Peyton Place (1957)
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Grace Metalious' once-notorious bestseller Peyton Place is given a lavish -- and necessarily toned-down -- film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion -- which resulted in her illegitimate daughter Allison (Diane Varsi) -- by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can't help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who'd like to be as footloose and fancy-free as the town's "fast girl" Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama's boy Norman Page (Russ Tamblyn). And while all this is going on, "white trash" Selena Cross (Hope Lange) is raped by her stepfather, drunken school caretaker Lucas Cross (Arthur Kennedy). Other characters essential to the action are wealthy Rodney Harrington (Barry Coe), who must pay the price for his dalliance with Betty Anderson; Nellie Cross (Betty Field), Selena's long-suffering mother; and the town's Voice of Reason, Dr. Swain (Lloyd Nolan). This 166-minute soap opera (whittled down to 157 minutes before release) culminates in a spectacular murder trial which lays bare the deep, dark secrets of Peyton Place. Filmed on location in Camden, Maine, Peyton Place was a huge moneymaker (even those who felt that the film was but a heavily laundered shadow of the Metalious original were pleased with the professionalism of it all); it not only spawned a 1961 theatrical sequel, but also a long-running prime time TV serial. ~ Hal Erickson, Rovi … More
as Constance MacKenzie
as Selena Cross
as Michael Rossi
as Allison MacKenzie
as Dr. Matthew Swain
as Lucas Cross
as Norman Page
as Rodney Harrington
as Nellie Cross
as Mrs. Thornton
as Seth Bushwell
as Charles Partridge
as Marion Partridge
as Joey Cross
as Paul Cross
as Pee Wee
as Naval Officer
as Miss Colton
as Army Sergeant
as Cory Hyde
as Jury Foreman
as Court Clerk
as Betty Anderson
as Ted Carter
as Mrs. Page
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Critic Reviews for Peyton Place
Peyton Place, with its myriad plot threads and cast of characters is a rollicking good yarn with obvious melodramatic tensions borne from some very juicy themes.
This is the kind of hypertensive trash that gives melodrama a bad name, cynically tempering its naughty bits with smug moralizing.
Under Mark Robson's direction, every one of the performers delivers a topnotch portrayal.
See it for 1950s' sexual mores if nothing else.
Mark Robson's Hollywood version is far more enjoyable than the Grace Mattallius's trashy novel it's based upon, a quintessential small-town movie that in morality and other issues is sort of an ideological summation of the entire decade.
It comes with its full quota of sex, conspiracy and violence, but the story is told in such circumspect fashion that next to nobody was offended.
Effective melodrama with some satisfying emotional confrontations, particularly from Lana Turner.
It's by turns gripping and silly. I suppose that's what makes good soap.
Shows America's beauty through its warts and blemishes, something that even today is often overlooked.
The elements and storylines that ended up watered-down are to the detriment of the film's overall effect.
Though a contemporary audience would hardly find Peyton Place shocking today, what is intriguing is that audiences in 1957 would not have found it shocking either.
Carregado de tensão sexual, o filme analisa os intensos conflitos que ocorrem sob a superfície pacata de uma cidadezinha e impressiona graças às fortes atuações - não é à toa que cinco integrantes do elenco foram indicados ao Oscar.
It's corn in the grand style, much of it delivered with sweep and conviction, and the intrigues come thick and fast.
Audience Reviews for Peyton Place
Filme baseado em um romance escrito por Grace Metalious que se tornou best seller por abordar temas como sexo na adolescência, incesto, aborto e rebeldia juvenil - é uma longa lista! O desafio aqui é levar tudo isso para as telas em uma época em que o código de censura (the Hayes Code) ainda dominava Hollywood, algo que o filme consegue com moderado sucesso. Indicado para 9 Oscar (sem levar nenhum), A Caldeira do Diabo possui um parentesco próximo com os melodramas produzidos pelo diretor Douglas Sirk no mesmo período, mas sem a classe e a sofisticação dos filmes do mesmo. O roteiro não deixa esconder as origens pulp do livro, com muitas passagens parecendo terem sido extraídas diretamente de romances populares vendidos para jovens adolescentes.
A narrativa se assemelha à À Sombra de uma Dúvida de Alfred Hitchcock e Veludo Azul de David Lynch, na medida que mostra a camada podre por trás de uma cidadezinha interiorana dos Estados Unidos. Lana Turner é Constance MacKenzie, mulher viúva com uma filha adolescente (a inexpressiva Diane Varsi) e um passado misterioso. Logo ela se vê confrontada com a explosão sexual da jovem e também da trágica história da amiga adolescente que é abusada pelo padrasto. Muitos tapas, lágrimas, corridas escada acima e soluços em travesseiros se seguem nas duas horas e meia de filme. O maior predicado de A Caldeira do Diabo é fazer com que a história se mantenha interessante e não seja arrastada pela longa duração. Também se torna curioso ver assuntos tão polêmicos abordados no cinema dos anos cinqüenta, ainda que a execução deixe a desejar. Já uso do formato de tela larga CinemaScope não ajuda muito, pois os cenários têm aparência barata e parecem terem sido feitos para um programa de televisão.
What invented the modern melodrama? What spawned generations of soap operas from "Dallas" up to and including "Desperate Housewives?" What made enough impact on popular culture that it was included in Billy Joel's "We Didn't Start The Fire",between "Princess Grace",and "Trouble in the Suez?" Why,that would be "Peyton Place",the 1957 film that was based on the scandalous novel by Grace Metalious,that was so successful that it spawned a even more scandalous 1961 sequel "Return To Peyton Place",and later on an even less scandalous toned down version of successful television series that premiered on ABC-TV in the fall of 1964 and lasted five seasons on the network ending in the summer of 1969 after an astounding 514 episodes that launched the careers of Ryan O'Neal, Mia Farrow and Barbara Parkins. The original 1957 motion picture PEYTON PLACE got a bit of a boost when its star Lana Turner was involved in the real-life scandal of her daughter's murdering Turner's gangster lover---dealt with ideas were downright unthinkable or even unheard of during the mid-1950's when this film was released:Adultery! Incest! Picturesque small town America having dark,seamy underbellies and even darker undertones that shocked audiences who went to see it! Still the film was toned down a mite from the source material,to the point that the Catholic Legion of Decency gave this film an "A". Despite of was critics and those haters and audiences who have spilt decisions against it,PEYTON PLACE went on to become one of the highest grossing films of the year...a huge runaway hit upon its release for 20th Century-Fox,given the full "Cinemascope" treatment and color and was nominated for an impressive nine Academy Awards including Best Picture(winning none but lost to David Lean's Bridge On The River Kwai which won the Oscar for Best Picture of 1957). The name remains synonymous with its sordid small-town drama. PEYTON PLACE was the only movie based on Grace Metalious that not it spawned a sequel,but also a long-running mid-1960's television series,two movie for TV movies and not to even mention a short-lived daytime serial "Return To Peyton Place".
NOTE: Only two of it stars from the original movie went on to star in both the sequel and the television series: Actors Lloyd Nolan, Hope Lange and Arthur Kennedy.
For the most part this is a really good drama, but it was probably better as a book. You can see that the film makers were trying to push the limits of what they could do on screen at the time, and it's interesting to see how this movie deals with its controversial topics, but the movie is also pretty boring in some scenes. Plus, it's kind of long. Overall it's pretty good, but it could have been better, if they made this movie in the seventies it would have been better i think.More
Well made but pedestrian adaption of trashy bestseller. Hope Lange outshines the rest of the cast with a great performance.More
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