Mike Nichols directed this Elaine May screenplay adapted from the 1996 bestseller by "Anonymous" (Joe Klein), who fictionalized Bill Clinton's first presidential campaign. In the New Hampshire primary, Governor Jack Stanton (John Travolta) convinces Henry Burton (Adrian Lester), grandson of a respected civil rights pioneer, to become his deputy campaign manager. Stanton's smart wife Susan (Emma Thompson) always comes through with public support for her philandering husband. The film's parallel
for James Carville is Stanton's redneck advisor Richard Jemmons (Billy Bob Thornton), who knows every strategy and tactic but worries, "The woman thing, that's the killer." Sure enough, problems during the New Hampshire primary include charges of adultery. To get a handle on past peccadillos, Stanton's staff brings in an old family friend, lesbian Libby Holden (Kathy Bates), who knows how to clean up dirt. Stanton, a strong debater, moves on to Florida and New York. When one opposing candidate drops dead of a heart attack, he's replaced by Florida's Governor Fred Picker (Larry Hagman), but Holden holds the skeleton key to the skeleton in Picker's closet. Just how the Stantons put this information to use reveals whether they are ruthless politicians or inspirational leaders with ideals. ~ Bhob Stewart, Rovi
Adapting Joe Klein's roman a clef of the same name, ferociously witty screenwriter Elaine May and her smooth old compatriot in comedy, director Mike Nichols, have made a zingy drama and have staffed it well.
A spot-on political satire which ranks with The Candidate, All the President's Men, and Wag the Dog as one of our best films about power and the Presidency.
It used to be that we had to wait 20 years for the fictionalization of history -- now that gap seems to have closed to less than five years. Kinda sad. But also kinda entertaining!
an alarmingly topical comedy-drama that dredges up far more issues than it can address in its two-and-a-half hours. But give Nichols, writer Elaine May and everyone else an 'A' for effort.
Primary Colours is a political satire following a southern governor who bears a striking resemblance to Bill Clinton on his presidential campaign trail. This film was obviously aimed far more at mainstream audiences than I was hoping for and so seems very tame to anyone used to the likes of The Thick Of It or even 70s
sitcom Yes Minister. The story is shown through the eyes of the idealistic grandson of a civil rights activist played by Adrian Lester, but as we don't get to learn much about him, there is little in the way of emotional involvement; in fact the whole "human drama" aspect of it felt very forced. Travolta's drawling womaniser is shown to be basically an honest and straight talking man with one flaw, and this lack of satirical bite also compromises his character. What does make this film however are the supporting characters; partly Billy Bob Thornton's red neck adviser but mainly Kathy Bates who tears through the film like a large lesbian version of hurricane Katrina. She has the best character and most of the best lines as a disillusioned ex-activist but once again the outcome of her part in the story felt a bit contrived and hollow. It does have wit, intelligence and a message, namely that this era of spin is a Frankenstain's monster that the complicity of a gossip-hungry public and sensationalist media have helped create, and it is always engaging; I just wished it had the cynical, satirical teeth to go in for the kill.
May 26, 2007
xGary Xx
Super Reviewer
A well done, if though occasionally flawed, political comedy/drama that features two golden performances from John Travolta and Kathy Bates. While it does get over-dramatic at some parts and some of the characters could've been fleshed out a tad better, for the most part this is a well executed take on politics and how
the people involved in them are never what they seem to be. I wish they had left the ending open-ended and daring the viewer to make their own choice as to what they would do in the situation posed in the film's conclusion, but I understand Nichols instead going with the more accepting finale.
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