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Paris 36

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Paris 36 (2008)

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Reviews Counted:16

Fresh:6

Rotten:10

Average Rating:4.8/10

Consensus: Sweet and light, this homage to French vaudeville -- and Francophilia in general -- is pretty, but its air of nostalgia occasionally borders on the saccharine.

Rated: PG-13 [See Full Rating] for some sexuality and nudity, violence and brief language.

Runtime: 2 hrs

Genre: Comedies

Theatrical Release:Apr 3, 2009 Limited

Box Office: $812,429

Synopsis: Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over... Spring 1936 - in a working-class district in the north of Paris, a neighborhood that probably had a name once but that everyone now simply calls the Faubourg. At the top of the hill, a view over Paris to one side and, to the other, the burgeoning suburbs of the city. A small square, a few shops, lopsided buildings, cobbled streets and the peeling façade of the neighborhood music hall, the Chansonia.

In this blue-collar neighborhood, the triumphant election of the Popular Front government is greeted with enthusiasm and hopes for a brighter tomorrow, yet stirs up all kinds of extremism. Among the new government's promises, the famous law on paid holidays that will allow numerous workers to see the sea for the first time.

In early May, three inhabitants of the Faubourg, show-business workers and close friends, do not share other people's wild hopes, the Chansonia, the music hall that employed them, closed down four months earlier, leaving them all unemployed.

Pigoil (Gérard Jugnot), a stage-hand, thirty years with the Chansonia. Without a job, he could lose custody of his 12-year-old son, JOJO (Maxence Perrin)and have to give up his plans to take him to see the sea.

MILOU (Clovis Cornillac), a hotheaded electrician and a skirt-chaser. Symbol of the "workers aristocracy," spokesman for every kind of demand, he is determinded to "change the world." JACKY (Kad Merad), former sandwich man at the Chansonia. After carrying aroundthe names of stars on his sandwich board for years, Jacky has started dreamingthat he will be the king of the music hall himself one day.

Convinced that he has a talent for imitation, he continually seeks engagements that he never finds.

Supported by the locals who live to the rhythm of Monsieur TSF's (Pierre Richard) radio, the three friends decide to take hold of their destiny: they try to force the hand of fate by occupying the Chansonia and producing the "hit" musical that will allow them to buy the place. Each one of them has different motives but they all share the same goal: finding new balance in their lives.

In addition to their lack of experience, they have to deal with the hostile antagonism of the neighborhood "godfather", Galpiat (Bernard-Pierre Donnadieu), and come to terms with the arrival of a mysterious and attractive young singer, Douce (Nora arnezeder).

The dream of a whole neighborhood, can the Chansonia "rise from its ashes" in this joyous month of June? --© Sony Pictures Classics [More]

Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu

Starring: Gerard Jugnot, Nora Arnezeder, Clovis Cornillac, Bernard-Pierre Donnadieu, Kad Merad, Pierre Richard, Maxence Perrin, Francois Morel, Elisabeth Vitali, Eric Prat

Director: Christophe Barratier

Director: Christophe Barratier
Story: Frank Thomas, Jean-Michel Derenne, Reinhardt Wagner
Producer: Jacques Perrin, Nicolas Mauvernay
Composer: Reinhardt Wagner
Studio: Sony Pictures Classics

[See More Credits]

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Release:

Aug 11, 2009

[DVD Details]
 
 
  • Music halls. Romance and danger. This is Paris, 1936. Set in a suburb of north-east Paris between December 1935 and July 1936 during the "revolutionary" period of the Popular Front (who introduced the first paid holidays and a shorter working week). Three unemployed performers decide to take over by force the music hall where they worked a few months earlier and stage a show there.
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    Reviews for Paris 36

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    1 - 16 (sorted by date)
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    Essentially a pastiche, as musty as a flea market.

    Full Review Source: Chicago Reader | comment Comment
    04/24/09
    Andrea Gronvall
    Andrea Gronvall
    Chicago Reader
    Top Critic Icon Top Critic

    Paris 36 is a handsomely made French musical that never really soars.

    Full Review Source: Washington Post | comment Comment
    04/23/09
    Mike Mayo
    Mike Mayo
    Washington Post
    Top Critic Icon Top Critic

    The nicest that can be said of this unapologetically schmaltzy, and not unenjoyable, affair is that it is the best 1936 musical made in 2009.

