Average Rating: 5.8/10
Reviews Counted: 150
Fresh: 76 | Rotten: 74
Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.
Average Rating: 5.1/10
Critic Reviews: 37
Fresh: 11 | Rotten: 26
Despite the rich source material, The Producers has a stale, stagy feel more suited to the theater than the big screen.
liked it
Average Rating: 3.1/5
User Ratings: 262,154
After transforming his first motion picture into a smash Broadway musical, Mel Brooks brings the story of two would-be theatrical moguls turned con men back to the screen in this musical comedy. Max Bialystock (Nathan Lane) was once one of Broadway's most successful producers, but a string of flops has thrown his career into a tailspin, and now he struggles to raise the cash to stage new shows by playing gigolo to lonely old ladies. While going over his books, accountant Leo Bloom (Matthew
Dec 16, 2005 Wide
May 16, 2006
$19.2M
Universal Pictures
All Critics (155) | Top Critics (38) | Fresh (78) | Rotten (75) | DVD (16)
Not so much a film as an awkwardly framed souvenir of the Broadway hit musical, The Producers needs a live audience like a candle needs oxygen.
The jokes are in its tackiness, and gauchery, and raspberry-inducing send-up of Broadway traditions. On that level, the movie works fine -- and is a whole lot cheaper for the ticket buyer.
Nathan Lane, Matthew Broderick and Gary Beach have their singing, dancing and kvetching in the Broadway smash The Producers immortalized on film.
... a kitschy celebration of all things Mel.
There are bad movies, there are terrible, misguided mistakes and there are unbearable and embarrassing ordeals. The Producers: The Movie Musical is all of those.
On film, Lane and Broderick are stuck in manic overdrive, like a couple of guys who have been assigned the impossible task of reviving vaudeville.
Long, too-faithful film of Mel Brooks' stage musical.
The original was far funnier and somehow managed to cut to the chase with less of a song and dance.
Be prepared to laugh from the opening credits through the closing credits.
The play is everything in this uneven movie, which is alternately groan-inducing and side-splitting.
Confirmed my original opinion that the musical version of The Producers was a flash-in-the-pan success that won't be remembered ten years from now.
Director Stroman (who also choreographed the film) has also paid tribute to the theatre by casting such stage stars as Brent Barrett, Debra Monk, Karen Ziemba and Andrea Martin.
The real reason to see this film is the addition of the musical numbers -- catchy and clever songs, written in the style of classic 1950s Broadway musicals.
It's entertaining, but not as charming or rousing as its musical muse, Singin' in the Rain, nor does it completely capture the spontaneous humor of the Brooks' original.
Stage director Susan Stroman brings it all in, including the high spirits and naughty fun, though a few more dancers in some of the musical numbers might have filled the screen better.
Shows such affinity for the stage that it barely qualifies as a movie.
Is it better than the stage version? Not necessarily. But this is a faithful rendition that should succeed in bringing a delightful old-fashioned crowd-pleaser to a new audience.
This is extraneous for anyone who's seen the original film or show, presumably leaving everyone else to wonder what all the fuss has been about.
Arguably the funniest movie of the year.
It's a broad, slightly naughty comedy in musical form from the skewed, if not a little twisted, comic genius Mel Brooks.
Barely adequate.
Not great, but still funnier than most other comedies released in 2005.
A Broadway producer and his accountant team up to make a flop as part of a get-rich-quick scheme ... set to music.All the problems - the over-acting, the kitsch - that plagued the original production are on full display here, and added to those is some really bad music. I highly doubt that the discerning viewer will
December 13, 2011
Super Reviewer
This is a movie based on a play based on a movie about a play. Also, this film, like the play within it, and the play it was based on, is a musical. This is probably the greatest difference between this and the 1968 film. There are other differences sure, but this being a musical is the most noticable change. It has
June 9, 2006Super Reviewer
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