Average Rating: 6.5/10
Reviews Counted: 11
Fresh: 8 | Rotten: 3
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Average Rating: N/A
Critic Reviews: 2
Fresh: 1 | Rotten: 1
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Average Rating: 3.7/5
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This controversial spy-romance tale by Jean-Luc Godard was banned from release in France for three years because it refers to the use of torture on both the French and Algerian sides during the Algerian struggle for independence. The story focuses on Bruno Forestier (Michel Subor), a young, disillusioned man who becomes involved in politics, yet in spite of the fact that he stands up to torture and commits murder because of this involvement, he does not have deep political beliefs. Also featured
Apr 20, 1967 Wide
Dec 11, 2001
All Critics (13) | Top Critics (2) | Fresh (8) | Rotten (3) | DVD (4)
Gradually it becomes clearer that, starting with Le Petit Soldat, Godard was forging his own individualistic art and becoming the most relevant director of our time.
ubor's contemplative voice-over and Raoul Coutard's somber cinematography make this seem severe compared to the jazzy exuberance of Breathless.
Godard's followup to Breathless is both lesser and greater than its forefather.
Le Petit Soldat is far more confusing than Breathless, jumping in and out of scenes without letting the audience get a grasp on the narrative.
Looked at in the context of Godard's later, militant work, this film's analysis is at once naive and fascinating.
Interesting historically, much less so artistically.
A lean and witty piece of politically engaged filmmaking that combines all the drive of a thriller with Godard's own, singular, New Wave aesthetic.
Godard is most clear in showing that the Left and Right are two sides of the same coin.
I much prefer Godard's early work, Le Petit Soldat being his first political film and as far as I've seen, his best. First off, it looks great, new wave at its best. There is the romance between the two leads like in Breathless and there is intrigue like in Alphaville but Le Petit Soldat is never quite as accomplished
July 8, 2011Super Reviewer
An early Jean-Luc Godard film that was made on a shoestring budget about a young revolutionary, Bruno, living in Geneva who is fighting against French involvement in the war in Algeria, only to run into Veronica (Anna Karina).Shot like a newsreel, much of the film is photographed with a hand-held camera, with sound
June 25, 2008
Super Reviewer
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