Opening

63% The Maze Runner Sep 19
65% A Walk Among the Tombstones Sep 19
43% This Is Where I Leave You Sep 19
82% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
71% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
36% The November Man $2.8M
35% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

67% The Equalizer Sep 26
70% The Boxtrolls Sep 26
84% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Premieres Tonight

100% The Good Wife: Season 6
58% Madam Secretary: Season 1
—— Miss Marple: Season 6

New Episodes Tonight

—— American Dad!: Season 11
87% Boardwalk Empire: Season 5
53% The Lottery: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
78% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Discuss Last Night's Shows

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
40% Intruders: Season 1
90% Outlander: Season 1

One Hour Photo Reviews

Todd McCarthy
Variety
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This immaculately made first feature from noted musicvid and commercials director Mark Romanek provides Robin Williams with one of his creepiest, atypical roles, and the comic star responds with an unusually restrained performance...

Full Review Source: Variety

March 27, 2009

Time Out
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It has arresting things to say about how the family photo is used less to record than to project, and how far that projection can be from the truth.

Full Review Source: Time Out

January 26, 2006
Peter Rainer
New York Magazine/Vulture
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Sy's scary ordinariness is a species of acting stunt. There's no there there.

Full Review Source: New York Magazine/Vulture

September 26, 2002
Roger Moore
Orlando Sentinel
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Not entirely satisfying as either a creepfest or a character study.

| Original Score: 3/5

September 12, 2002
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
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Romanek's themes are every bit as distinctive as his visuals. Beyond the cleverness, the weirdness and the pristine camerawork, One Hour Photo is a sobering meditation on why we take pictures.

Full Review Source: Atlanta Journal-Constitution | Original Score: B+

August 31, 2002
Robert Denerstein
Denver Rocky Mountain News
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Ranks among Willams' best screen work.

| Original Score: B

August 31, 2002
Desson Thomson
Washington Post
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Williams's exacting performance -- not a note of it is unconsidered -- makes us feel more for Sy than we'd like to.

August 30, 2002
Stephen Hunter
Washington Post
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It begins by scaring you to death by evoking a monster, and by the end it has seduced you into caring for him.

August 30, 2002
Moira MacDonald
Seattle Times
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An impressive debut ... rich with detail and cool-blue style.

Full Review Source: Seattle Times | Original Score: 3/4

August 30, 2002
Rene Rodriguez
Miami Herald
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For all its merits, One Hour Photo winds up as just another exercise in genre, although an assured and effective one.

Full Review Source: Miami Herald | Original Score: 2/4

August 30, 2002
Eric Harrison
Houston Chronicle
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Romanek keeps adding flourishes -- artsy fantasy sequences -- that simply feel wrong. They cheapen the overall effect.

Full Review Source: Houston Chronicle | Original Score: C

August 30, 2002
Terry Lawson
Detroit Free Press
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Williams finally gets a role so smartly written we forget not only that we are watching Williams the dramatic actor, but that we are watching Williams at all.

Full Review Source: Detroit Free Press | Original Score: 3/4

August 30, 2002
Steven Rosen
Denver Post
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A thought-provoking, artful accomplishment by writer/director Mark Romanek, who reveals a powerfully understated vision of the haunting loneliness behind the forced cheerfulness of the discount store.

Full Review Source: Denver Post | Original Score: 3.5/4

August 30, 2002
Paul Clinton (CNN.com)
CNN.com
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Williams has now proven that he can play creepy with the best of them.

Full Review Source: CNN.com

August 30, 2002
Ty Burr
Boston Globe
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There are weird resonances between actor and role here, and they're not exactly flattering.

Full Review Source: Boston Globe | Original Score: 2/4

August 30, 2002
Bill Muller
Arizona Republic
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(Williams) has never slipped this far under the radar, and the result is a spooky, unsettling performance.

August 30, 2002
Philip Wuntch
Dallas Morning News
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With its mixture of chilling suspense and poignant drama, it will shake your nerves and stir your emotions.

Full Review Source: Dallas Morning News | Original Score: A-

August 29, 2002
Steven Rea
Philadelphia Inquirer
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It has Williams -- memorably creepy, chillingly sad.

| Original Score: 3/4

August 29, 2002
James Berardinelli
ReelViews
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Dark and unrepentant, this excursion into the epicenter of percolating mental instability is not easily dismissed or forgotten.

Full Review Source: ReelViews | Original Score: 3/4

August 29, 2002
Richard Roeper
Ebert & Roeper
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This might be the best pure dramatic lead performance Williams has ever given.

