Open Hearts

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Dennui S Nov 25 Dogme 95 #28 An engaged couple’s future is left in disarray when the would-be husband suffers an incident that leaves him paralyzed. To make matters worse, his fiance then falls for the perpetrator’s husband. The film features Nikolaj Lie Kaas, who notably worked with Lars von Trier for The Idiots, and Mads Mikkelsen, who would later become an international star. Later in her career, director Susanne Bier would become the first female director to collectively win a Golden Globe, an Emmy and a European Film Award. See more Alain E @AlainE 12/27/2024 A very smart movie about decisions people make that have the potential to derail many lives. The plot we are presented could have several different outcomes. What happens in the movie is one of the worst possible results. There are no rules in these matters. The girlfriend of the guy who gets paralyzed could stay with him no matter what. The married physician who had a dalliance with her could decide to return to his family. Or form a new long term relationship with her. The option we are presented is to start with two couples and end with four separate individuals. Not the most optimistic choice. The situations presented are realistic and acting avoids exaggerations. Cinematography is not elaborate. I am not sure if the few sequences filmed out of focus are supposed to illustrate inner thoughts. There are three very good songs by the musician Anggun. On Tubi. See more R 9 10/02/2023 A real feel-good mov... yeah, maybe not! 'Open Hearts' is actually a film that doesn't really evoke many thoughts in my head. It's a solid watch, the story is standout and the acting is more than satisfactory. Apart from that, I don't have much elese to say, to be honest. Sonja Richter and Mads Mikkelsen are very good together in this, as are Paprika Steen and Nikolaj Lie Kaas in fairness. The whole plot that they are all involved in is rather depressing, the relationship between Richter's Cecilie and Mikkelsen's Joachim is uncomforting to see unfold. Stine Bjerregaard's character is annoyingly used (just there to twist the story) but the Bjerregaard herself does do well. I will say that I didn't overly like the editing/camera work, though that's pretty much only early on as it becomes less noticeable as the film ticks by. That's the only real negative that I have. See more isla s 09/04/2022 This isn't exactly the most 'fun' or enjoyable watch but it features what I felt were authentic emotions. Its fairly dreary, a little bleak and it has the visual look of a budget/low priced film that could have been filmed on a reasonably cheap handheld camera for the most part. It's very much a film that focusses on frustration. A reasonable film that's worth a watch overall I'd say, yes, just about, although the raw element of it may not appeal to all. It certainly isn't a feel-good film in any way. See more 05/06/2016 One of the best anti love stories ever made. See more 08/15/2015 I have seen so many Dogme films but I can wholeheartedly say that Open Hearts "Elsker dig for evigt" (2002) is my favorite and the closest to my heart. Cecilie (Sonja Ritcher) is a cook in her early twenties who is deeply in love with and also recently engaged to Joachim (Nikolaj Lie Kaas). Their relationship is put to test when Joachim becomes paralyzed for life after a car accident. The woman who was driving the car (Paprika Steen) feels obliged to help the couple and pushes her husband Niels (Mads Mikkelsen) to comfort Cecilie, unaware of the devastating outcome.. Niels falls in love with Cecilie. The thing about Dogme films is that they are capable of putting you in a very close position to the characters, almost in a crude way. Susanne Bier uses this honesty to gently place us inside the most closed space: the human psyche. Open Hearts does not just slam you with naked reality and intimate details - it does not want to shock you like most Dogme films, it takes you gently by the hand and allows you the same amount of confusion and indeterminateness the characters are feeling. And it does that equally; you can never blame any of the four protagonists even in their lowest moments because it is raw human emotions they are showing and simultaneously you are experiencing. The film could leave you melancholic or hopeful, it depends on how you see it, but what I am well sure of is that it will give you no closure, no answers, no relief of any kind - and this is so heartbreaking, just like life itself. It puts you in direct contact with the awful/beautiful fact that despite its intensity and realness sometimes, all the spectrum of human emotions is transient. My eyes teared up at the end of the film, not because I felt sorry for anyone or anything, but because I felt betrayed by the film's stark honesty. I wanted an ending to this emotional mess I have witnessed/experienced and instead I was left clueless and disillusioned in the middle of nowhere. Okay, enough with this subjective philosophical rambling. Let's talk about some technical aspects. Although Bier breaks away with some of the Dogme rules, I thought the use of Super-8 camera to show short fantasy sequences is a brilliant touch to take you a few steps away from reality and bring you even closer to the characters. Anders Thomas Jensen's script is gripping and flows effortlessly even when characters do not say a word, which leads us to the carefully chosen and amazing cast. I personally think that a great deal of the genius of the performance in this film comes from Bier herself and the kind of free yet intimate atmosphere she has provided for her actors. She does not aim at getting the best angles or making them look attractive, she only allows them the freedom to be themselves no matter how that would look like. 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Open Hearts

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