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Palindromes (2005)
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Reviews Counted:33
Fresh:16
Rotten:17
Average Rating:5.7/10
Consensus: Unique but cold.
Theatrical Release:Apr 13, 2005 Limited
Box Office: $476,497
Synopsis: With PALINDROMES, fiercely independent writer-director Todd Solondz (HAPPINESS, STORYTELLING) places the topic of abortion under his scathing microscope. This time around, Solondz takes an even... With PALINDROMES, fiercely independent writer-director Todd Solondz (HAPPINESS, STORYTELLING) places the topic of abortion under his scathing microscope. This time around, Solondz takes an even more daring approach by casting seven different actors to play the film's lead role. Aviva Victor is the young New Jersey cousin of the recently deceased Dawn Wiener (the heroine from Solondz's Sundance-winning WELCOME TO THE DOLLHOUSE). Living under the watchful eye of her overprotective parents Joyce (Ellen Barkin) and Steve (Richard Masur), Aviva dreams of the day when she will be able to call herself a mother--a wish that is prematurely granted after an adolescent tryst. Unfortunately, her parents will not allow her to have the baby under any circumstances, which causes Aviva to run away from home. On the road, she falls for a lonely trucker (Stephen Adly Guirgis) and winds up at the home of the ultra-evangelical Mama Sunshine (Debra Monk), who cares for a wide variety of disabled children. But when the trucker reappears and it becomes quite clear that the bond he shares with Aviva is not just some perverted fantasy, the relationship builds to its inevitably tragic conclusion. Solondz's biting satire is a bold statement in support of a mother's right to choose, but it also takes a surprisingly humane approach to those on the other side of the argument. Featuring standout performances by Barkin, Monk, and Guirgis, PALINDROMES makes a bold, powerful statement. [More]
Starring: Ellen Barkin, Debra Monk, Stephen Adly Guirgis, Jennifer Jason Leigh
Starring: Ellen Barkin, Debra Monk, Stephen Adly Guirgis, Jennifer Jason Leigh, Richard Masur
Director: Todd Solondz
Director: Todd Solondz
Screenwriter: Todd Solondz
Producer: Derrick Tseng, Mike Ryan
Composer: Nathan Larson
Studio: Wellspring
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Reviews for Palindromes
The movie's oppressive atmosphere of flatly rendered, all-consuming determinism leaves it sparkless, pointless and ultimately not very funny.
In its own peculiar way, it is a more compassionate and useful religious document than Mel Gibson's The Passion of the Christ.
Palindromes" isn't a wise movie, or a particularly true movie, but it's an honest one and a singular experience.
He has a vision. No question about that. But in the end, he leaves us wondering why we should share it.
Indie filmmaker Todd Solondz deserves credit for thinking outside the box and challenging his audience. But this time, he steps over the line that distinguishes challenging from confusing.
Unlike anything you've seen at the movies. Plus, the picture is often redeemed by the director's daunting intelligence and pitch-black humor.
Solondz presents his characters as such exaggerated monsters that they don't resemble human beings as much as helplessly squirming specimens under his poison-tipped probe.
If you don't want your deepest convictions about adolescence, motherhood, and the abortion wars raked over the coals, you should probably stay home.
No comic filmmaker in America today works so hard to stay on the knife's edge between humor and pathos or is so eager to challenge his viewers emotionally.
You do not emerge untouched from a Solondz film. You may hate it, but you have seen it, and in a strange way it has seen you.
For those willing to take it, Palindromes has its share of backhanded rewards.
I still don't like it much, but I respect it --because it's the kind of film most American filmmakers won't make, bristling with the kind of issues and questions they hesitate to face.
Solondz likes to put the screws to moral hypocrisy. As always, he goes too far. As always, you don't want to look away.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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