Otto; or Up with Dead People (2008)
Average Rating: 4.7/10
Reviews Counted: 20
Fresh: 8 | Rotten: 12
No consensus yet.
Average Rating: 4.4/10
Critic Reviews: 8
Fresh: 2 | Rotten: 6
No consensus yet.
Average Rating: 3.1/5
User Ratings: 1,425
An gay teenage zombie falls in with a pretentious experimental filmmaker who casts him in a politically themed porno while documenting his experiences as a walking corpse in this existential gut-muncher from Canadian provocateur Bruce LaBruce. Adorable twink Otto (Jey Crisfar) was wandering the streets of Berlin and feasting on road-kill when avant-garde filmmaker Medea Yarn recruited him to appear in her latest film, a porno-political-zombie flick set during the gay zombie uprising. Gradually,
Jan 19, 2008 Wide
Feb 10, 2009
Strand Releasing - Official Site
No Friends? Inconceivable! Log in to see what your friends have to say.
Moviegoers with a LaBruce fetish will appreciate another imaginative offering from the filmmaker. Mainstream audiences should stay far, far away.
Otto deliriously intermingles sex and entrails but is also imaginative and witty
LaBruce devotees will be tickled pink; others will be perplexed and/or disgusted.
One of the more disciplined entries in the LaBruce oeuvre, Otto is sexy and silly in just the right proportions, a cult item with a real heart.
Calling a zombie movie lifeless is bad enough. But when the charge is leveled at a gay zombie movie by Bruce LaBruce, queer cinema's most radical fairy, the disappointment cuts that much deeper.
Campy but not comical, reactionary but not very clever, LaBruce's film is best saved for those tickled by the sight of homo-zombie orgies or the hardcore penetration of an open wound.
Its metaphorical examination of the plight of queer zombies in Germany is readymade for former LaBruce fans. Get ready for copulation with a hole in the stomach and such memorable quotes as "I was a zombie with an identity crisis."
Concessions to the audience's expectations certainly make Otto a more palatable viewing experience, but they also make it seem less dangerous.
Sadly, this is one of those moments where I have to scan my reviewer's list of dismissive nouns to come up with the perfect word to describe this mess. Ah, yes, here it is: claptrap.
LaBruce's film is such a riot of conflicting information and signifying styles that inner logic never really gets a grip.
Some have described this as more cohesive than most Bruce La Bruce movies, but it's still sophomoric junk.
For a movie with this many ideological loose ends, Otto comes up with a convincingly sweet resolution.
Veers between raw zombie cuisine, raw gay porn, high calorie sex that includes entrails-devouring as foreplay, and cranky anti-establishment rants against advanced capitalism. Not to mention that it's hard out there for a zombie too.
When the viscera and seminal fluids are cleared away, there is something less flagrant but more durable resembling a beating heart inside this bloody stump of a movie -- a coded message to do with loneliness and loss.
Bruce La Bruce's latest offering is a deadly affair of heavily politicized metaphors that overflows with imagination, angst and a smattering of good old fashioned porn.
Audience Reviews for Otto; or Up with Dead People
Discuss Otto; or Up with Dead People on our Movie forum!