Opening

62% The Maze Runner Sep 19
66% A Walk Among the Tombstones Sep 19
45% This Is Where I Leave You Sep 19
82% Tracks Sep 19
93% The Guest Sep 17

Top Box Office

11% No Good Deed $24.3M
70% Dolphin Tale 2 $15.9M
92% Guardians of the Galaxy $8.1M
19% Teenage Mutant Ninja Turtles $4.9M
20% Let's Be Cops $4.4M
88% The Drop $4.1M
37% If I Stay $3.9M
35% The November Man $2.8M
35% The Giver $2.6M
67% The Hundred-Foot Journey $2.4M

Coming Soon

70% The Equalizer Sep 26
71% The Boxtrolls Sep 26
86% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

New Episodes Tonight

91% Doctor Who: Season 8
—— Hell on Wheels: Season 4
40% Intruders: Season 1
90% Outlander: Season 1

Discuss Last Night's Shows

82% Girl Meets World: Season 1
87% The Knick: Season 1
53% Z Nation: Season 1

Certified Fresh TV

87% Boardwalk Empire: Season 5
86% The Bridge (FX): Season 2
91% Doctor Who: Season 8
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
90% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
79% You're the Worst: Season 1

Onmyoji Reviews

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Michael W. Phillips, Jr.
Goatdog's Movies

The worst foreign film I have ever seen in the theater.

Full Review Source: Goatdog's Movies | Original Score: 1.5/5

May 4, 2003
C.W. Nevius
San Francisco Chronicle
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Certainly there are dueling wizards, torchlight swordfights and Crouching Tiger, Hidden Dragon effects. But the moments of action are interspersed with lengthy plot developments that are hard to follow.

Full Review Source: San Francisco Chronicle | Original Score: 1/4

May 2, 2003
Wade Major
Boxoffice Magazine

Should strike a strong chord among fans of Japanese period films, particularly those with a mythical, mystical bent like Ugetsu and Kwaidan.

Full Review Source: Boxoffice Magazine | Original Score: 3.5/5

May 2, 2003
Jeffrey M. Anderson
Combustible Celluloid

Goofy and campy and unabashedly old-fashioned, from the silent-era acting technique to the overwrought direction.

Full Review Source: Combustible Celluloid | Original Score: 3/4

May 2, 2003
Patrick Z. McGavin
Chicago Tribune
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Rarely solemn or dull, and Takita holds its disparate parts together fairly well.

Full Review Source: Chicago Tribune | Original Score: 2.5/4

May 1, 2003
Daniel Eagan
Film Journal International

What's missing is conviction, a sense that these are real people instead of actors in ornate costumes stepping gingerly through antique sets.

Full Review Source: Film Journal International

April 30, 2003
John Anderson
Newsday
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Crazier than a rat in a can, but certainly fun.

Full Review Source: Newsday | Original Score: 2.5/4

April 25, 2003
Dave Kehr
New York Times
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For Americans, accustomed to more polished effects and far more violent action, Onmyoji is bound to appear tame and a tiny bit precious.

Full Review Source: New York Times | Original Score: 2/5

April 25, 2003
Maitland McDonagh
TV Guide's Movie Guide

The quality of the CGI-heavy special effects is variable ... but the demon zombies and Doson's cackling familiar are crowd pleasers.

Full Review Source: TV Guide's Movie Guide | Original Score: 2.5/5

April 24, 2003
Bob Campbell
Newark Star-Ledger
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The tone is loose and jokey enough to stave off heaviness.

Full Review Source: Newark Star-Ledger

April 24, 2003
Kevin Thomas
Los Angeles Times
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An epic tale of love, sacrifice and redemption that attains a Shakespearean aura of grandeur and nobility of spirit.

Full Review Source: Los Angeles Times | Original Score: 4.5/5

April 24, 2003
Hazel-Dawn Dumpert
L.A. Weekly
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A ghostly and gorgeous tale.

Full Review Source: L.A. Weekly

April 24, 2003
Kirk Honeycutt
Hollywood Reporter
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Unless one is Japanese or seriously devoted to its culture, history and lore, a viewer will get immediately lost in this tale of supernatural phenomena.

April 22, 2003
Mary Jacobi
Village Voice
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Succeeds in visual splendor (it was shot on location in Kyoto) but falls flat on characterization.

Full Review Source: Village Voice

April 22, 2003
Robert Koehler
Variety
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March 27, 2009
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