Fresh Manhattan locations prove as photogenic as the leads, and the supporting actors -- especially Tina Benko as a glacial, impeccably dressed amazon -- don't miss a beat of Maggenti's snappy dialogue.
Puccini for Beginners (2007)
Tomatometer
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Reviews Counted:24
Fresh:12
Rotten:12
Average Rating:5.7/10
Consensus: A Woody Allen-ish film that needs more of the caustic wit expected from the best New York rom coms.
Theatrical Release:Feb 2, 2007 Limited
Synopsis: Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment... Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment phobic. Her lesbian lover dumped her because she couldn't settle down and say "I love you." And just as she's drowning her sorrows in a giant slice of Camembert, in walks Philip, a dapper Columbia professor who, against her better judgment, lights her fire. Kicking and screaming, she launches an affair with–heaven forbid–a man! Meanwhile, she falls into bed with irresistibly gorgeous Grace, a recently single, straight woman, of all things. While juggling two romances that are advancing way too quickly for comfort, Allegra lands in hot water that boils over into an explosive, cathartic climax for all. Waltzing beyond the coming-out stories of a decade ago, Maggenti playfully ushers in a new era of lesbian cinema free from an ideological agenda. Here sexuality is fluid and unapologetic, while gender identity and politics are hotly debated–and even poked fun at–rather than narrowly defined. Smart, snappy dialogue and effortlessly charming performances by Elizabeth Reaser, Justin Kirk, and Gretchen Mol make this triangular tale soar. Like an accomplice, a glistening New York City operates as an enchanting cosmopolitan village, where chance meetings alter destinies and anything is possible. --© Sundance Film Festival [More]
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas, Julianne Nicholson
Director: Maria Maggenti
Director: Maria Maggenti
Studio: Strand Releasing
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Reviews for Puccini for Beginners
Reaser really doesn't stand a chance. She's plucky as heck, and you like her despite the script, but she can't save the movie.
There is pleasure and even insight to be had in Puccini but it all feels second-hand, and therefore, of questionable provenance.
Puccini for Beginners doesn't quite make it as romantic comedy. Most of the elements are in place, but the characters seem too narcissistic to fall in love and too broad-brush to be authentic.
It's no fun to sit through the movie's retread Woody Allenisms, including postmodern repartee among the self-absorbed or giddily neurotic and passing strangers suddenly given to ironic Greek chorus-like commentary.
Puccini for Beginners is littered with witty dialogue, although some of it is so obviously scripted that it can become off-putting.
There's a drag on this film, and that's the character of the protagonist, Allegra. She's just not a nice person, which could have been OK, except it seems as though she's supposed to be.
It may not be the real world of New York, or even of most relationships, but it's worth a visit.
Proving that a movie called Puccini For Beginners actually can be as deeply pretentious as its title implies, Puccini For Beginners attempts to pick up the torch once carried by Woody Allen for the romantic comedy of ideas.
The movie offers a charming view of a small-town Manhattan where strangers constantly give Allegra romantic advice. Though that device is a little too indebted to Woody Allen, at least Maggenti does Allen a lot better than Ed Burns.
[Director] Maggenti offers a cute variation on the classic Hollywood 'comedy of remarriage.'
If Woody Allen were a young, attractive gay woman, he might make something like this, or so Maggenti hopes. But it would probably be funnier, and it would definitely cut deeper.
The filmmaker's niftiest trick is in making a group of neurotic, self-involved, overly verbal people so engaging.
A sharp-witted romantic comedy that takes the old Woody Allen screwball style and mood and amusingly applies them to a story about tangled gay and straight relationships in modern Manhattan.
For fans desperate for a funny new romantic comedy, and willing to expand their definitions of just what a date movie might entail, Puccini for Beginners offers a good 101 introduction to the genre.
A number of scenes in the film are charming and engaging, with a genuinely unforced lightheartedness, and that takes more than a little expertise on the part of Ms. Maggenti, as well as her cast and other collaborators.
Real pleasure comes in small, refreshing doses in Puccini for Beginners.
Writer-director Maggenti turns in some smart dialogue and keeps things moving swiftly.
Snappy repartee with the ring of real conversation is sustained through enough of Puccini for Beginners to make it a rarity.
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