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Princesas (2006)
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Reviews Counted:10
Fresh:5
Rotten:5
Average Rating:6/10
Theatrical Release:Aug 23, 2006 Limited
Synopsis: Princesas is a film that will truly detach itself from your expectations. Caye comes from a middle-class family unaware of her life as a prostitute. She and the other "Spanish" whores hang out in a... Princesas is a film that will truly detach itself from your expectations. Caye comes from a middle-class family unaware of her life as a prostitute. She and the other "Spanish" whores hang out in a hair salon, complaining about cheaper immigrant putas stealing their business. One of them is Zuleman, a striking woman from the Dominican Republic, who works the streets to support a son back home. When Zule is badly beaten, Caye takes her to a hospital. Both are isolated from their families–Zule by distance, Caye by shame. Both pin their dreams on money or idealized relationships. And both begin to see each other as the only thing solid enough to hold onto. Caye and Zule are tough, complicated women who share in a discovery of self-determination. While it contains director Fernando León de Aranoa's signature concern with the forces that constrain working-class people, Princesas is social realism infused with a wonderful, figurative touch. His ability to turn grim realities into glimpses of humanity, absent of sentimentality or cliché, stems from his sensitivity, vitality, and humor -- not to mention two exceptionally talented actors. León de Aranoa uses stories to discover people (and he greets these women with open arms). Their desires are ours -- happiness, love, dignity. Daily, they walk a tightrope, which in itself is an act of grace...whether you're a princess or a whore. -- © Sundance Film Festival [More]
Starring: Candela Peña
Starring: Candela Peña
Director: Fernando León de Aranoa
Director: Fernando León de Aranoa
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Reviews for Princesas
While Princesas offers sensitive and beautifully wrought performances by its two leads (Candela Pena and Micaela Nevarez, who each won Goya Awards), the film offers little new in way of substance or theme.
Writer-director Fernando León de Aranoa embraces a pair of Madrid streetwalkers with such affection and compassion that their story, even though prostitutes are a staple of the movies, actually seems fresh and distinctive.
Fernando Leon de Aranoa confirms his Loach-like ability to convert marginalized subjects into socially committed cinema.
In Princesas, [writer-director Fernando León de Aranoa] leaves too many loose ends hanging about, but his sentiments are noble.
Women become prostitutes for different reasons, and the reasons driving the main characters in Spanish writer-director Fernando León de Aranoa's earnest tale of friendship couldn't be more different.
The way that Aranoa so clearly venerates his lively women feels Almodóvar-esque, but the movie aims most of all to suggest that hookerdom is hell -- and it's neither realistic nor unsentimental enough to pull that off.
Princesas starts as a serious examination of the two women's lives, but it descends into a mushy melodrama complete with schmaltzy music and dewy cinematography.
This maudlin melodrama about prostitutes in Madrid is not, alas, the new film by Pedro Almódovar, but a dilution of his manner by the writer-director Fernando León de Aranoa.
De Aranoa never condescends to his subjects, and Caye's mixture of aggression and tenderness is appealingly authentic. Could this be the first film to use a cell phone ringtone to devastating emotional effect?
Latest News for Princesas
August 24, 2006:
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