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Only the Strong Survive (2003)
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Reviews Counted:22
Fresh:15
Rotten:7
Average Rating:6.1/10
Consensus: Though this documentary could be more informative, the performances themselves are wonderful.
Rated: PG-13 [See Full Rating] for brief language and a drug reference
Runtime: 1 hr 35 mins
Genre: Musical & Performing Arts
Theatrical Release:May 9, 2003 Limited
Synopsis: Influential documentarian D.A. Pennebaker, perhaps best known for his 1967 Bob Dylan documentary DON'T LOOK BACK, co-directs ONLY THE STRONG SURVIVE, a fascinating look at some of the most... Influential documentarian D.A. Pennebaker, perhaps best known for his 1967 Bob Dylan documentary DON'T LOOK BACK, co-directs ONLY THE STRONG SURVIVE, a fascinating look at some of the most influential soul musicians from the 1960s and 1970s. Pennebaker's film centers around the survivors from this tumultuous period in soul music, talking at length to Sam Moore, Wilson Pickett, Rufus Thomas, Mary Wilson, and Isaac Hayes amongst others. All have a bittersweet story to tell of their time in the business, many having experienced the euphoric highs of chart success, followed by a fall from grace, and a late resurrection of their careers upon which this film focuses. Clearly enjoying their twilight years in the spotlight, the featured artists display a mixture of talent, humor, and a sense of gratitude that they have survived for so long in the often-cutthroat music industry. 80-year-old Rufus Thomas perhaps best exemplifies their spirit, taking to the stage with all the energy and enthusiasm of a 25-year-old, he proves that age and a troubled past are no obstacle to providing a compelling, moving performance. An essential film for soul fans, ONLY THE STRONG SURVIVE is a moving human-interest story which manages to reach beyond its target audience by providing a heartwarming tale of survival against seemingly insurmountable odds. [More]
Starring: William Bell, Isaac Hayes, Sam Moore, Wilson Pickett
Starring: William Bell, Isaac Hayes, Sam Moore, Wilson Pickett, Rufus Thomas, Carla Thomas, The Chi-Lites
Director: Chris Hegedus, D.A. Pennebaker
Director: Chris Hegedus, D.A. Pennebaker
Producer: Roger Friedman
Studio: Miramax Films
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Release:
Feb 3, 2004
Reviews for Only the Strong Survive
There's no problem with a little bias, but Friedman's fan-boy perspective puts the subjects of Only the Strong Survive on too high a pedestal.
Content to merely serve as a cluttered, heart-shaped scrapbook, missing many more stories than it bothers to include.
Fortunately, the performances themselves are beautifully filmed and recorded.
A film that even with its flaws should be cheered for preserving the later years of these towering musical talents.
Worth the time and money some of the summer's effects-driven spectacles probably won't be.
With Friedman, the narrator and emissary, tossing questions as squishy as Jell-O and heaping praise on the performers for their unexceptional appearances on the oldies circuit, it's a wasted opportunity.
Unfortunately, it's not a great movie -- and given the filmmakers involved, that's a criminal disappointment.
A celebration of the under-appreciated, and if any purpose beyond that is a bit fuzzy, it's a harmless aimlessness that likely won't get in the way for fans of the music.
I'm not sure where you go to church, but you're unlikely to experience anything as holy as Jerry Butler doing a live version of his soul classic 'For Your Precious Love' in Only the Strong Survive.
A shoddy, borderline incompetent documentary that offers next to no context, a movie in which the performers are lucky if the filmmakers show them performing one song all the way through.
An entertaining documentary that catches up with R&B and soul superstars whose heydays were in the '50s to '70s.
The classic soul that pumps, struts, growls and cries through Only the Strong Survive is so adrenalized that young audiences encountering the music for the first time could easily find themselves converted into old fogies.
The film offers a terrific lineup, performers whose ability to enthrall audiences is undiminished years after their peak of popularity.
An affair that for long stretches resembles a Time-Life infomercial hawking Memphis soul CDs.
It gets to you, watching R&B legends such as Sam Moore, Jerry Butler, the Chi-Lites, Carla Thomas and the names above dig deeper into the music they made in the Sixties and Seventies.
Must be appreciated as an idiosyncratic chronicle as well as a collection of performances, some better than others.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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