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Osama (2003)
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Reviews Counted:34
Fresh:33
Rotten:1
Average Rating:7.9/10
Consensus: Osama is bitterly honest, deeply disturbing, and utterly worth watching.
Theatrical Release:Jan 30, 2004 Limited
Box Office: $1,127,331
Synopsis: A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After... A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After witnessing such inhumane treatment, the mother is reminded of her own hardships as she and her daughter struggle to maintain their existence. With the young girl's father and brother killed, they must find any source of income they can while hiding it from the strict Taliban, which mandates that no woman may work or be outside the home without a legal male companion. The mother and her daughter care for patients at a sparse, under-stocked hospital run by foreigners. After a Taliban raid, the hospital is shut down and the mother and daughter are without income. Desperate for any type of job, the mother is forced to cut her daughter's hair and dress her as a boy so that she might earn money for the family. The mother pleads with a grocer who knew her husband to help her and hire the young girl to work in his store. He agrees and attempts to protect the girl - now disguised as a boy - and teach her how to be more convincing. One afternoon, the Taliban's religious police force all the men to a mosque for prayer. The girl, unfamiliar with the ways men pray, makes several mistakes and raises suspicion with one of the Taliban officials overseeing the ritual. He approaches the grocer and the girl after the prayers and questions them. The girl is filled with fright, but with the grocer's help dispels the official's doubt. The following day, all the boys of the village are corralled and taken to the Madrassa, a religious school which doubles as a center for Taliban military training. While attending the school, the girl's masculinity is constantly called into question. The young village beggar from the first scene, aware of the girl's secret, interjects and helps her, concealing her true identity by declaring her name is Osama. After increasing suspicions surface with the students and Taliban instructors, the girl is punished for not being able to complete a task proving her masculinity. In the end, the girl's own physiology defies her to reveal her true identity. As a result of her monumental lie, she is put on trial in front of the Taliban court and sentenced to marry an old Mullah. Upon arriving at his home, the destitute girl discovers he has three other wives - and she's forced to join them in their miserable world. [More]
Director: Siddiq Barmak
Director: Siddiq Barmak
Producer: Mohsen Makhmalbaf
Studio: MGM/UA
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Reviews for Osama
The first film shot entirely in Afghanistan since the rise and fall of the Taliban, and it’s a heartbreaking look back at life under that regime.
Barmak proves an able craftsman. If the film's story stammers here and there, its overall power can't be denied.
Barmak and his little star bring artistry and truth to the plight of women under the Taliban.
A harrowing look at a disturbingly recent time that seems more rooted in a barbaric, distant past.
Shot on the ruined streets of Kabul, it has the urgent impact of a documentary, but it is a work of poetic vision.
We are certainly entitled to marvel at its very existence, but that isn't enough. The work itself is extraordinary.
I found Mr. Barmak's direction too by-the-numbers, and Ms. Goldbahari's Osama a one-note performance in her relentlessly whimpering (though perfectly understandable) self-pity.
Without piling on unnecessary pathos, and with a devotion to simply telling the truth of a situation, Osama works a rough kind of magic.
The horrors of Osama are pervasive, not acute, so they take longer to sink in. But once in, they stay there.
The film, a simple tale of a girl who disguises herself as a boy, begins with a Nelson Mandela quote: 'I can't forget but I can forgive,' is designed to ensure the audience won't forget either.
The best and worst thing about this film is it seems completely true. And no amount of water can wash away the sins portrayed.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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