Full Review Source: Ebert & Roeper

August 27, 2002
Roger Ebert
Chicago Sun-Times
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Williams plays Sy, another of his open-faced, smiling madmen, like the killer in Insomnia. He does this so well you don't have the slightest difficulty accepting him in the role.

Full Review Source: Chicago Sun-Times | Original Score: 3.5/4

August 24, 2002
Peter Howell
Toronto Star
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No one who sees this movie will ever again take it for granted that photo shop employees couldn't care less about their pictures.

Full Review Source: Toronto Star | Original Score: 3/5

August 23, 2002
Bruce Newman
San Jose Mercury News
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A dazzling feature debut for Romanek.

Full Review Source: San Jose Mercury News | Original Score: 3/4

August 23, 2002
Mick LaSalle
San Francisco Chronicle
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It's not nearly as intelligent, thoughtful or penetrating as it promises to be. Yet the consistent delicacy and emotional clarity of Williams' acting in One Hour Photo makes the picture impossible to dismiss.

Full Review Source: San Francisco Chronicle | Original Score: 2/4

August 23, 2002
Manohla Dargis
Los Angeles Times
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It sounds like another clever if pointless excursion into the abyss, and that's more or less how it plays out.

Full Review Source: Los Angeles Times | Original Score: 2/5

August 23, 2002
Rick Groen
Globe and Mail
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Unfortunately, One Hour Photo lives down to its title. Thanks largely to Williams, all the interesting developments are processed in 60 minutes -- the rest is just an overexposed waste of film.

Full Review Source: Globe and Mail | Original Score: 2.5/4

August 23, 2002
Rex Reed
New York Observer
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Robin Williams fans have seen all the faces and heard all the voices before, but rarely have so many skills combined to forge one creepy, unforgettable character with such uncharacteristic subtlety.

Full Review Source: New York Observer

August 22, 2002
Michael Wilmington
Chicago Tribune
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A piece of often masterly image-making, a half-brilliant film with a revelatory lead performance by Williams. But it's also a thriller that gets trapped in surfaces: shiny, exciting, full of dread but often only tricks of the camera.

Full Review Source: Chicago Tribune | Original Score: 3/4

August 22, 2002
Claudia Puig
USA Today
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One Hour Photo takes Robin Williams to darker and more complex places that we can't turn our eyes away from.

Full Review Source: USA Today | Original Score: 3/4

August 21, 2002
Jan Stuart
Newsday
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Mark Romanek's creepy, oddly humane debut thriller is not your usual Williams day at the beach: Leave the automatic laugh track at home.

Full Review Source: Newsday | Original Score: 3/4

August 21, 2002
Lou Lumenick
New York Post
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With One Hour Photo, Williams triumphs by exceeding both in sheer actor's craft -- and the depths he plumbs in his character's tortured soul.

| Original Score: 3.5/4

August 21, 2002
Andrew Sarris
New York Observer
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One Hour Photo, written and directed by Mark Romanek, provides not only a flashy acting vehicle for Mr. Williams, but also a haunting, profound meditation on the way photography has changed the way we think about ourselves.

Full Review Source: New York Observer

August 21, 2002
Charles Taylor
Salon.com
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It's a stalker flick where things like empathy or suspense or horror have not been allowed to disturb the pristine achievement of the surface.

Full Review Source: Salon.com

August 21, 2002
Elvis Mitchell
New York Times
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A smart piece of direction.

Full Review Source: New York Times | Original Score: 3/5

August 21, 2002
Scott Tobias
AV Club
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Too often, the director's stark visuals underline the naked simplicity of his story and make his picture of the suburbs seem hopelessly generic.

Full Review Source: AV Club

August 20, 2002
J. Hoberman
Village Voice
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Romanek's movie is a bit too pat and pleased with its undeniable ambitions, but the setup resonates with quiet desperation.

Full Review Source: Village Voice

August 20, 2002
Mike D'Angelo
Time Out New York
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Sy is so deeply disturbed that, paradoxically, he isn't very disturbing.

Full Review Source: Time Out New York | Original Score: 49/100

August 19, 2002
Lisa Schwarzbaum
Entertainment Weekly
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Williams shows us Sy's misery with no funny business. In One Hour Photo, his is a snapshot of human complexity worth framing.

Full Review Source: Entertainment Weekly | Original Score: B-

August 15, 2002
Peter Travers
Rolling Stone
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Williams ... gives a performance that is riveting in its recessiveness and, as a consequence, truly, deeply scary.

August 14, 2002
Duane Byrge
Hollywood Reporter
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An absorbing and unsettling psychological drama.

April 8, 2002
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