For directors and actors who usually work on projects that take years to develop and months to film, this must have been a really fun lark. For the viewer, it’s a full cinematic feast.
Paris, Je T'aime (2007)
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Reviews Counted:28
Fresh:23
Rotten:5
Average Rating:6.9/10
Consensus: Paris Je T'aime is uneven, but there are more than enough delightful moments in this omnibus tribute to the City of Lights to tip the scale in its favor.
Theatrical Release:May 4, 2007 Limited
Box Office: $4,857,376
Synopsis: Eighteen different directors and a slew of indie actors come together for PARIS, JE T'AIME, a cinematic homage to the City of Light. Each director presents his or her own short story set in a... Eighteen different directors and a slew of indie actors come together for PARIS, JE T'AIME, a cinematic homage to the City of Light. Each director presents his or her own short story set in a different Parisian quarter, each one featuring a different cast of characters. The pieces vary in length, with some of them striving to tell a fully developed tale--no matter how simple the plot--while others are more abstract, content to rely on sparse dialogue and vivid imagery. With directors such as Gus Van Sant, Alexander Payne, Wes Craven, and the Coen brothers participating, the tales are as varied and oddball as one might expect. Maggie Gyllenhaal plays a lonely actress with a fondness for her hash dealer. Elijah Wood encounters a seductive vampire on a moonlit street. Steve Buscemi is a flustered tourist. Natalie Portman falls for a deaf Frenchmen. Each tale is markedly unique, and specific to the quirky style of its director, and the film is a veritable Who's Who for indie buffs. The end product is a bit uneven, with some of the narratives sparkling and others starting strong, then falling flat. But in the moments when it succeeds, the movie can feel mysterious and magical, evoking the romance and longing the city is famous for. [More]
Starring: Steve Buscemi, Juliette Binoche, Maggie Gyllenhaal, Elijah Wood
Starring: Steve Buscemi, Juliette Binoche, Maggie Gyllenhaal, Elijah Wood, Gena Rowlands, Emily Mortimer, Miranda Richardson, Rufus Sewell, Willem Dafoe, Natalie Portman, Gerard Depardieu, Bob Hoskins, Nick Nolte
Director: Gus Van Sant, Joel Coen, Alexander Payne, Olivier Assayas, Frederic Auburtin, Gérard Depardieu, Christoffer Boe, Gurinder Chadha, Sylvain Chomet, Ethan Coen, Isabel Coixet, Wes Craven, Christopher Doyle, Vincenzo Natali
Director: Gus Van Sant, Joel Coen, Alexander Payne, Olivier Assayas, Frederic Auburtin, Gérard Depardieu, Christoffer Boe, Gurinder Chadha, Sylvain Chomet, Ethan Coen, Isabel Coixet, Wes Craven, Christopher Doyle, Vincenzo Natali
Producer: Ethan Coen, Claudie Ossard
Studio: First Look
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Reviews for Paris, Je T'aime
Even the least tales here flit by quickly enough to leave little bad aftertaste, and the best are savored like the last small bites of exquisite soufflés.
The best segments are as good as film gets; the losers can make you wince. On the whole, the good outweigh the bad and make the film feel like a minivacation in the City of Light.
On paper, the film looks like a slam dunk, but that isn't the way it plays out. Perhaps it's the time-limit constraints or maybe they just don't care, but most of the directors aren't working at full speed.
The result is that after two hours one gets the sense of having seen a panorama of human experience, of having witnessed a moment of time in all its true fullness.
It's hard not to love Paris, Je t'Aime. A valentine to the planet's most romantic city, this delightful anthology of 18 short films will make you long to bid adieu to your humdrum existence and board the next plane to the City of Lights.
Split evenly between the inspired segments and those that fall flat, this ambitious omnibus is still worth watching.
With 18 pieces in all, there should be something here to tantalize everyone's tastes, or at least prompt you to contact your travel agent to book a vacation.
Most features composed of sketches by different filmmakers are wildly uneven. This one is consistently mediocre, albeit pleasant and watchable.
As an ad for the city's charms, Paris couldn't have asked for a more sweetly jaundiced love letter.
It is possible to bring substance, as well as poetry, to the vignette form, but more often Paris, Je T'Aime is merely mundane.
You couldn't call it perfect -- the episodes are uneven -- but it has something that sometimes is better than perfection: real love for its subject and themes.
It's not sexy or stylish or glamorous or any of the things you might assume Paris would be before going there. But of all the segments that comprise the film, it comes the closest to depicting honestly what it feels like to fall in love.
There seems to be something in Paris air or water that encourages compendium filmmaking -- multiple characters and multiple stories. Paris, Je T'Aime may be the grandest such work currently on view.
Anthology films usually work better in theory than execution, but this feature parade of shorts is a blithe, worldly, and enchanting exception.
After having seen the 18 pieces that made the final cut, I can’t help wondering on what grounds the two rejected works were judged unworthy.
Latest News for Paris, Je T'aime
November 28, 2007:
What is amazing is how each story involves you in the plight of characters you identify with and resolves their predicaments in a satisfactory manner. ![]()
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| 77% 77% | The Hangover |
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