Average Rating: 8.2/10
Reviews Counted: 9
Fresh: 9 | Rotten: 0
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Average Rating: N/A
Critic Reviews: 2
Fresh: 2 | Rotten: 0
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Average Rating: 3.9/5
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Often considered one of the first examples of Italian neorealism, Luchino Visconti's first film was this adaptation of James M. Cain's steamy novel The Postman Always Rings Twice, which would also be made twice in the U.S., first in 1946 with Lana Turner and John Garfield and then in 1981 with Jack Nicholson and Jessica Lange. Massimo Girotti stars as a drifter named Gino, who gets a job at a provincial inn. The handsome wanderer attempts to resist the advances of Giovanna (Clara Calamai), the
Unrated, 2 hr. 15 min.
Drama, Romance, Art House & International, Classics
Luchino Visconti, Mario Alicata, Alberto Moravia, Gianni Puccini, Giuseppe De Santis
Jan 1, 1943 Wide
Jul 16, 2002
All Critics (12) | Top Critics (3) | Fresh (10) | Rotten (0) | DVD (6)
Ossessione, which also began the late Mr. Visconti's remarkable film career, may be slow-going to the uninitiated, but its historical importance is not to be denied.
Luchino Visconti's first solo effort and the first great Italian neorealist film.
In something beyond drama and melodrama, diluted American mythos makes for Euro cine refined.
Immerses the story in the reality of life in an Italian village, using simplicity and poverty as driving forces.
The first feature film directed by Luchino Visconti is a beaut and holds up well today as a slice-of-life drama.
The film holds up well today, both as a murder story and as a slice-of-life.
Wow, made in Italy in 1943, smack in the middle of WWII - this movie is fiendishly great - sucks you right in. Also, was this Massimo Girotti fellow ever on a Smiths cover? Cuz he freakin should have been. Great exterior street scene shots - w/ wonderful fluid camera movement.
March 28, 2007Super Reviewer
Visconti's directoral debut is a cinematic milestone both in noir and neo-realism. Brilliant adaptation of The Postman Always Rings Twice, depicting the descent of two lonely souls into lust, avarice, and desperation. The use of light and shadow emphasize the character development. The finale is one of the most ironic
January 23, 2010Super Reviewer
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