Opening

42% Sin City: A Dame to Kill For Aug 22
41% If I Stay Aug 22
19% When The Game Stands Tall Aug 22
9% Are You Here Aug 22
96% Love Is Strange Aug 22

Top Box Office

20% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
15% Let's Be Cops $17.8M
34% The Expendables 3 $15.9M
32% The Giver $12.3M
20% Into The Storm $7.9M
65% The Hundred-Foot Journey $7.2M
65% Lucy $5.5M
39% Step Up: All In $2.7M
61% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
86% The Congress Aug 29
—— The Calling Aug 29

Premieres Tonight

33% BoJack Horseman: Season 1

New Episodes Tonight

—— Jonah From Tonga: Season 1
86% The Knick: Season 1

Discuss Last Night's Shows

100% Defiance: Season 2
100% Garfunkel and Oates: Season 1
89% The Honorable Woman: Season 1
56% Married: Season 1
95% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
82% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

L'Été meurtrier (One Deadly Summer) Reviews

Page 1 of 2
Carlos M

Super Reviewer

October 4, 2010
An interesting character study that benefits from a strong performance by Adjani as a beautiful young woman bent on revenge. Even so, the story is not only greater due to a predictable ending that you can see coming halfway through the film.
Stephen M

Super Reviewer

October 19, 2008
A fairly decent adaptation of a good psychological thriller by Sébastien Japrisot, scripted by the author himself. The trouble with it is, the book's greatest strengths - the richly detailed provincial French setting and the vivid characterisation, resulting from a multiple first-person narrative - prove difficult to translate to the screen, at least within the constraints of a sensible running time. The movie, therefore, somehow manages to feel simultaneously watered-down and overlong. Japrisot attempts to preserve his first-person narrative in voiceover form, but he overuses this device considerably; I've nothing against voiceovers per se, but cinema should primarily be about visual storytelling, and any movie this reliant on narration must be doing something wrong!

Switching from coquettish sexiness to childlike vulnerability in the blink of an eye, Isabelle Adjani is marvellous in the lead role, but try to imagine the film without her and it begins to look very ordinary indeed. The rest of the cast are fine, though strictly two-dimensional. Jean Becker's direction is adequate but completely lacking in tension; a first-rate director - say, Claude Chabrol in his prime - would have made more of the psychosexual strangeness of the tale, and would have better disguised the fact that the nicely ironic ending hinges on a pretty indigestible coincidence. My advice: read the book; if you like it, watch this for Adjani.
March 3, 2011
Isabelle Adjani best movie! Brilliant!
Page 1 of 2
Find us on:                     
Help | About | Jobs | Critics Submission | Press | API | Licensing | Mobile