Grounded by the stark physicality of the location and the emotional charge generated by those prison-bound passions (Jean Genet would have approved).
Proteus (2003)
Tomatometer
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Reviews Counted:7
Fresh:2
Rotten:5
Average Rating:4.5/10
Theatrical Release:Jul 30, 2004 Limited
Synopsis: An historical drama based on the true story of a homosexual love affair in South Africa during the 18th Century, PROTEUS unfolds within the confines of a Cape Town penal colony. Rijkhaart Jacobsz... An historical drama based on the true story of a homosexual love affair in South Africa during the 18th Century, PROTEUS unfolds within the confines of a Cape Town penal colony. Rijkhaart Jacobsz (Neil Sandilands) is a Dutch sailor who has been locked up for violating the strict laws against homosexuality, which at the time treated it as a crime worse than murder. Khoi herder Claas Blank (Rouxnet Brown) is a member of the lowest caste; cleared of his charges, he is nonetheless being forced to serve a 10-year sentence just for being arrested. Despite the strong taboos regarding interracial relationships, the two had an affair that spanned 10 years, but it was eventually discovered, and they were placed on trial. The film--a collaboration between Canadian John Greyson and South African Jack Lewis--is based to a large extent on the court transcripts of these proceedings, with the resulting picture providing a moving exploration of a number of themes that have shaped gay history. [More]
Starring: Tessa Jubber, Rouxnet Brown, Brett Goldin
Starring: Tessa Jubber, Rouxnet Brown, Brett Goldin
Director: John Greyson, Jack Lewis
Director: John Greyson, Jack Lewis
Studio: Strand Releasing
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Reviews for Proteus
Involving and affecting even if it is not completely coherent or fully realized.
Clearly attempting to make the story relevant for contemporary times, they use a variety of stylistic devices that serves to have the opposite effect, distancing us from a story that might have been far more compelling if rendered in a direct fashion.
Script doesn't sufficiently fill in the blanks left by historical record regarding the personalities involved, which robs the central relationship of emotional (let alone tragic) depth.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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