    Full Review Source: Philadelphia Inquirer | comment Comment
    04/16/09
    Carrie Rickey
    Carrie Rickey
    Philadelphia Inquirer
    Top Critic Icon Top Critic

    It's an overstuffed homage to a bygone style of show business rather than a vigorous piece of entertainment on its own.

    Full Review Source: Minneapolis Star Tribune | comment Comment
    04/16/09
    Colin Covert
    Colin Covert
    Minneapolis Star Tribune
    Top Critic Icon Top Critic

    Somehow its value is never communicated to the audience in a felt way. Or maybe that's simply the crucial aspect of Paris 36 that didn't make it safely across the Atlantic.

    Full Review Source: San Francisco Chronicle | comment Comment
    04/10/09
    Mick LaSalle
    Mick LaSalle
    San Francisco Chronicle
    Top Critic Icon Top Critic

    In the clumsy hands of Barratier, whose last film, The Chorus, irked many as maudlin, Paris 36 becomes a mostly pointless exercise in nostalgia.

    Full Review Source: Boston Globe | comment Comment
    04/09/09
    Ethan Gilsdorf
    Ethan Gilsdorf
    Boston Globe
    Top Critic Icon Top Critic

    The movie otherwise lacks a certain energy, advances somewhat creakily through its plot and contains mostly obligatory surprises. Still, it's pleasant and amusing.

    Full Review Source: Chicago Sun-Times | comment Comment
    04/09/09
    Roger Ebert
    Roger Ebert
    Chicago Sun-Times
    Top Critic Icon Top Critic

    An irresistible and impeccable period musical set against the political and economic turmoil of France in the mid-'30s.

    Full Review Source: Los Angeles Times | comment Comment
    04/03/09
    Kevin Thomas
    Kevin Thomas
    Los Angeles Times
    Top Critic Icon Top Critic

    A shamelessly melodramatic series of romantic, financial and political crises embroil a rundown music hall in Paris 36, a gleaming hunk of French period schmaltz expertly rendered by director Christophe Barratier.

    Full Review Source: New York Post | comment Comment
    04/03/09
    Lou Lumenick
    Lou Lumenick
    New York Post
    Top Critic Icon Top Critic

    Though unabashedly sentimental, Christophe Barratier's old-fashioned musical is so eager to please, even cynics may be seduced.

    Full Review Source: New York Daily News | comment Comment
    04/03/09
    Elizabeth Weitzman
    Elizabeth Weitzman
    New York Daily News
    Top Critic Icon Top Critic

    Mr. Barratier, in trying to evoke the great French films of the 1930s and ’40s, mistakes their elegant clarity for simple-mindedness and treats his material and his audience with condescension.

    Full Review Source: New York Times | comment Comment
    04/03/09
    A.O. Scott
    A.O. Scott
    New York Times
    Top Critic Icon Top Critic

    The 'spicy' numbers have no dazzle, the actors mug like contestants in a Maurice Chevalier impersonation contest, and the plot is a drily indigestible wad of show-must-go-on preciousness and socialist sentimentality.

    Full Review Source: Entertainment Weekly | comment Comment
    04/01/09
    Owen Gleiberman
    Owen Gleiberman
    Entertainment Weekly
    Top Critic Icon Top Critic

    Assault by relentless accordion-playing, Paris 36 proves that sometimes, imitation is the highest form of flatulence.

    Full Review Source: Village Voice | comment Comment
    04/01/09
    Melissa Anderson
    Melissa Anderson
    Village Voice
    Top Critic Icon Top Critic

    My tolerance for French kitsch is low and French accordion music lower, so that I stayed in my seat bodes well for the film’s commercial prospects.

    Full Review Source: New York Magazine | comment Comment
    03/30/09
    David Edelstein
    David Edelstein
    New York Magazine
    Top Critic Icon Top Critic

    A bracingly old-fashioned, lushly visualized showbiz meller set against pre-World War II Gallic political unrest.

    Full Review Source: Variety | comment Comment
    10/18/08
    Eddie Cockrell
    Eddie Cockrell
    Variety
    Top Critic Icon Top Critic

    Many stale plot devices are recycled.

    Full Review Source: Hollywood Reporter | comment Comment
    10/18/08
    Peter Brunette
    Peter Brunette
    Hollywood Reporter
    Top Critic Icon Top Critic
     
     
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