorrow, that's a crucifixion. And every time the Mob puts the pressure on a good man, tries to stop him from doing his duty as a citizen, it's a crucifixion. And anybody who sits around and lets it happen, keeps silent about something he knows that happened, shares the guilt of it just as much as the Roman soldier who pierced the flesh of our Lord to see if he was dead.
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- Terry Malloy: You don't understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let's face it. It was you, Charley.
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- Johnny Friendly: Stop breathin' that clam juice on me.
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- Father Barry: You want to know what's wrong with our waterfront? It's the love of a lousy buck. It's making love of a buck - -the cushy job - -more important than the love of man!
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- Terry Malloy: You don't understand! I could'a had class. I could'a been a contender. I could've been somebody, instead of a bum, which is what I am, let's face it.
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Foreign Titles
- Die Faust im Nacken (DE)
- On the Waterfront (1954) (UK)

